Search results for ""Author Martin Bailey""

A captivating and definitive account of the final days of Van Gogh's life and the incredible story of what followed. Divided into three parts, the book first examines the eventful days from the artists’ departure from the asylum in Saint-Remy and arrival in Auvers until the shooting which brought his life to an end. During this time Van Gogh completed 70 paintings in 70 days.The second part delves deeper into the story of the artist’s death, which has intrigued both experts and the public for years, revealing little-known stories and uncovering overlooked accounts.We then follow the story of how Van Gogh subsequently rose from relative obscurity to international renown and ultimately fame as one of the most recognisable and popular artists in the world.Leading Van Gogh specialist Martin Bailey writes with insight and intelligence, bringing these fateful days to life with colour and character as well as historical expertise, capturing the real sense of a tragic but meaningful life truly lived.

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"Martin Bailey has written some of the most interesting books on Vincent’s life in France, where he produced his greatest work” - Johan van Gogh, grandson of Theo, the artist’s brotherStudio of the South tells the story of Van Gogh’s stay in Arles, when his powers were at their height. For Van Gogh, the south of France was an exciting new land, bursting with life. He walked into the hills inspired by the landscapes, and painted harvest scenes in the heat of summer. He visited a fishing village where he saw the Mediterranean for the first time, energetically capturing it in paint. He painted portraits of friends and locals, and flower still life paintings, culminating in the now iconic Sunflowers. He rented the Yellow House, and gradually did it up, calling it ‘an artist’s house’, inviting Paul Gauguin to join him there. This encounter was to have a profound impact on both of the artists. They painted side by side, their collaboration coming to a dramatic end a few months later. The difficulties Van Gogh faced led to his eventual decision to retreat to the asylum at Saint-Remy. Based on extensive original research, the book reveals discoveries that throw new light on the legendary artist and give a definitive account of his fifteen months in Provence, including his time at the Yellow House, his collaboration with Gauguin and its tragic and shocking ending.

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This is the story of one of the world’ s most iconic images. Martin Bailey explains why Van Gogh painted a series of sunflower still lifes in Provence. He then explores the subsequent adventures of the seven pictures, and their influence on modern art. Through the Sunflowers, we gain fresh insights into Van Gogh’ s life and his path to fame. Based on original research, the book is packed with discoveries – throwing new light on the legendary artist.

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‘I cannot help that my pictures do not sell. Nevertheless, the time will come when people will see that they are worth more than the price of the paint …’ Vincent van Gogh Discover the moving story of Vincent van Gogh, with his artistic genius and emotional torment told through personal letters, sketches and paintings in this beautiful reissue of a previous bestseller. Vincent van Gogh’s letters are a written testimony to the artist’s struggle to survive and work. This fascinating book’s combination of deeply personal letters alongside rough sketches and finished paintings gives an intimate insight into the painter’s domestic life in Arles and Saint-Rémy-de-Provence, his spiritual torment and the creative process. The Illustrated Provence Letters of Van Gogh engages with the mind of the artist, reflecting his close bond with his brother and closest companion Theo, his relationship with fellow artists and friends, his ongoing struggle with mental illness, and his passion for art. Martin Bailey's introduction provides essential background information about Vincent's early life, setting the period in Provence in perspective. Biographical notes about the recipients of Vincent's letters are provided as well as a guide for visitors to those places painted by Van Gogh.

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Starry Night is a fascinating, fully illustrated account of Van Gogh's time at the asylum in Saint-Remy, during which he created some of his most iconic pieces of art. Despite the challenges of ill health and asylum life, Van Gogh continued to produce a series of masterpieces – cypresses, wheatfields, olive groves and sunsets during his time there. This fascinating and insightful work from arts journalist and Van Gogh specialist Martin Bailey examines his time there, from the struggles that sent him to the asylum, to the brilliant creative inspiration that he found during his time here. He wrote very little about the asylum in letters to his brother Theo, so this book sets out to give an impression of daily life behind the walls of the asylum of Saint-Paul-de-Mausole and looks at Van Gogh through fresh eyes, with newly discovered material.An essential insight into the mind of a flawed genius, Starry Night is indispensable for those who wish to understand the life of one of the most talented and brilliant artists to have put paintbrush to canvas.

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Anthony Green's idiosyncratic art is anchored in one central theme: family. It forms the core of his immediately recognisable work, revealing an intrinsic connection between his personal and artistic lives. The pictures in Green's mind have no edges, so his paintings are not contained within a traditional shape. They have irregularly shaped supports, reflecting the unpredictable range of situations and emotions that characterise family life. Green has exhibited across the globe, and was shortlisted for the Jerwood Painting Prize in 1996. A distinguished and long-serving Royal Academician, Green has exhibited at every Summer Exhibition for the last five decades. He was elected ARA in 1971 and RA in 1977, after winning that year's Summer Exhibit of the Year. He served for some years as Chairman of the RA's Exhibitions Committee. He lives and works in Cambridgeshire.

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Engage Literacy is the new reading scheme from Raintree that introduces engaging and contemporary content to motivate and support early readers while providing a reliable and instructional framework. All titles are precisely levelled, with new vocabulary being introduced and reinforced throughout the levels. The Blue book band comprises 6 fiction and 6 non-fiction books at levels 9, 10 and 11.

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Kate and Mum make a BIG cake for Dad, but when he sees the cake, it is little! They follow the cake crumbs on the floor and find that Max the dog has a BIG tummy!

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Kate and Max play in the garden.

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Communication skills are fundamental to effective social work practice. Accessible and easy-to-read, Mastering Communication in Social Work is designed to help you develop these essential skills. It explores the basics of how communication works, the factors that influence how effectively you attend to and convey information, and how you can improve your communication. Particular attention is given to the challenges posed by difficult clients and the cultural dimensions of communication. Gast and Bailey put forward a reflective model for practice designed help you break bad habits and develop a wider repertoire of communication behaviours. Practice vignettes and exercises for the reader are included throughout. This book is essential reading for social work students, practitioners, managers, practice teachers and assessors, and trainers, as well as those in allied professions.

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The myth of Van Gogh today is linked as much to his extraordinary life as it is to his stunning paintings. His biography has often shaped the way that his self-portraits have been (mis)understood. Van Gogh. Self-Portraits reconsiders this aspect of his production and places the artist’s self-representation in context to reveal the role it plays in his oeuvre. It also explores the power and profound emotion of these highly personal paintings.Van Gogh. Self-Portraits is the first time this theme has been exclusively addressed. Self-portraits painted during Van Gogh’s time in Paris (February 1886 – February 1888) have been the subject of two exhibitions (in 1960 at Marlborough Fine Arts in London and in 1995 at the Kunsthalle in Hamburg) but never has the full chronological range been explored. The exhibition at The Courtauld Gallery, which this volume accompanies, features paintings from both the Parisian and Provençal periods. It brings together half of Van Gogh’s thirty-five known self-portraits to examine the ways the artist approached this particular subject-matter. On a practical level, painting himself provided Van Gogh with the cheapest and most patient of models and represented an important conduit for stylistic experimentation. He also used self-portraiture as an homage to his illustrious Dutch predecessor Rembrandt, as well as a way of fashioning his own identity and presenting himself to the outside world. Of particular interest is the striking way the evolution of Van Gogh's self-representation over the short years of his artistic activity can be seen as a microcosm of his development as a painter.In addition to the world-famous Self-Portrait with Bandaged Ear in The Courtauld’s collection, the exhibition showcases a group of major masterpieces brought together from international collections, including the Van Gogh Museum in Amsterdam, the Muse d’Orsay in Paris, the Art Institute of Chicago and the National Gallery of Art in Washington, D.C., among others. This beautifully illustrated catalogue includes detailed entries on each work, an appendix illustrating all of Van Gogh’s self-portraits and three insightful essays on the theme.

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