Search results for ""Author Marvin Bell""

"Prose was always meant for colloquy, risk, and intimacy. With these rich and conversant prose poems, Marvin Bell and Christopher Merrill return spoken language to sport--sometimes competitive, but often cooperative, exploratory, even humanely probative. What is a friend? Bell and Merrill demonstrate friendship is drawn from imagination."--Stephen Kuusisto, author of Letters to Borges "The best conversationalists intuit and respond to unspoken questions and interstitial meanings, sidelong concerns and secret subjects. They also know how to listen to another's story and hear the line or inflection that calls forth their own tale in a way that enlarges, well, everything. Marvin Bell and Christopher Merrill's stunning epistolary paragraphs illustrate the inner workings of just such an intimate, agile, and sustained conversation. This collaborative, high wire act offers up profound truths in exactly the way the most exciting poems take shape--by leaps of imagination and complete trust in the power of association to bring up riches, songs, and wisdom from the depths."--Lia Purpura After the Fact is a lively and imaginative conversation between two legendary poets. Marvin Bell, writing from Iowa City and Port Townsend, and Christopher Merrill, writing from around the world, give us an intimate look into collaboration at its best. Christopher Merrill's recent books include Boat and Necessities. He is the director of the International Writing Program at the University of Iowa. Marvin Bell's works include collaborations with poet William Stafford and volumes of an original poetic form, most recently collected in Vertigo: The Living Dead Man Poems.

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In response to the tragic events of September 11, photographer Nathan Lyons—known for his honest and often questioning depictions of American culture—has created a poignant portfolio of images. Photographing in small towns and large cities, Lyons has captured the extreme and often confusing variety of responses—from deep reverence to blatant commercialization—manifested by ordinary Americans. One will marvel, for instance, at the myriad uses of the American flag. This provocative sequence of images with multiple messages is powerfully coherent and strangely disturbing. In the tradition of Robert Frank’s The Americans, these photographs will engage audiences to question the responses to this horrific event in the context of our complicated society, along with memorializing the tragic loss of so many innocent lives. Distributed for the Yale University Art Gallery

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