Search results for ""Author Marvin Heiferman""

Photography Changes Everything—drawn from the online Smithsonian Photography Initiative—offers a provocative rethinking of photography’s impact on our culture and our lives. It is a reader-friendly exploration of the many ways photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. At this transitional moment in visual culture, Photography Changes Everything provides a unique opportunity to better understand the history, practice, and power of photography. The publication harnesses the extraordinary visual assets of the Smithsonian Institution’s museums, science centers, and archives to trigger an unprecedented and interdisciplinary dialogue about how photography does more than record the world—how it shapes and changes every aspect of our experience of and in the world. The book features over three hundred images and nearly one hundred engaging short texts commissioned from experts, writers, inventors, public figures, and everyday folk—Hugh Hefner, John Baldessari, John Waters, Robert Adams, Sandra Phillips, and others. Each story responds to images selected by project contributors. Together they engage readers in a timely exploration of the extent to which our lives have been transformed through our interactions with photographic imagery.

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In this remarkable pseudo-documentary and biography, Sara Macel followed her father, a traveling salesman, on his trips across the United States. May the Road Rise Up To Meet You evokes "a feeling of loneliness that is tangible throughout the empty hallways, car parks and airports," says The Telegraph. On a larger scale, this project explores the changing nature of "the road" in American culture. Sara Macel (b.1981, Houston TX) received her MFA in Photography, Video & Related Media at the School of Visual Arts in 2011 and her BFA in Photography + Imaging from New York University's Tisch School of the Arts in 2003. Her work has been internationally exhibited and is in various private collections. Her recent honors include Magenta Foundation's Flash Forward, Top 50 Photographer's in Photolucida's Critical Mass Award, and she was named a winner in the New York Photo Festival. In 2012, Sara received the Individual Photographer's Fellowship Grant from the Aaron Siskind Foundation. [Her first monograph, May the Road Rise to Meet You, was published by Daylight Books in 2013, and a traveling exhibition of that work was shown in solo shows in 2014 at the Center for Photography in Woodstock and the Houston Center for Photography and Silver Eye Center for Photography in 2015.] In addition to her freelance work, Sara currently teaches photography at SUNY Rockland and was an artist-in-residence at The Wassaic Project in upstate New York. Sara is co-director of the Brooklyn chapter of the photo non-profit Crusade for Art. [Her work was recently featured in The New Yorker, Wired Magazine, Fraction Magazine, and Lenscratch among others.]

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Seeing Science offers an insightful and reader-friendly collection of essays and pictures about photography’s role in visualizing science and building human knowledge—from micro to macro levels and everything in between. Photography and science have long been intertwined, helping to shape the way we look at the world. Scientists use photography as a way to gather information, explore, and learn, but just as important, photography is also used to promote scientific advances and has long served as an interface between the sciences and the public. Our understanding of outer space depends on images sent to Earth from the Hubble Space Telescope, just as our understanding of our own bodies depends on X-rays. Images make visible what lies beyond human perception. Science is less an edifice of facts than a process of discovery and inquiry. In this way, it is not dissimilar to art; artists have engaged with some of the same scientific principles, using photography to imagine the world differently and present us with new experiences and ways of seeing. This volume presents both perspectives exploring how science is made perceptible, featuring over three hundred images and sixty short texts. Together they engage readers in a timely exploration of the extent to which our knowledge is formed and transformed through our interactions with photographic imagery.

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The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, family, and lovers-collectively described by Goldin as her "tribe." Her work describes a world that is visceral, charged, and seething with life. First published in 1986, this reissue recognizes the persistent relevance and freshness of Nan Goldin's cutting-edge photography. Her lush color photography and candid style demand that the viewer go beyond the surface to encounter a profound intensity. As Goldin writes: "Real memory, which these pictures trigger, is an invocation of the color, smell, sound, and physical presence, the density and flavor of life." Through an accurate and detailed record of her life, Ballad reveals Goldin's personal odyssey as well as a more universal understanding of the different languages men and women speak, and the struggle between autonomy and dependency. Over the past twenty-five years, the influence of Ballad on photography and other aesthetic realms has continually grown, making the work a contemporary classic. Nan Goldin's story of urban life on the fringe was the swan song of an era that reached its peak in the early eighties. Yet it has captured an important element of humanity that is transcendent: a need to connect. This new edition of Ballad has been printed using new scans and separations created by master-separator Robert Hennessey from Goldin's original transparencies, rendering them with unparalleled sumptuousness and impact.

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With many never-before-published photographs taken by the artist, as well as paintings, drawings, sculptures, prints, and films, this volume offers an unparalleled examination of Pablo Picasso’s relationship to photography.

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