Search results for ""Author Mark Polizzotti""

"Highway 61 Revisited" resonates because of its enduring emotional appeal. Few songwriters before Dylan or since have combined so effectively the intensely personal with the spectacularly universal. In "Like a Rolling Stone", his gleeful excoriation of Miss Lonely (Edie Sedgwick? Joan Baez? A composite "type"?) fuses with the evocation of a hip new zeitgeist to produce a veritable anthem. In "Ballad of a Thin Man", the younger generation's confusion is thrown back in the establishment's face, even as Dylan vents his disgust with the critics who laboured to catalogue him. And in "Desolation Row", he reaches the zenith of his own brand of surrealist paranoia, that here attains the atmospheric intensity of a full-fledged nightmare. Between its many flourishes of gallows humour, this is one of the most immaculately frightful songs ever recorded, with its relentless imagery of communal executions, its parade of fallen giants and triumphant local losers, its epic length and even the mournful sweetness of Bloomfield's flamenco-inspired fills. In this book, Mark Polizzotti examines just what makes the songs on "Highway 61 Revisited" so affecting, how they work together as a suite, and how lyrics, melody, and arrangements combine to create an unusually potent mix. He blends musical and literary analysis of the songs themselves, biography (where appropriate) and recording information (where helpful). And he focuses on Dylan's mythic presence in the mid-60s, when he emerged from his proletarian incarnation to become the American Rimbaud. The comparison has been made by others, including Dylan, and it illuminates much about his mid-sixties career, for in many respects "Highway 61" is rock 'n' roll's answer to "A Season in Hell".

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An elegant consideration of the Surrealist movement as a global phenomenon and why the movement continues to resonate

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A haunting novel that probes the enigmas of time and memory, by Nobel Prize–winning author Patrick Modiano “Polizzotti’s crisp and evocative translation keeps the reader hooked.”—Publishers Weekly In his acclaimed semi-autobiographical novella Suspended Sentences, Patrick Modiano recounted a dramatic season in his childhood, of the home he shared with sinister surrogate parents, the mysterious events that took place there, and an infamous heist that was never solved. In Scene of the Crime, Modiano conjures the aftermath of those years. A decade has passed, and Jean Bosmans, now in his early twenties, becomes aware of a set of disturbing coincidences involving an elusive woman, his childhood home, and a host of disquieting characters who seem inordinately interested in his past, for reasons he can’t fathom. As he journeys into the echoes of memory, past and present become increasingly intertwined, forming a web spanning half a century. With the taut suspense of a detective novel, this book slowly peels away layers of time and forgetfulness to reveal the haunting, threatening, ultimately tragic legacies of what we think we know about our lives.

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'A thoroughly gripping and mesmerising work of black comedy and political disaster' - GuardianWinner of the 2017 Prix GoncourtÉric Vuillard’s gripping novel The Order of the Day tells the story of the pivotal meetings which took place between the European powers in the run-up to World War Two. What emerges is a fascinating and incredibly moving account of failed diplomacy, broken relationships, and the catastrophic momentum which led to conflict.The titans of German industry – set to prosper under the Nazi government – gather to lend their support to Adolf Hitler. The Austrian Chancellor realizes too late that he has wandered into a trap, as Hitler delivers the ultimatum that will lay the groundwork for Germany’s annexation of Austria. Winston Churchill joins Neville Chamberlain for a farewell luncheon held in honour of Joachim von Ribbentrop: German Ambassador to England, soon to be Foreign Minister in the Nazi government, and future defendant at the Nuremberg trials.Suffused with dramatic tension, this unforgettable novel tells the tragic story of how the actions of a few powerful men brought the world to the brink of war.

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Shortlisted for the International Booker Prize 2021'A dazzling piece of historical re-imagining and a revolutionary sermon, a furious denunciation of inequality' - The judges of the International Booker prize.The fight for equality begins in the streets.From the internationally bestselling author of The Order of the Day: Éric Vuillard once again takes us behind the scenes at a moment when history was being written.The history of inequality is a long and terrible one. And it’s not over yet. Short, sharp and devastating, The War of the Poor tells the story of a brutal episode from history, not as well known as tales of other popular uprisings, but one that deserves to be told.Sixteenth-century Europe: the Protestant Reformation takes on the powerful and the privileged. Peasants, the poor living in towns, who are still being promised that equality will be granted to them in heaven, begin to ask themselves: and why not equality now, here on earth?There follows a violent struggle. Out of this chaos steps Thomas Müntzer: a complex and controversial figure, who sided with neither Martin Luther, nor the Roman Catholic Church. Müntzer addressed the poor directly, encouraging them to ask why a God who apparently loved the poor seemed to be on the side of the rich.Éric Vuillard tells the story of one man whose terrible and novelesque life casts light on the times in which he lived – a moment when Europe was in flux. As in his blistering look at the build-up to World War II, The Order of the Day, Vuillard 'leaves nothing sleeping in the shadows' (L'OBS).

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An enthralling reflection on the ways that family history influences identity, from the 2014 Nobel laureate for Literature A mix of autobiography and lucid invention, this highly personal work offers a deeply affecting exploration of the meaning of identity and pedigree. With his signature blend of candor, mystery, and bewitching elusiveness, Patrick Modiano weaves together a series of interlocking stories from his family history: his parents’ courtship in occupied Paris; a sinister hunting trip with his father; a chance friendship with the deposed King Farouk; a wistful affair with the daughter of a nightclub singer; and the author’s life as a new parent. Modiano’s riveting vignettes, filled with a coterie of dubious characters—Nazi informants, collaborationist refugees, and black-market hustlers—capture the drama that consumed Paris during World War II and its aftermath. Written in tones ranging from tender nostalgia to the blunt cruelty of youth, this is a personal and revealing book that brings the enduring significance of a complicated past to life.

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The newest best-seller by Patrick Modiano is a beautiful tapestry that brings together memory, esoteric encounters, and fragmented sensations Patrick Modiano’s first novel since his 2014 Nobel Prize revisits moments of the author’s past to produce a spare yet moving reflection on the destructive underside of love, the dreams and follies of youth, the vagaries of memory, and the melancholy of loss. Writing from the perspective of an older man, the narrator relives a key period in his life through his relationships with several enigmatic women—Geneviève, Martine, Madeleine, a certain Madame Huberson—in the process unearthing his troubled relationship with his parents, his unorthodox childhood, and the unsettled years of his youth that helped form the celebrated writer he would become. This is classic Modiano, utilizing his signature mix of autobiography and invention to create his most intriguing and intimate book yet.

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"L'humour Noir" is one of the seminal concepts of Surrealism, and Breton's famous anthology is his definitive statement on the subject. It contains provocative assessments of the writers he most admired. Some, such as Kafka, Swift, Rimbaud, Poe, Lewis Carroll and Baudelaire, are well known, but other names will come as a revelation to many - as will the passages Breton includes by writers you thought you knew. Breton's original foreword, considered to be one of his most important theoretical essays, is included, along with his preface to the 1966 edition. For each of the 45 authors included, Breton writes a biographical and critical preface, placing their work in the context of black humour, which, as readers will discover for themselves, is a partly macabre, partly ironic, and often absurd turn of spirit that Breton defined as "a superior revolt of the mind."

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"It's a book less on what I did than on what others, mainly my parents, did to me"Taking in a vast gallery of extraordinary characters from Paris' post-war years, Pedigree is an autobiographical portrait of Post-War Paris and a tumultuous childhood - a childhood replete with insecurity and sorrow that informed the oeuvre of France's Nobel Laureate.With his sometime-actress mother and shady businessman father barely functioning in any parental role, the young Modiano spent his childhood being packed off to the care of others, or held at a safe distance in a grimy boarding school - which he ran away from several times. His impecunious mother had "a heart of stone"; his womanising father once called the police when his son asked him for money, and later ceased all contact with him.But for all his parents' indifference, it is the death of his younger brother when Modiano is eleven that cuts deepest, leaving a wound that can never be healed.

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Writing, one of Marguerite Duras’s last works, is a meditation on the process of writing and on her need for solitude in order to do it. In the five short pieces collected in this volume, she explores experiences that had an emotional impact on her and that inspired her to write. These vary from the death of a pilot in World War II, to the death of a fly, to an art exhibition. Two of the pieces were made into documentary films, and one was originally a short film. Both autobiographical and fictional, like much of her work, Writing displays Duras’s unique worldview and sensitive insight in her simple and poetic prose.

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Includes Flaubert's Dictionary of received ideas.

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Patrick Modiano explores the boundaries of recollection in a “mesmerizing, enigmatic novel” (Publishers Weekly) “A mesmerizing, enigmatic novel. . . . A story about growing old and the gaps and omissions that make up a life. . . . Its dreamlike prose and a beguiling structural twist make it a worthy and satisfying addition to [Modiano’s] accomplished oeuvre.”—Publishers Weekly “Nobel Prize winner Modiano’s title smartly ties together the theme, plot, and ambience of his latest book . . . The past overlaps and memories half-emerge in classic Modiano fashion, just as a message in invisible ink tentatively reveals itself in the right light.”—Library Journal The latest work from Nobel laureate Patrick Modiano, Invisible Ink is a spellbinding tale of memory and its illusions. Private detective Jean Eyben receives an assignment to locate a missing woman, the mysterious Noëlle Lefebvre. While the case proves fruitless, the clues Jean discovers along the way continue to haunt him. Three decades later, he resumes the investigation for himself, revisiting old sites and tracking down witnesses, compelled by reasons he can’t explain to follow the cold trail and discover the shocking truth once and for all. A number one best seller in France, hailed by critics as “breathtakingly beautiful” (Les Inrockuptibles) and “refined and dazzling” (Le Journal du Dimanche), Invisible Ink is Modiano’s most thrilling and revelatory work to date.

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A classic novel from recent Nobel Prize winner Patrick Modiano, now available to English-language readers in a superb new translation “Modiano at his best.”—Barbara Hoffert, Library Journal (starred review) One of the hallmarks of French author Patrick Modiano’s writing is a singular ability to revisit particular motifs and episodes, infusing each telling with new detail and emotional nuance. In this evocative novel the acclaimed author takes up one of his most compelling themes: a love affair with a woman who disappears, and a narrator grappling with the mystery of a relationship stopped short. Set in mid-sixties Paris, After the Circus traces the relationship between the narrator, a young man not quite of legal age whose parents are absent, and the slightly older, enigmatic married woman he first glimpses while both are being questioned by the police. Jean and Gisèle make their uncertain way into each other’s company and hearts, but Jean soon finds himself in the ominous presence of the woman’s unsavory associates—and drawn into their mysterious activities while adrift in Paris. Who are these people? What are they up to? Are they real, or simply evoked? Part romance, part detective story, this mesmerizing book fully demonstrates Modiano’s signature use of atmosphere and suggestion as he investigates the perils and the exhilaration of young love.

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“Elegant. Unpretentious. Approachable. . . . He is, all in all, quite an endearing Nobelist.”—Michael Dirda, Washington Post “Modiano is a pure original.”—Adam Thirlwell, The Guardian “A fine introduction to Modiano’s later work.”—The Economist “These novellas have a mood. They cast a spell.”—Dwight Garner, New York Times In this essential trilogy of novellas by the winner of the 2014 Nobel Prize in Literature, French author Patrick Modiano reaches back in time, opening the corridors of memory and exploring the mysteries to be encountered there. Each novella in the volume--Afterimage, Suspended Sentences, and Flowers of Ruin—represents a sterling example of the author’s originality and appeal, while Mark Polizzotti’s superb English-language translations capture not only Modiano’s distinctive narrative voice but also the matchless grace and spare beauty of his prose. Although originally published separately, Modiano’s three novellas form a single, compelling whole, haunted by the same gauzy sense of place and characters. Modiano draws on his own experiences, blended with the real or invented stories of others, to present a dreamlike autobiography that is also the biography of a place. Orphaned children, mysterious parents, forgotten friends, enigmatic strangers—each appears in this three-part love song to a Paris that no longer exists. Shadowed by the dark period of the Nazi Occupation, these novellas reveal Modiano’s fascination with the lost, obscure, or mysterious: a young person’s confusion over adult behavior; the repercussions of a chance encounter; the search for a missing father; the aftershock of a fatal affair. To read Modiano’s trilogy is to enter his world of uncertainties and the almost accidental way in which people find their fates.

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A writer discovers a set of notes in his notebook and sets off on a journey through the Paris of his past, in search of the woman he loved forty years previously.Set in the Montparnasse district of Paris, the author, Jean, retraces his nocturnal footsteps around the left bank during France's period of decolonisation during the 1960's. He tries to remember what brought him into contact with a gang that frequented the hotel Unic in the area. His quest through seedy cafés and cheap hotels becomes an enquiry into a woman, Dannie, whom Jean loved and who once tried to admit to a terrible crime. Over the course of several voyages between past and present, we meet various shady characters, and discover that Dannie may have killed "someone". As his memories overlap with the discovery of an old vice squad dossier, Jean reinvestigates the closed case of a crime where he could well be the last remaining witness.Translated from the French by Mark Polizzotti

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Originally published in France in 1934, Break of Day is André Breton’s second collection of critical and polemical essays, following The Lost Steps (Nebraska 1996). In fewer than two hundred pages, it captures the first full decade of the surrealist movement. The collection opens with an essay composed in 1924 that examines key elements of surrealism and concludes with Breton’s harsh revaluation in 1933 of automatic writing. Among the other essays in the volume are “Burial Denied” and “In Self-Defense,” two pieces that, in translator Mark Polizzotti’s words, “mark surrealism’s conscious break from the mainstream and the beginning of its attempts to work alongside the French Communist Party.” Also included are “Psychiatry Standing before Surrealism,” which addresses Breton’s complex, ambivalent views on mental illness and the emerging psychiatric establishment; “Introduction to Achim von Arnim's Strange Tales,” which reveals surrealism’s debt to such precursors as the German romantics and delineates a surrealistic aesthetic of the macabre; and “Picasso in His Element,” in which Breton demonstrates his formidable talents as a critic of the visual arts.

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Nobel laureate Patrick Modiano’s spellbinding tale of adolescent schoolmates and the vicissitudes of fate As a boarding school student in the early 1960s, Patrick Modiano lived among the troubled teenage sons of wealthy but self-involved parents. In this mesmerizing novel, Modiano weaves together a series of exquisitely crafted stories about such jettisoned boys at the exclusive Valvert School on the outskirts of Paris: abandoned children of privilege, left to create new family ties among themselves. Misfits and heroes, sports champions and good-hearted chums, the boys of Valvert misbehave, run away, get expelled, and engage in various forms of delinquency and disappearance. They emerge into adulthood tragically damaged, still tethered to their adolescent selves, powerless to escape the central loneliness of their lives in an ever-darkening spiral of self-delusion and grim consequence. A meditation on nostalgia, the pitfalls of privilege, and the vicissitudes of fate, this book fully demonstrates the powerful mix of sadness, mystery, wonder, and ominous danger that characterizes Modiano’s most rewarding fiction. Special feature: J. M. G. Le Clézio’s foreword, here in English for the first time, provides a rare and insightful appreciation of one Nobel laureate by another.

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