Search results for ""Author Martin Kemp""

To commemorate the 500th anniversary of Leonardo da Vinci’s death, world-renowned da Vinci expert Martin Kemp explores 100 of the master’s milestones in art, science, engineering, architecture, anatomy, and more. Leonardo da Vinci was born in the small Tuscan town of Vinci in April 1452. Over the centuries, he has become one of the most famous people in the history of visual culture. Spring 2019 marks the 500th anniversary of his death in May 1519, with exhibitions and events planned across Europe and the United States. This lavishly illustrated volume by Martin Kemp—one of the world’s leading authorities on da Vinci—offers a fresh way of looking at the master’s work. Kemp focuses on 100 key, broadly chronological milestones that cover an extraordinary range of topic across Leonardo’s many fields of discipline: painting, where he brought new levels of formal and emotional grandeur to his works, including The Last Supper and Portrait of Lisa del Giocondo (the “Mona Lisa”); anatomical studies, which are extraordinary for their sense of form and function (Studies of the Optics of the Human Eye and Ventricles of the Brain); engineering marvels, noted for their range and extraordinary visual quality (Gearing for a Clockwork Mechanism and Wheels without Axles and Designs for a Flying Machine); and his progressive engagement with a range of sciences—anatomy, optics, dynamics, statics, geology, and mathematics.

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In this pathbreaking and richly illustrated book, Martin Kemp examines the major optically oriented examples of artistic theory and practice from Brunelleschi’s invention of perspective and its exploitation by Leonardo and Durer to the beginnings of photography. In a discussion of color theory, Kemp traces two main traditions of color science: the Aristotelian tradition of primary colors and Newton’s prismatic theory that influenced Runge, Turner, and Seurat. His monumental book not only adds to our understanding of a large group of individual works of art but also provides valuable information for all those interested in the interaction between science and art. "This beautifully made volume . . . shows us the unity of the visual study of nature—the exalted mutual task of Renaissance science and art."—Scientific American"[A] wonderful book. . . . Martin Kemp has convincingly demonstrated that even the most diverse styles of Western art from the Renaissance to modern times remained ever enthralled by scientific optics. . . . [A] handsome volume."—Samuel Y. Edgerton, American Scientist "An extraordinarily ambitious, even daring, enterprise. . . . The book leaves us in no doubt about its author’s expertise in both fields. It includes the most comprehensive account of the development of perspective theory and practice I know."—Thomas Puttfarken, Times Higher Education Supplement "Kemp has performed a valuable service. . . . His style is lucid and he emerges as an honest broker who judiciously weighs the historical evidence. He has an impressive command of the literature of both art and optical science across much of Europe and over a span of four centuries. . . . Kemp’s thesis is amply illustrated with several hundred plates, including many of his own line drawings. . . . The reader is led gently through the history of art and the details of optical science to appreciate their interrelationship."—Geoffrey Cantor, Oxford Art Journal

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Ticket to the World is a joyous, nostalgic celebration of 80s culture from one man at the centre of it all. New Year’s Eve, 1979. My family and I stand arm in arm around our Formica kitchen table, counting down to the new decade with each televised chime of Big Ben. We have no idea what is about to hit us, no idea of the seismic waves of change approaching. The 80s transformed life as we knew it. Music, style and culture exploded in a haze of dayglo colour. There were hardships, but there were opportunities too. And I lived through – and helped to shape – Britain’s last real youth movement. Ticket to the World is my time-warp trip down memory lane, reliving that truly unforgettable decade. Join me as I recall what it was like to lead the New Romantics, stay up all night at the Blitz with Sade and Boy George, travel the world with Spandau Ballet and contribute to the era-defining Live Aid. So, grab that glass of Babycham and let’s toast the very best of the 80s: the creativity and the culture, the fashion and the FUN!

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Sometimes you win. Sometimes you lose … A British icon delivers a powerful blockbuster in an exhilarating thriller set in London’s East End. ‘Masterful’ Susan Lewis ‘Feels different and fresh, Johnny Klein is a great character, love it!’ Kimberley Chambers ‘Gritty, compelling and heartbreaking … loved it’ Catherine Cooper Martin Kemp, the music, film and TV legend creates fiction gold as he introduces fictional anti-hero Johnny Klein in a breathless, high-octane page-turner. Johnny Klein is a rock casualty, a fallen 1980s popstar who has lost everything — his family, his money and his fame. Thrown a lifeline by an old contact in the music business, Johnny doesn’t care what he is getting himself into. Dragged down into East London’s dark underbelly, Johnny discovers there is more at stake than his own shattered ego. Johnny hates being yesterday’s man but now he’s wishing he could disappear altogether. The party might be over, but there’s no escape from the past… Readers LOVE The Game: ‘I could not put it down’ ⭐⭐⭐⭐⭐ ‘A book that stays with you after you’ve finished it … Thrilling, heartfelt and thought-provoking’ ⭐⭐⭐⭐⭐ ‘A good gritty storyline that also pulled at the heartstrings’ ⭐⭐⭐⭐⭐ ‘Such a fun read’ ⭐⭐⭐⭐⭐ ‘So gripping, absorbing and interesting’ ⭐⭐⭐⭐⭐ ‘Mr Kemp didn’t disappoint’ ⭐⭐⭐⭐⭐ ‘A great storyline … I hope there’s a follow up book’ ⭐⭐⭐⭐⭐

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Ideas in Profile: Small Introductions to Big Topics Art has always been part of history. But we often think of it as outside history. When we look at a painting by Raphael, Rembrandt or Rubens it speaks to us directly, but it's also an historical document, part of a living world. Renowned art historian Martin Kemp takes the reader on an extraordinary trip through art, from devotional works to the revolutionary techniques of the Renaissance, from the courtly Masters of the seventeenth century through to the daring avant-garde of the twentieth century and beyond. Along the way we encounter the great names of art history: Leonardo da Vinci and Michelangelo; Vermeer and Velasquez; Picasso and Pollock. We get under the skin of the many 'isms', schools, styles and epochs. We see the complex sweep of art history with its innovations, collaborations, rivalries, break-throughs and masterpieces. Above all, Kemp puts art in context; art isn't about disembodied images, art itself is history. Part of the Ideas in Profile series, uniquely enlivened with animations and illustrations from the award winning studio Cognitive Media, Art in History is an indispensable, accessible and richly detailed guide to our culture, our history, our heritage and our art. Also available in two ebook formats. Please note that ISBN 9781782831020 is for the usual ebook format and 9781781254110 is for an enhanced edition with additional video and audio which should be used only with tablet devices that are capable of playing this additional content.

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Secrets. Lies. Murder. Fame can be deadly.A British icon delivers a powerful blockbuster in an exhilarating thriller set in London's East End.Masterful' Susan LewisFeels different and fresh, Johnny Klein is a great character, love it!' Kimberley ChambersGritty, compelling and heartbreaking loved it' Catherine CooperA FALLEN ROCKSTAR. ONE LAST CHANCE FOR REDEMPTION.People used to scream Johnny Klein''s name.Now he''s lost the fame. The marriage. The money.When he''s offered one more throw of the dice, he grabs at the chance. But instead, Johnny''s dragged down into East London''s dark underbelly, and forced to face the dark corners of his past.JOHNNY THOUGHT HE HAD NOTHING LEFT TO LOSE. HE WAS WRONG.Readers LOVE The Game:I could not put it down' ?????A book that stays with you after you've finished it Thrilling, heartfelt and thought-provoking' ?????A good gritty storyline that also pulled at the heartstrings' ?????Such a fun read' ?????So gripping, absorbing and interesting' ?????Mr

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Dante Alighieri (1265-1321) is one of the greatest European writers, whose untrammelled imaginative capacity was matched by a remarkable knowledge of the science of his era. His poems also paint compelling visual images. In Visions of Heaven, renowned scholar Martin Kemp investigates Dante's characterisation of divine light and its implications for the visual artists who were the inheritors of Dante's vision. The whole book may be regarded as a new paragone (comparison), the debate that began in the Renaissance about which of the arts is superior. Dante’s ravishing accounts of divine light set painters the severest challenge, which it took them centuries to meet. A major theme running through Dante's Divine Comedy, particularly in its third book, the Paradiso, centres on Dante’s acts of seeing. On earth his visual perceptions are conducted according to optical rules, while in heaven the poet's human senses are overwhelmed by light of divine origin, which does not obey his rules of mathematical optics. The repeated blinding of Dante by excessive light sets the tone for artists’ striving to portray unseeable brightness. Raphael shows himself to be the greatest master of spiritual radiance, while Correggio works his radiant magic in his dome illusions in Parma Cathedral. When Gaulli evokes the glories of the name of Jesus in the huge vault of the Jesuit Church in Rome he does so with an ineffable light that explodes though encircling clusters of glowing angels, whose pink bodies are bleached by the extreme luminosity of the light source. Published to coincide with the 700th anniversary of Dante’s death, this hugely original book combines a close reading of Dante’s poetry with analysis of early optics and the art of the Renaissance and Baroque to create a fascinating, wide-ranging and visually exciting study.

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Leonardo’s writings on painting—among the most remarkable from any era—were never edited by Leonardo himself into a single coherent book. In this anthology the authors have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources, some of which were here translated for the first time. The resulting volume is an invaluable reference work for art historians as well as for anyone interested in the mind and methods of one of the world’s greatest creative geniuses.“Highly readable. . . . Also included are documentary sources and letters illuminating Leonardo’s career; the manuscript sources for all of Leonardo’s statements are fully cited in the notes. The volume is skillfully translated and is illustrated with appropriate examples of drawings and paintings by the artist.”—Choice“Certainly easier to read and . . . more convenient than previous compilations.”—Charles Hope, New York Review of Books“A chaotic assemblage of Leonardo da Vinci’s writings appeared in 1651 as Treatise on Painting. . . . [Kemp] successfully applies . . . order to the chaos.”—ArtNews

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Ticket to the World is a joyous, nostalgic celebration of 80s culture from one man at the centre of it all. New Year’s Eve, 1979. My family and I stand arm in arm around our Formica kitchen table, counting down to the new decade with each televised chime of Big Ben. We have no idea what is about to hit us, no idea of the seismic waves of change approaching. The 80s transformed life as we knew it. Music, style and culture exploded in a haze of dayglo colour. There were hardships, but there were opportunities too. And I lived through – and helped to shape – Britain’s last real youth movement. Ticket to the World is my time-warp trip down memory lane, reliving that truly unforgettable decade. Join me as I recall what it was like to lead the New Romantics, stay up all night at the Blitz with Sade and Boy George, travel the world with Spandau Ballet and contribute to the era-defining Live Aid. So, grab that glass of Babycham and let’s toast the very best of the 80s: the creativity and the culture, the fashion and the FUN!

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Leonardo Da Vinci's Codex Leicester is the most important of Leonardo's scientific manuscripts. This scholarly edition demonstrates Leonardo's influence on later scientific study, including issues from geology to the science of water, from astronomy to technology.

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Artist, architect, poet and philosopher, Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting (1435). Inspired by the order and beauty inherent in nature, his groundbreaking work sets out the principles of distance, dimension and proportion; instructs the painter on how to use the rules of composition, representation, light and colour to create work that is graceful and pleasing to the eye; and stipulates the moral and artistic pre-requisites of the successful painter. On Painting had an immediate and profound influence on Italian Renaissance artists including Ghiberti, Fra Angelico and Veneziano and on later figures such as Leonardo da Vinci, and remains a compelling theory of art.

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'A really emotional read... it's wonderful' - Zoe Ball, BBC Radio 2'It's such a lovely book!' - Holly Willoughby, This Morning 'A lovely read... it's got everything - emotion and lots of laughs' - Alex Jones, The One Show'A gorgeous book!' - Lorraine'From Wham! to Spandau Ballet, from success to chaos in the blink of an eye - Martin and I are two ordinary people who have been on an extraordinary adventure together. Through it all, our commitment to each other and to our family is what has always mattered the most.' Shirlie KempWith a heartwarming foreword by Noel Fitzpatrick,IT'S A LOVE STORY tells the incredible story of Martin and Shirlie Kemp – from the moment they set eyes on each other, through their stellar careers, to raising a family together.For the first time, fans and readers will have an insight into their journey together, the lessons they have learned in the spotlight and behind the scenes, and their secrets to success, happiness and raising a loving family. The book will uncover the personal highs and lows of Britain's favourite couple, and the unbreakable bond that has kept them strong, no matter how hard the fight gets.'40 years together has been filled with incredible highs, when every teenage dream and every wish literally came true, to the most horrifying of lows that belonged in our nightmares. Shirlie and I are always asked, "What's the secret to a long marriage?" - well, hopefully within the pages of this book we all might find the answer to that question!' Martin Kemp

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Giorgio Vasari’s Lives of the Most Famous Painters, Sculptors and Architects (1550 and 1569) is a classic of cultural history. A monumental assembly of artists’ lives from Giotto to Michelangelo, it paints a vivid picture of the progress of art in the hands of individual masters. No Life is more vivid than that of Leonardo, a near-contemporary of Vasari – not even Vasari’s account of Michelangelo, whom he knew and idolized. This beautiful edition offers a literary translation that respects the 16th-century Italian, transposing Vasari’s vocabulary into its modern equivalent. Martin Kemp is an eminent scholar, who has written on the vocabulary of Renaissance writings on art, and has co-translated Leonardo on Painting and Leonardo’s Codex Leicester. Translated in partnership with Lucy Russell, the text will be the first to cover both the 1550 edition and the expanded version of 1568, and the first to integrate the texts of the two editions on the page. Discreet endnotes will provide succinct comments in the light of modern knowledge of Leonardo’s career. Illustrated with all the works of art discussed by Vasari and a selection of Leonardo’s studies of science and technology, this will be the perfect accompaniment to Leonardo’s 500th anniversary celebrations.

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Throughout his long career, David Hockney has insistently explored diverse ways of depicting the visible world. He has scrutinised the methods of the old masters, and explored radical departures from their cherished assumptions. The exhibitions accompanied by this volume are the first to focus on this central theme in his art. 'Western art' from the Renaissance until at least the late 19th century has been dominated by the depiction of nature. Was this to be accomplished by direct looking (called “eyeballing” by Hockney) or with the assistance of optical theory and devices, such as cameras? Hockney has experimented with the full range of existing strategies, overtly using perspective in some of his classic pictures and rigorously investigating optical aids for the imitation of nature, including the camera obscura and camera lucida.Yet he has come to reject the photograph as the definitive image of what we see. Along the way, he has identified a 'camera culture' in European painting from 1400, arguing very controversially that the supreme naturalism of painters like Jan van Eyck are the product of optical devices. His book, Secret Knowledge (2001), with its majestic panorama of paintings over the course of five centuries, claims that art historians have missed the central aspect of painters’ practice. The 'Hockney thesis' has been received more favourably outside the professional world of art history than in it.His own artistic practice has been in vigorous dialogue with his radical thesis, and he has progressively demonstrated new and dynamic ways of characterising the visual world without perspective and other conventional techniques. This quest results a series of joyous challenges to our ways of seeing in the major exhibition in Cambridge at the Fitzwilliam Museum and in the Heong Gallery (Downing College). It will look at the whole span of Hockney’s varied career and at the nature of the optical devices he has tested. His vision will be explored in the setting of traditional masterpieces of naturalistic observation, and in the context of modern sciences and technologies of seeing.The first section of the book looks at his thrilling experiments in seeing and representing in broad historical and contemporary contexts. This is followed by discussions of pre-photographic devices for capturing the appearances of things by optical means. The third section includes essays on Hockney’s experiments from the perspectives of neuroscience and computer vision. In short, it reveals in a new way the working of Hockney’s unique eye.

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