Search results for ""Author Mark D. Fullerton""

Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD. Compares the evolution of Greek sculpture over the centuries to works of contemporaneous Mediterranean civilizations Emphasizes looking closely at the stylistic features of Greek sculpture, illustrating these observations where possible with original works rather than copies Places the remarkable progress of stylistic changes that took place in Greek sculpture within a broader social and historical context Facilitates an understanding of why Greek monuments look the way they do and what ideas they were capable of expressing Focuses on the most recent interpretations of Greek sculptural works while considering the fragile and fragmentary evidence uncovered

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Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD. Compares the evolution of Greek sculpture over the centuries to works of contemporaneous Mediterranean civilizations Emphasizes looking closely at the stylistic features of Greek sculpture, illustrating these observations where possible with original works rather than copies Places the remarkable progress of stylistic changes that took place in Greek sculpture within a broader social and historical context Facilitates an understanding of why Greek monuments look the way they do and what ideas they were capable of expressing Focuses on the most recent interpretations of Greek sculptural works while considering the fragile and fragmentary evidence uncovered

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Mark D. Fullerton blends the art of the Roman period with its history of political intrigue, military and religious ideologies, and intercultural interaction. The book not only explores the art of Rome itself but also that of the Roman provinces, including Syria, Egypt, Algeria, Greece and the British Isles, showing how Roman art drew from and influenced the wider ancient world. Each of the book’s four parts opens with a timeline and historical overview, allowing the reader to better understand how the art relates to the political and social lives of the people of ancient Rome. Individual chapters begin with a map of Rome, illustrating how the city changed over centuries of rebuilding and reimagining. With an introduction, ‘What Is Roman about Roman Art?’, and ‘Materials and Techniques’ features on the artistic innovations introduced by the Romans, such as concrete, linear and atmospheric perspective, and mosaic, the book explores how Roman influences still affect the art and architectural world today.

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