Search results for ""Author Martina Droth""
Soberscove Press The Place of Sculpture in Daily Life
"My desire has been to indicate the most practical modes in which we can employ the noblest and the most refined of the plastic arts in the adornment of our streets and public buildings on the one hand, and of our private houses on the other." —Edmund Gosse. Author, translator, librarian, and scholar Edmund Gosse (1849–1928) was one of the most important art critics writing about sculpture in late-nineteenth century Britain. In 1895, he published the The Place of Sculpture in Daily Life, a quirky, four-part series of essays that ran in the Magazine of Art under the headings "Certain Fallacies," "Sculpture in the House," "Monuments," and "Decoration." Often cited but never before reprinted, Gosse's essays sought to demystify sculpture and to promote its patronage and appreciation. Martina Droth's introduction and commentary contextualize the essays within their era, providing insight into the world of late-Victorian sculpture. David J. Getsy's afterword connects the essays' themes to the present, offering a resonant perspective on the sculpture of today.
£10.00
Yale University Press Britain in the World: Highlights from the Yale Center for British Art
Britain in the World presents highlights from the collection of the Yale Center for British Art. Included alongside iconic works—such as George Stubbs’s Zebra, Sir Joshua Reynolds’s Miss Prue, and J. M. W. Turner’s Dort—are diverse and fascinating objects that range from the Tudor period to the present day. Featuring work by John Constable, William Henry Fox Talbot, Barbara Hepworth, Chris Ofili, and Yinka Shonibare, this beautifully illustrated book offers a valuable glimpse into the Center’s vast and varied holdings. It also reveals British art as a global phenomenon, shaped and characterized by cultural exchange, exploration, scientific discovery, and, crucially, by the long history of colonialism and empire. This book illustrates the myriad ways in which visible and invisible global connections are present in the visual and material culture of Britain.Published in association with the Yale Center for British Art
£22.50