Search results for ""Author Matthew Firth""

'Suburban Pornography' is contemporary literature, which documents Canadian urban life in a raw and naked manner. The prose is stripped-minimalist, direct, urgent, unflinching. The stories revolve around ordinary characters and problems-people stuck in bad relationships or jobs. Some yearn for something just beyond their grasp, something authentic to knock them out of their malaise. Their frailties and obsessions are front and centre. They are garbage men, bus drivers, waitresses, soupkitchen clients, and neighbourhood perverts-tired and busy, too weary to contemplate-from social conditions that sanction only mere existence in redemption's agony and fleeting glory. " 'Suburban Pornography' surpasses a generic understanding of a tell-it-like-it-is literary form, born from American 20th century fiction, and delivers a unique Canadian voice offering a universal reflection of troubled humanity." - Discorder "What makes 'Suburban Pornography' so memorable is the brutally honestsnapshots of the inner-city ill-privileged and sad-sack suburbanites who fuck, suck, bleed, bruise, cruise and search for love among the loveless." - Xpress

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'Shag Carpet Action' is Matthew Firth's boldest and brashest collection of stories yet. Centred on the novella "Dog Fucker Blues" this collection examines what it's like to be down but not quite out in the 21st century. The book examines people clinging to the edge of physical, mental, sexual, psychological, and financial survival, bordering on the brink of ruin. This new collection continues Firth's deep mining into the bowels of Canadian life. From there he unearths tales of some of Canada's forgotten people who survive with their wits and guts during these harsh times. Behind the covers of 'Shag Carpet Action' are stories about rival garbage collectors warring over a possible strike; suburban lust and yearning involving the creative use of a son's Spider-Man toy; the travails of a man who has a vasectomy but then finds that there are more painful events to deal with on his agenda; shameless and bombastic people who just don't care who overhears their conversation-and on it goes. Absurd, raunchy, funny stories whose sharp, salty characters are boldly credible and wonderfully rendered by one of Canada's most adventurous and courageous writers. "Matthew Firth is one of my favourite writers. I wait for new Firth books with all of the same sense of need and anticipation that I once felt while waiting for my heroin dealer to show." - Tony O'Neill, author of 'Sick City' "Matt Firth is the literary incarnation of the boy your mama warned you about. These short stories, as tightly clenched as an angry fist, are not for the faint-hearted. Firth will probably never win any big prizes, because he cock-punches the kind of pastoral/historical claptrap that passes for literature among wine-drinking book clubbers." -Jenn Farrell, author of 'Sugar Bush and Other Stories' and 'The Devil You Know' "Firth's strength lies not simply in provocatively deploying overt sexuality, but rather the way he leverages bald carnality to make broader, potent statements about thehuman condition." - Quill & Quire

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This book addresses a little-considered aspect of the study of the history of emotions in medieval literature: the depiction of perplexing emotional reactions. Medieval literature often confronts audiences with displays of emotion that are improbable, physiologically impossible, or simply unfathomable in modern social contexts. The intent of such episodes is not always clear; medieval texts rarely explain emotional responses or their motivations. The implication is that the meanings communicated by such emotional display were so obvious to their intended audience that no explanation was required. This raises the question of whether such meanings can be recovered. This is the task to which the contributors to this book have put themselves. In approaching this question, this book does not set out to be a collection of literary studies that treat portrayals of emotion as simple tropes or motifs, isolated within their corpora. Rather, it seeks to uncover how such manifestations of feeling may reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Sea world.

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