Search results for ""Author Marta Dziewanska""
Museum of Modern Art in Warsaw Ion Grigorescu – In the Body of the Victim
This book considers the oeuvre of Ion Grigorescu, one of the most charismatic and original artists from the former Eastern bloc, who until 1989 worked in relative isolation and whose art reflects his search for a place within an extremely oppressive political system. Grigorescu, born in 1945 in Bucharest and educated as a painter, was one of the first Romanian conceptual artists and advocates of anti-art, postulating a radical consolidation of artistic activities with quotidian life. He is the creator of numerous films, photographic series, and actions recorded on film, as well as drawings and collages that documented both his private life and the passage of the Romanian people from life under communist regimes to the realities of expansive capitalism. The retrospective understanding of his art presented here offers much more than just another lost chapter in the history of the Central European avant-garde - Grigorescu's work is revealed to be singular, introducing religious and spiritual motifs into conceptual art and demonstrating his conviction that political crises are rooted in a crisis of the spirit.
£23.34
Hatje Cantz Tools for Utopia (Bilingual edition): Selected Works from the Daros Latinamerica Collection
Tools for Utopia: Selected works from the Daros Latinamerica Collection is an exhibition of works from the 1950s to the late 1970s by artists from Brazil, Venezuela, Uruguay, and Argentina: Gego, Hélio Oiticica, Carlos Cruz-Diez, Jesús Rafael Soto, Mira Schendel, Liliana Porter, Julio Le Parc, and Ana Mendieta. Created when many Latin American countries were in conflict and ruled by dictators, these works—Concrete, Neo-Concrete, Conceptual—were means of transgression. They were not only created as reactions but as artistic counter-proposals to totalitarian systems: signs of genuine engagement and experiments that included ingredients of social and political utopia. The exhibition and the accompanying publication are conceived as “tools,” referring to the efforts of the artists to transcend representation and become active agents for societal transformation. By displaying historical alongside contemporary work, and y presenting historical manifestos alongside recent conversations with the artists, the project examines the ways in which the urge to “actively inhabit the present” is continued, further complicated, and questioned by artists of the following generations. Tools for Utopia asks to what extent such Latin American art movements acted as catalysts for the cultural, social, and political imagination. What do these ideas and hopes stand for today? The exhibition and catalogue expound bold visions of art, politics, and subjectivity that are particularly relevant for today’s tensions in Latin America and beyond. Languages: German and English
£34.00
Museum of Modern Art in Warsaw Maria Bartuszová – Provisional Forms
The work of Slovak sculptor Maria Bartuszova (1936-96) was first presented to international audiences in Kassel in 2007. Although her art has appeared in influential exhibitions and been included in prestigious contemporary art collections, up until now, she has yet to receive the widespread recognition she deserves. Dziewanska's book offers distinct perspectives on Bartuszova's work from renowned international critics in an effort to increase our awareness of her sculptures. Working alone behind the Iron Curtain, Bartuszova was one of a number of female artists who not only experimented formally and embarked intuitively on new themes, but who, because they were at odds with mainstream modernist trends, remained in isolation or in a marginalized position. Revealing her dynamic treatment of plaster-a material that, from a sculptor's point of view, is both primitive and common-the book deftly reveals how Bartuszova experimented with materials, never hesitating to treat tradition, accepted norms, and trusted techniques as simply transitory and provisional. Offering a much-needed history of a vibrant body of work, Maria Bartuszova: Provisional Forms is an important contribution to the literature on great female artists.
£22.67
Museum of Modern Art in Warsaw Points of Convergence – Alternative Views on Performance
Thanks to its very nature, performance enters into natural dialogue with art, new media, politics, and the social sphere as a whole. Always happening in the here and now, and with a unique freedom and openness to the unknown, performance is a medium with a special ability to question its own subjects, materials, and languages. As a result, it is often best reflected in the dynamic character of contemporary art and contemporaneity in the broadest sense of the word. Points of Convergence explores these ideas and investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners. With twelve essays by leading figures in the field of performance arts, this illustrated volume is structured in two parts. The first, authored by academics in the discipline, features an introduction to key areas of scholastic research. The second part, authored by curators and other researchers, then focuses on an account of individual traditions of performance. Taken together, the contributions identify new possibilities for interaction between the theoretical aspects of performance art and the ways performance plays out within local contexts.
£22.67
£27.00
Museum of Modern Art in Warsaw Andrzej Wróblewski: Recto / Verso
One of Poland's most important and independent postwar artists, Andrzej Wroblewski (1927-57) created in his short life his own highly individual, suggestive, and prolific form of abstract and figurative painting that continues to inspire artists today. This volume offers a stunning presentation and thorough reevaluation of his work and its legacy in the international context of art history. Offering an insightful picture of the world of postwar painting in communist Europe, and highlighting Wroblewski's political engagement, the book helps us to understand the immensely evocative vision of war and oppression that he created. This close look at a painter and a period that are of growing interest for international art historians will serve to further cement Wroblewski in the postwar pantheon.
£23.34
Museum of Modern Art in Warsaw The Other Transatlantic – Kinetic and Op Art in Eastern Europe and Latin America
The Other Transatlantic is attuned to the brief but historically significant moment in the postwar period between 1950 and 1970 when the trajectories of the Central and Eastern European art scenes on the one hand, and their Latin American counterparts on the other, converged in a shared enthusiasm for Kinetic and Op Art. As the axis connecting the established power centers of Paris, London, and New York became increasingly dominated by monolithic trends including Pop, minimalism, and conceptualism another web of ideas was being spun linking the hubs of Warsaw, Budapest, Zagreb, Buenos Aires, Caracas, and Sao Paulo. These artistic practices were dedicated to what appeared to be an entirely different set of aesthetic concerns: philosophies of art and culture dominated by notions of progress and science, the machine and engineering, construction and perception. This book presents a highly illustrated introduction to this significant transnational phenomenon in the visual arts.
£22.67
