Search results for ""Author Matt Price""

Following the success of The Anomie Review of Contemporary British Painting in 2018, a second volume has been created to showcase more than sixty solo exhibitions that have defined contemporary painting in Britain since the first volume.This new, larger anthology presents the work of sixty artists born or living in Britain through documentation and discussion of solo exhibitions of their work in museums and galleries around Britain and internationally. Featuring artists at different stages of their careers, from senior figures exhibiting at major museums to emerging artists staging some of their first commercial gallery exhibitions, The Anomie Review of Contemporary British Painting 2 offers an overview of recent activity in the medium of painting in Britain.Artists and venues featured in this new volume include Hurvin Anderson at Rat Hole Gallery, Tokyo; Lisa Brice at Stephen Friedman Gallery, London; Gareth Cadwallader at Josh Lilley, London; Denzil Forrester at Nottingham Contemporary; Sophie von Hellermann at Pilar Corrias, London; Matthew Krishanu at Midlands Arts Centre, Birmingham; Joy Labinjo at BALTIC, Gateshead; France-Lise McGurn at Simon Lee, London; Benjamin Senior at BolteLang, Zurich; Anj Smith at MOSTYN, Llandudno; Tim Stoner at Modern Art, London; and Phoebe Unwin at Towner Eastbourne.The anthology, which features cover artwork by Jadé Fadojutimi from her spring 2019 solo exhibition at PEER, London, has been compiled and written by London-based editor and writer Matt Price, who in addition to editing more than fifty monographs, catalogues and books including Phaidon’s international anthologies of painting and drawing Vitamin P2 and D2, has written for magazines such as Art Monthly, Art Quarterly, ArtReview, Flash Art, Frieze and Modern Painters.Endorsements for the first volume of The Anomie Review of Contemporary British Painting:"This insightful, richly illustrated anthology is a celebration of an artistic medium that is not only surviving but positively thriving. In discussing the work of [...] diverse painters, author Matt Price proves a passionate and engaging artworld guide to British painting today." - Helen Sumpter, Editor, Art Quarterly, ART FUND"It is hard to believe that nobody has thought to publish an anthology of this sort before, so valuable is it to current and future curators, artists and scholars, as well as audiences interested in the medium. A highly enjoyable read." - Charlotte Keenan McDonald, Curator of British Art, Walker Art Gallery / National Museums Liverpool.

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At any given moment, there are hundreds of campaigns under way that seek to persuade citizens or decision makers to think, act, or vote in a certain way. But what separates campaigns that win from those that don’t?This book shows how to combine old-school people power with new digital tools and data to win campaigns today. It explores the traditions and practices of organizing and how to marry these with digital communication tools to scale up campaigns and win. Over a dozen case studies from NGOs, unions, and electoral campaigns highlight this work in practice.At a time of growing concern about what the future holds, this book is an indispensable guide not only for seasoned campaigners but also for those just getting started, who want to apply the principles and practices of engagement organizing to their own campaigns for change.

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The first publication on the work of London-based artist Freya Douglas-Morris documents her first solo exhibition with Alexander Berggruen, New York, in autumn 2023. This star I give to you is the first publication on the work of London-based artist Freya Douglas-Morris, presenting a body of paintings exploring the poetry, beauty and magic of landscapes and the natural world. Born in London in 1980, Douglas-Morris spent several of her childhood years in a village near the coast on the Isle of Wight before she and her family moved back to London. These experiences of the land, sea and sky contributed to her fascination with these subjects in her painting practice: ‘I think my love of being outdoors started then’ she remarks during her interview with British publisher Matt Price for this publication. The interview, which was held in the artist’s East-London studio shortly before Douglas-Morris’s solo exhibition of the same name at Alexander Berggruen, New York, in autumn 2023, explores topics including the artist’s love of walking, the genesis of the body of work in New York’s Central Park and the influence of late-nineteenth and early-twentieth century modernist painting on her practice. Featuring the eight large oil paintings on canvas and five oil paintings on copper that were displayed in the exhibition, This star I give to you also includes a foreword by New York-based writer and Associate Director at Alexander Berggruen, Kirsten Cave, along with studio notes by the artist on each of the reproduced works. A graduate of University of Brighton and the Royal College of Art, London, Douglas-Morris has exhibited internationally in China, Taiwan, The Bahamas, Austria, Italy, France and America.

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The first publication on British artist Marguerite Horner presents her monochromatic, radiant and accomplished paintings inspired by a trip to Beachwood Canyon, California, and produced in 2023. Numinous presents the monochromatic, radiant and accomplished paintings of British artist Marguerite Horner (b. 1954), inspired by a trip to Beachwood Canyon, California, and produced in 2023. The twenty-one watercolours and two oil paintings which make up the series of the same name depict flat expanses of sand, the sunlit sea, cacti, the silhouettes of distant people seen from above and occasionally American highways. They were first exhibited at the Crypt in St Marylebone Parish Church, London, in October 2023. The first publication on Horner’s work features a foreword by publisher and writer Matt Price, describing the charged, luminous moments depicted in the Numinous series and the significance of the natural world in the artworks. In his essay, multidisciplinary scholar Dr Matthew Holman discusses the setting of California and Horner’s painting style within the context of British and American painting and her previous bodies of work. Her 2017 series Keep Me Safe portrayed her experiences of driving the Chiswick Comboni Missionary Sisters to the Calais ‘Jungle’ refugee camp while her 2022 exhibition Back to Verve showed small-town life and the eerie quiet of suburbia. Numinous builds on her previous series to further explore ideas of landscape, human behaviour and the metaphysical. Through her watercolours and oil paintings, Horner explores the ‘numinous’, a concept defined by Lutheran theologian Rudolf Otto that indicates the presence of divinity. A keen observer, she is interested in the possibility of transcendence in everyday life and places.

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