Search results for ""Author Mary McAuliffe""

Paris: Secret Gardens, Hidden Places, and Stories in the City of Light, Mary McAuliffe’s multi-layered exploration of Paris, weaves a narrative that takes the reader into secret and hidden places, even in the midst of the most well-known of Paris destinations. McAuliffe’s hidden places can be small but are always revealing, like a bas-relief on an ignored corner of Notre-Dame or an overlooked courtyard inside an ancient and busy hospital. She takes the reader below the streets and sidewalks of Paris to discover ancient aqueducts and a lost river, and she prompts the reader to notice overlooked treasures in the most trafficked of museums. Always, McAuliffe’s focus is on people and their stories. Evil queens, designing noblemen, bold chevaliers, and desperate lovers mingle with resistance fighters and obsessed artists rising out of abject poverty into unexpected fame and fortune, adding to the tidal wave of creativity that is the life blood of the City of Light. One person, place, and story lead to another, each linked by a common thread within the layered richness of Paris’s past. The story of Paris is not a chronology but an exploration of the many layers of this remarkable city throughout the ages.

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When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Années folles, when Parisians emerged from the horrors of war to find that a new world greeted them—one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior. The epicenter of all this creativity, as well as of the era’s good times, was Montparnasse, where impoverished artists and writers found colleagues and cafés, and tourists discovered the Paris of their dreams. Major figures on the Paris scene—such as Gertrude Stein, Jean Cocteau, Picasso, Stravinsky, Diaghilev, and Proust—continued to hold sway, while others now came to prominence—including Ernest Hemingway, Coco Chanel, Cole Porter, and Josephine Baker, as well as André Citroën, Le Corbusier, Man Ray, Sylvia Beach, James Joyce, and the irrepressible Kiki of Montparnasse. Paris of the 1920s unquestionably sizzled. Yet rather than being a decade of unmitigated bliss, les Années folles also saw an undercurrent of despair as well as the rise of ruthless organizations of the extreme right, aimed at annihilating whatever threatened tradition and order—a struggle that would escalate in the years ahead. Through rich illustrations and evocative narrative, Mary McAuliffe brings this vibrant era to life.

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Paris on the Brink vividly portrays the City of Light during the tumultuous 1930s, from the Wall Street Crash of 1929 to war and German Occupation. This was a dangerous and turbulent decade, during which workers flexed their economic muscle and their opponents struck back with increasing violence. As the divide between haves and have-nots widened, so did the political split between left and right, with animosities exploding into brutal clashes, intensified by the paramilitary leagues of the extreme right. Hitler, Stalin, and Mussolini escalated the increasingly hazardous international environment, while the civil war in Spain added to the instability of the times. Yet throughout the decade, Paris remained at the center of cultural creativity. Major figures on the Paris scene, such as Gertrude Stein, Ernest Hemingway, André Gide, Marie Curie, Picasso, Stravinsky, and Coco Chanel, continued to hold sway, in addition to Josephine Baker, Sylvia Beach, James Joyce, Man Ray, and Le Corbusier. Simone de Beauvoir and Jean-Paul Sartre could now be seen at their favorite cafés, while Jean Renoir, Salvador Dalí, and Elsa Schiaparelli came to prominence, along with France’s first Socialist prime minister, Léon Blum. Despite the decade’s creativity and glamour, it remained a difficult and dangerous time, and Parisians responded with growing nativism and anti-Semitism, while relying on their Maginot Line to protect them from external harm. Through rich illustrations and evocative narrative, Mary McAuliffe brings this extraordinary era to life.

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Conflict between England and France was a fact of life for centuries, but few realize that its origins date from the time of the Vikings, when a Norse chieftain named Rollo established himself and his progeny in Normandy. In this compelling and entertaining history, Mary McAuliffe takes the reader back to those dark and turbulent times when Rollo’s descendants, the dukes of Normandy, asserted their dominance over the weak French monarchy—a dominance that became especially threatening after Duke William conquered England in 1066, giving him a royal crown. Despite this crown, William the Conqueror and his royal successors remained dukes of Normandy, with feudal obligations to their overlord, the king of France. This naturally fostered an ongoing hostility between the French and English crowns that, as McAuliffe convincingly shows, became ever more explosive as the strength and territorial holdings of the English monarchs grew. Conflict erupted regularly over the years, and Eleanor of Aquitaine’s desertion of one camp for the other only added fuel to the long-simmering feud. McAuliffe takes the reader back to this dramatic era, providing the fascinating background and context for this “clash of crowns.” She offers colorful insights into Richard Lionheart and Eleanor of Aquitaine as well as lesser-known French and English monarchs, especially Philip II of France. Philip proved a determined opponent of Richard Lionheart, and their cutthroat rivalry not only created fatal divisions within the Third Crusade but also culminated in an incendiary faceoff at Richard’s newly built Château-Gaillard, the seemingly impregnable gateway to empire. The outcome would shape the course of English and French history throughout the centuries that followed.

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The diaries of Dr Kathleen Lynn, 1916-1955, cover her involvement in the 1916 Rising, the War of Independence, the Civil War, and the formative three and a half decades of the Irish Free State. They demonstrate the revolutionary, socialist and feminist fervour of a radical revolutionary woman, what motivated her and the work she did for women, workers, and Ireland. The diaries, held in the archives of the Royal College of Physicians of Ireland (RCPI), reveal the often-difficult road that radical political women forged in the new Irish Free State, which viewed women through the constraining lens of marriage, motherhood, and domesticity. The diaries are also revealing of the supportive networks of political women, who worked together for social and political change. Central to the diaries is Lynn's vital work in St Ultan's Hospital for Sick Infants which she co-founded in 1919. Her diaries demonstrate vividly the number of women who led advances in medical care in the first decades of the State alongside Lynn. The diaries also record her family and personal relationships, especially her lifelong relationship with fellow suffragist, revolutionary and social campaigner, Madeline ffrench-Mullen. Few political women of the revolutionary era and Irish Free State have left behind as substantial an archive as Dr Kathleen Lynn. The publication of these selected extracts from her diaries are a move to readdress issues created by past archival practices which have, in many cases, marginalised or silenced the voices of women. The diaries add not only to our knowledge of the life of Dr Lynn but also to the histories of female activists, female networks, and intimate female lives in the Irish State during its formative decades. Edited by Mary McAuliffe and Harriet Wheelock with a foreword by Emma Donoghue.

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Conflict between England and France was a fact of life for centuries, but few realize that its origins date from the time of the Vikings, when a Norse chieftain named Rollo established himself and his progeny in Normandy. In this compelling and entertaining history, Mary McAuliffe takes the reader back to those dark and turbulent times when Rollo’s descendants, the dukes of Normandy, asserted their dominance over the weak French monarchy—a dominance that became especially threatening after Duke William conquered England in 1066, giving him a royal crown. Despite this crown, William the Conqueror and his royal successors remained dukes of Normandy, with feudal obligations to their overlord, the king of France. This naturally fostered an ongoing hostility between the French and English crowns that, as McAuliffe convincingly shows, became ever more explosive as the strength and territorial holdings of the English monarchs grew. Conflict erupted regularly over the years, and Eleanor of Aquitaine’s desertion of one camp for the other only added fuel to the long-simmering feud. McAuliffe takes the reader back to this dramatic era, providing the fascinating background and context for this “clash of crowns.” She offers colorful insights into Richard Lionheart and Eleanor of Aquitaine as well as lesser-known French and English monarchs, especially Philip II of France. Philip proved a determined opponent of Richard Lionheart, and their cutthroat rivalry not only created fatal divisions within the Third Crusade but also culminated in an incendiary faceoff at Richard’s newly built Château-Gaillard, the seemingly impregnable gateway to empire. The outcome would shape the course of English and French history throughout the centuries that followed.

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Margaret Skinnider enters and exits the history books as the female rebel who was wounded commanding a military action in the 1916 Rising. In a re-evaluation of Skinnider's long and politically active life, this biography considers the life of a woman who deserves her place in Irish social, political and trade union histories. Coming of age among the Irish diaspora in a Glasgow where militancy in socialism, feminism and Irish nationalism were inspirational ideologies, Skinnider was a suffragette, trade union activist, socialist, and militant Irish nationalist. Arriving in Dublin in 1916 and brimming with commitment to the causes that had suffused her childhood and adolescence, Skinnider would go on to give much service to her adopted country, Ireland. During the next five decades of her life, she remained an active feminist, trade union activist and Irish republican. The study also looks at Skinnider's, until now, more hidden history, her committed relationship with her lifelong partner, fellow Cumann na mBan member and feminist activist, Nora O'Keeffe. Among the newest additions to the Life and Times New Series, this monograph considers the importance of researching and writing political women's biography, of fully considering the roots of their ideologies, and of understanding their lifelong commitments to activism.

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When women are erased from history, what are we left with?Between 1912 and 1922, Ireland experienced sweeping social and political change, including the Easter Rising, World War I, the Irish Civil War, the fight for Irish women's suffrage, the founding of the Abbey Theatre, and the passage of the Home Rule Bill. In preparation for the centennial of this epic decade, the Irish government formed a group of experts to oversee the ways in which the country would remember this monumental time. Unfortunately, the group was formed with no attempt at gender balance. Women and the Decade of Commemorations, edited by Oona Frawley, highlights not only the responsibilities of Irish women, past and present, but it also privileges women's scholarship in an attempt to redress what has been a long-standing imbalance. For example, contributors note the role of the Waking the Feminists movement, which was ignited when, in 2016, the Abbey Theater released its male-dominated centenary program. They also discuss the importance of addressing missing history and curating memory to correct the historical record when it comes to remembering revolution.Together, the essays in Women and the Decade of Commemorations consider the impact of women's unseen, unsung work, which has been critically important in shaping Ireland, a country that continues to struggle with honoring the full role of women today.

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When women are erased from history, what are we left with?Between 1912 and 1922, Ireland experienced sweeping social and political change, including the Easter Rising, World War I, the Irish Civil War, the fight for Irish women's suffrage, the founding of the Abbey Theatre, and the passage of the Home Rule Bill. In preparation for the centennial of this epic decade, the Irish government formed a group of experts to oversee the ways in which the country would remember this monumental time. Unfortunately, the group was formed with no attempt at gender balance. Women and the Decade of Commemorations, edited by Oona Frawley, highlights not only the responsibilities of Irish women, past and present, but it also privileges women's scholarship in an attempt to redress what has been a long-standing imbalance. For example, contributors note the role of the Waking the Feminists movement, which was ignited when, in 2016, the Abbey Theater released its male-dominated centenary program. They also discuss the importance of addressing missing history and curating memory to correct the historical record when it comes to remembering revolution.Together, the essays in Women and the Decade of Commemorations consider the impact of women's unseen, unsung work, which has been critically important in shaping Ireland, a country that continues to struggle with honoring the full role of women today.

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