Search results for ""Author Mark Rothko""

Send your best wishes with the beautifully reproduced artwork on these full-colour full size Mark Rothko Notecard Boxes, packaged in a large format 2 piece glossy reusable box. Mark Rothko Notecard Box includes reproductions of 5 bold paintings. Our museum quality Notecard Boxes are perfect to keep on hand for any occasion notes and greetings to friends and family. Our on-trend designs and high print quality make our cards the best value out there. 20 notecards and envelopes 4 each of 5 images Packaged in a large format Glossy 2-piece box Cards printed on coated paper stock to bring out their full colour Cards and envelopes bundled together with a paper belly band inside each box Box measures 190 x 139 x 38 mm

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Mark Rothko, who was central to the development of postwar abstract painting in the United States, is best known for the luminous paintings he made in the 1950s and 1960s. These classic works are characterized by their soft-edged rectangular forms and broad, thin washes of color. Rothko worked on large canvases, but he felt that the scale was intimate, establishing a close physical relationship with the viewer. These extraordinary images invite contemplation and spiritual communion.The National Gallery of Art is the largest public repository of Rothko's works, with 1,100 works on paper and paintings on canvas and panel.

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Mark Rothko, a titan among modern painters, said that the subject matter of his paintings was the extremes of human emotion. His extraordinary achievement was the communication of tragedy and elation through forms reduced to starkest simplicity-oftentimes a pair of rectangles.Born Marcus Rothkowitz in Dvinsk, Russia (now Daugavpils, Latvia), the artist emigrated to the United States at the age of 10. After a series of artistic metamorphoses, he established himself as a leader among New York's artistic avant-garde in the late 1940s, in that moment when the devastation of a global war shunted creative impulses into radically new directions. Rothko died in 1970 at the age of 66.The National Gallery of Art is the largest public repository of Rothko's works, with 1,100 works on paper and paintings on canvas and panel.

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The first collection of Mark Rothko’s writings, which range the entire span of his career While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell, and Ad Reinhardt, have been published, Mark Rothko’s writings have only recently come to light, beginning with the critically acclaimed The Artist’s Reality: Philosophies of Art. Rothko’s other written works have yet to be brought together into a major publication. Writings on Art fills this significant void; it includes some 90 documents—including short essays, letters, statements, and lectures—written by Rothko over the course of his career. The texts are fully annotated, and a chronology of the artist’s life and work is also included. This provocative compilation of both published and unpublished writings from 1934--69 reveals a number of things about Rothko: the importance of writing for an artist who many believed had renounced the written word; the meaning of transmission and transition that he experienced as an art teacher at the Brooklyn Jewish Center Academy; his deep concern for meditation and spirituality; and his private relationships with contemporary artists (including Newman, Motherwell, and Clyfford Still) as well as journalists and curators. As was revealed in Rothko’s The Artist’s Reality, what emerges from this collection is a more detailed picture of a sophisticated, deeply knowledgeable, and philosophical artist who was also a passionate and articulate writer.

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Mark Rothko’s classic book on artistic practice, ideals, and philosophy, now with an expanded introduction and an afterword by Makoto Fujimura Stored in a New York City warehouse for many years after the artist’s death, this extraordinary manuscript by Mark Rothko (1903–1970) was published to great acclaim in 2004. Probably written in 1940 or 1941, it contains Rothko’s ideas on the modern art world, art history, myth, beauty, the challenges of being an artist in society, the true nature of “American art,” and much more. In his introduction, illustrated with examples of Rothko’s work and pages from the manuscript, the artist’s son, Christopher Rothko, describes the discovery of the manuscript and the fascinating process of its initial publication. This edition includes discussion of Rothko’s “Scribble Book” (1932), his notes on teaching art to children, which has received renewed scholarly attention in recent years and provides clues to the genesis of Rothko’s thinking on pedagogy. In an afterword written for this edition, artist and author Makoto Fujimura reflects on how Rothko’s writings offer a “lifeboat” for “art world refugees” and a model for upholding artistic ideals. He considers the transcendent capacity of Rothko’s paintings to express pure ideas and the significance of the decade-long gap between The Artist’s Reality and Rothko’s mature paintings, during which the horrors of the Holocaust and the atomic bomb were unleashed upon the world.

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