Search results for ""Author Mario Ferrari""

The Roman architect Maurizio Sacripanti, had a deep connection with the group of artists who were carrying fresh streams of creativity in Rome between the sixties and the seventies, reason for his work spans from architecture to contemporary arts. He designed some of the most daring projects in these decades, well represented by the Peugeot Skyscraper, “set to start a new season of creativity” according to Paolo Portoghesi. The surprisingly sharp and clear competition drawings in the Sacripanti’s archive, show the “Sacripanti’s method” in all its beauty.

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Casa Malaparte is an Adalberto Libera project. This statement, that dazzle hypothesis dealing with uncertain paternity, is based on the following arguments: the experts who study this “architecture without architect” collect documents and evidences that partially recompose a picture that, however, lack many fragments. Like in a presumptive trial the experts analyze the documents to demonstrate how, after the first plan and its second version, Libera sneaks out to leave a leading role to Malaparte. The parts of this puzzle, patiently recomposed to demonstrate the role of Malaparte in the plan of the villa on Capo Massullo, invoke the missing fragments that would confute the appearance. Lost fragments can be properly found observing casa Malaparte. “Accusations” are based on the substantial difference between the first plan made by Libera for the building licence the 14th of March 1938 and the final result. This lack of correspondence, together with the absence of the architect from the building site since April 1938, leave many doubts about its real paternity. The story is made up of few chapters, short text, wide bibliography and a chronological section that fix in time the facts. The three versions of the project are read by graphic and comparative analysis. Two models have been made to show differences and new sights. This small book illustrate facts, and comments about one of the most famous and fine modern Italian building, considering that Adalberto Libera is the author of Casa Malaparte.

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Set in the widest urban neighbourhood of the fascist Rome, the "casa delle armi" building show the deep and sophisticated typological research around the "balilla houses". Born as an advanced typological experiment it is the most modern of the "National Balilla Opera" buildings: an architecture both with a solid image and a massive functional complexity. The "fluxes" of athletes and the one of clients are sharply driven with no interference in the body of the building. Notwithstanding such a complexity, the parts are clear: two different immense interiors so much different each other. But, like in a Dostoevsky drama, the plot meet some troubles that made impossible the full completion and the celebration of its success. Quickly inaugurated, never really opened, abandoned and soon forgotten, it can be told that the building was born dead. Its oblivion lasted for thirty years when, in the eighties, the need to find a safe place to celebrate the trials against the terrorism, convinced the Ministry of Justice to finally destroy the interiors. The aim of this book is rather not to enter in the field of refurbishment of modern architecture than to tell about the story and the composition rules of this architecture: an affresco of the history and political, urban and architectural frame in which "Casa delle armi" is set. A very sharp 3d model help to come over the old shots imposed by the architect to the photographer, to set new points of view discovering, again, new sides and emotions.

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Las lecturas son un material de apoyo para la enseñanza y profundización en el conocimiento de la lengua tanto considerada como primera lengua (esto es, para nativos) como segunda (es decir, E/LE). Las lecturas han sido elaboradas por autores que conocen el mundo de la enseñanza y que saben conjugar la estética y el entretenimiento con la didáctica de la lengua. Los textos van acompañados de explicaciones, sobre todo léxicas, que solucionan algunas dudas en el momento mismo de la lectura y según el nivel de dificultad.Las lecturas se han clasificado en cuatro niveles de dificultad que se han establecido atendiendo al grado de riqueza léxica y al grado de complejidad sintáctica y discursiva de los textos en: nivel inicial (1), nivel intermedio(2), nivel avanzado(3) y nivel superior(4).La lectura va seguida de una serie de ejercicios que el lector podrá realizar de forma autónoma. Al mismo tiempo, el profesorado de español encontrará en ellos un material de gran utilidad como com

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Las lecturas son un material de apoyo para la enseñanza y el aprendizaje de español, como lengua extranjera y como primera lengua. Las lecturas han sido elaboradas por autores que conocen el mundo de la enseñanza y que saben conjugar la estética y el entretenimiento con la didáctica de la lengua. Los textos van acompañados de explicaciones, sobre todo léxicas, que solucionan algunas dudas en el momento mismo de la lectura y según el nivel de dificultad.Las lecturas se han clasificado en cuatro niveles de dificultad que se han establecido atendiendo al grado de riqueza léxica y al grado de complejidad sintáctica y discursiva de los textos en: nivel inicial (1), nivel intermedio(2), nivel avanzado(3) y nivel superior(4).La lectura va seguida de una serie de ejercicios que el lector podrá realizar de forma autónoma. Al mismo tiempo, el profesorado de español encontrará en ellos un material de gran utilidad como complemento de su labor y de otros materiales de enseñanza. Los ejerci

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Las lecturas son un material de apoyo para la enseñanza y profundización en el conocimiento de la lengua tanto considerada como primera lengua (esto es, para nativos) como segunda (es decir, E/LE). Las lecturas han sido elaboradas por autores que conocen el mundo de la enseñanza y que saben conjugar la estética y el entretenimiento con la didáctica de la lengua. Los textos van acompañados de explicaciones, sobre todo léxicas, que solucionan algunas dudas en el momento mismo de la lectura y según el nivel de dificultad.Las lecturas se han clasificado en cuatro niveles de dificultad que se han establecido atendiendo al grado de riqueza léxica y al grado de complejidad sintáctica y discursiva de los textos en: nivel inicial (1), nivel intermedio(2), nivel avanzado(3) y nivel superior(4).La lectura va seguida de una serie de ejercicios que el lector podrá realizar de forma autónoma. Al mismo tiempo, el profesorado de español encontrará en ellos un material de gran utilidad como com

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The new Hospital Project in Venice was one of the most important works of Le Corbusier that has never been built. The death of the Swiss architect marked the end of one of the most exciting and dangerous experiments in the most spectacular city in the world.The new hospital's design in Venice was an acrobatic and audacious exercise that could have changed how Venice, the ever-still lagoon city, was perceived. This is the story of an unfinished masterpiece, the last shaped by Le Corbusier, and the intuition that allowed the most modern architect to shape the most modern project. Text but also the sharp description of the project by architectural design. Seventy-five original drawings describe and render the unfinished masterpiece of the French master. The project is interpreted, redesigned and described by consulting the massive archive and through the well known graphic techniques used by Ilios for all of its books. Original text and notes take the reader through a fantastic tour into one of the most crucial modern architecture projects. Examining one of the most important, unbuilt project of Le Corbusier Includes 44 photos and 75 drawings Written in English and Italian Print run of 300 copies

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