Search results for ""Author Mary Elizabeth Braddon""

Women are never lazy . . . To call them the weaker sex is to utter a hideous mockery. They are the stronger sex, the nosier, the more persevering, the most self-assertive sex.When the beautiful, child-like governess Lucy Graham marries widower Sir Michael Audley, Robert Audley gives his new aunt barely a thought. But when his friend George goes missing, he begins to suspect that Lucy Graham is not quite what she seems . . . The true nature of Lady Audley is uncovered in this stunning novel that combines a crime thriller with historical drama. An unputdownable tale that has been perennially popular since its publication in 1862.

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The Penguin English Library Edition of Lady Audley's Secret by Mary Elizabeth Braddon'Lady Audley uttered a long, low, wailing cry, and threw up her arms above her head with a wild gesture of despair'In this outlandish, outrageous triumph of scandal fiction, a new Lady Audley arrives at the manor: young, beautiful - and very mysterious. Why does she behave so strangely? What, exactly, is the dark secret this seductive outsider carries with her? A huge success in the nineteenth century, the book's anti-heroine - with her good looks and hidden past - embodied perfectly the concerns of the Victorian age with morality and madness.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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A young girl whose love for her fiance continues even after her death; a sinister old lady with claw-like hands who cares little for the qualities of her companions provided they are young and full of life; and a haunted mirror that foretells of approaching death for those who gaze into its depths. These are just some of the haunting tales gathered together in this macabre collection of short stories. Reissued in the Tales of the Weird series and introduced by British Library curator Greg Buzwell, The Face in the Glass is the first selection of Mary Elizabeth Braddon's supernatural short stories to be widely available in more than 100 years. By turns curious, sinister, haunting and terrifying, each tale explores the dark shadows beyond the rational world.

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Weathering critical scorn, Lady Audley's Secret quickly established Mary Elizabeth Braddon as the leading light of Victorian 'sensation' fiction, sharing the honour only with Wilkie Collins. Addictive, cunningly plotted and certainly sensational, Lady Audley's Secret draws on contemporary theories of insanity to probe mid-Victorian anxieties about the rapid rise of consumer culture. What is the mystery surrounding the charming heroine? Lady Audley's secret is investigated by Robert Audley, aristocrat turned detective, in a novel that has lost none of its power to disturb and entertain.

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With Lady Audley's Secret, Mary Elizabeth Braddon had established herself, alongside Wilkie Collins and Mrs Henry Wood, as one of the ruling triumvirate of `sensation novelists'. Aurora Floyd (1862-3), following hot on its heels, achieved almost equal popularity and notoriety. Like Lady Audley, Aurora is a beautiful young woman bigamously married and threatened with exposure by a blackmailer. But in Aurora Floyd, and in many of the novels written in imitation of it, bigamy is little more than a euphemism, a device to enable the heroine, and vicariously the reader, to enjoy the forbidden sweets of adultery without adulterous intentions. Passionate, sometimes violent, Aurora does succeed in enjoying them, her desires scarcely chastened by her disastrous first marriage. She represents a challenge to the mid-Victorian sexual code, and particularly to the feminine ideal of simpering, angelic young ladyhood. P. D. Edward's introduction evaluates the novel's leading place among `bigamy-novels' and Braddon's treatment of the power struggle between the sexes, as well as considering the similarities between the author and her heroine. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Aurora Floyd is one of the leading novels in the genre known as ‘sensation fiction’—a tradition in which the key texts include Wilkie Collins’s The Woman in White, Ellen Wood’s East Lynne, and Dickens’s Great Expectations. When Aurora Floyd was first published in serial form in 1862-63, Fraser’s magazine asserted that “a book without a murder, a divorce, a seduction, or a bigamy, is not apparently considered either worth writing or reading; and a mystery and a secret are the chief qualifications of the modern novel.”The novel depicts a heroine trapped in an abusive and adulterous marriage, and effectively dramatizes the extra-legal pressures which kept many such unhappy marriages out of the courts: fear of personal scandal, and of betraying one’s family through the publicity and expense of the process. Aurora’s bigamous marriage dramatizes the need for expeditious divorce without the enormous social cost, but the overt sexuality of the heroine shocked contemporary critics. “What is held up to us as the story of the feminine soul as it really exists underneath its conventional coverings, is a very fleshy and unlovely record,” wrote Margaret Oliphant.Braddon’s text is studded with references to contemporary events (the Crimean War, the Divorce Act of 1857) and the text has been carefully annotated for modern readers in this edition, which also includes a range of documents designed to help set the text in context.

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