Search results for ""Author Maria Tatar""

Murder, mutilation, cannibalism, infanticide, and incest: the darker side of classic fairy tales is the subject of this groundbreaking and intriguing study of Jacob and Wilhelm Grimm’s Nursery and Household Tales. This expanded edition includes a new preface and an appendix featuring translations of six tales with commentary by Maria Tatar. Throughout the book, Tatar draws on the disciplinary tools of psychoanalysis and folklore while also providing historical context to explore the harsher aspects of these stories, presenting new interpretations of tales that engage in a kind of cultural repetition compulsion. No other book so thoroughly challenges us to rethink the happily-ever-after of these classic stories.

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When Hansel and Gretel try to eat the witch's gingerbread house in the woods, are they indulging their "uncontrolled cravings" and "destructive desires" or are they simply responding normally to the hunger pangs they feel after being abandoned by their parents? Challenging Bruno Bettelheim and other critics who read fairy tales as enactments of children's untamed urges, Maria Tatar argues that it is time to stop casting the children as villians. In this provocative book she explores how adults mistreat children, focusing on adults not only as hostile characters in fairy tales themselves but also as real people who use frightening stories to discipline young listeners.

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The Heroine with 1,001 Faces dismantles the cult of warrior heroes, revealing a secret history of heroinism at the very heart of our collective cultural imagination. Maria Tatar, a leading authority on fairy tales and folklore, explores how heroines, rarely wielding a sword and often deprived of a pen, have flown beneath the radar even as they have been bent on redemptive missions. Deploying domestic crafts and using words as weapons, they have found ways to survive assaults and rescue others from harm, all while repairing the fraying edges in the fabric of their social worlds. Like the tongueless Philomela, who spins the tale of her rape into a tapestry, or Arachne, who portrays the misdeeds of the gods, they have discovered instruments for securing fairness in the storytelling circles where so-called women’s work—spinning, mending and weaving—is carried out. In a broad-ranging volume that moves with ease from the local to the global, Tatar demonstrates how our new heroines wear their curiosity as a badge of honour rather than a mark of shame and how their “mischief making” evidences compassion and concern. The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present day. It casts an unusually wide net, expanding the canon and thinking capaciously in global terms, breaking down the boundaries of genre and displaying a sovereign command of cultural context. This, then, is a historic volume that informs our present and its newfound investment in empathy and social justice like no other work of recent cultural history.

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How do we explain our newfound cultural investment in empathy and social justice? For decades, Joseph Campbell had defined our cultural aspirations in The Hero with a Thousand Faces, emphasising the value of seeking glory and earning immortality. His work became the playbook for Hollywood, with its many male-centric quest narratives. Unsatisfied with Campbell’s once-canonical work, Maria Tatar explores how heroines, rarely wielding a sword and deprived of a pen, have flown beneath the radar even as they have been bent on social missions. Using the domestic arts and storytelling skills, they have displayed audacity, curiosity and care as they struggled to survive and change the reigning culture. Animating figures from Ovid’s Philomela, her tongue severed yet still weaving a tale about sexual assault, to Stieg Larsson’s Lisbeth Salander, a high-tech wizard seeking justice for victims of a serial killer, The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present.

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The tale of Bluebeard's Wife--the story of a young woman who discovers that her mysterious blue-bearded husband has murdered his former spouses--no longer squares with what most parents consider good bedtime reading for their children. But the story has remained alive for adults, allowing it to lead a rich subterranean existence in novels ranging from Jane Eyre to Lolita and in films as diverse as Hitchcock's Notorious and Jane Campion's The Piano. In this fascinating work, Maria Tatar analyzes the many forms the tale of Bluebeard's Wife has taken over time, particularly in Anglo-European popular culture. It documents the fortunes of Bluebeard, his wife, and their marriage in folklore, fiction, film, and opera, showing how others took the Bluebeard theme and revived it with their own signature twists. In some tales the wife is a deceiver; in others she is a clever investigator. Earlier ages denounced Bluebeard's wife for her "reckless curiosity" and for her "uncontrolled appetite"; our own times have turned her into something of a heroine, a woman who rescues herself--and often her marriage--through her detective work and psychological finesse. And as for Bluebeard? Once considered a one-dimensional brute, he has found renewed cultural energy both as a master criminal who kills in order to create a higher moral order and as an artist figure who must shield himself against intimacy to foster his creative powers. A brilliant account of how one classic fairy tale has been continually reincarnated, Secrets beyond the Door will appeal to both literary scholars and general readers.

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This Norton Critical Edition collects seven different tale types, including multicultural versions and literary rescriptings. Along with the introductions and annotations by Maria Tatar are twenty-four critical essays exploring the various aspects of fairy tales, and new interpretations. A revised and updated selected bibliography is included.

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Franz Anton Mesmer's concept of animal magnetism exercised a profound influence on key European and American thinkers. Mesmer, who saw in his discovery the secret of health, had hoped to recover the harmony between man and nature by harnessing the power of magnetic fluids. In calling attention to the existence of a second self that surfaces in the hypnotic trance, Mesmer made his real contribution and took the first, decisive steps on the road leading to the unconscious. While most critical studies of mesmerism originate in the history of science or medicine, Maria Tatar's book takes a fresh approach by tracing the impact of mesmerism on literature. The author launches her account with a portrait of Mesmer and places his views in the context of eighteenth-century thought. She then explores the significance of Mesmer's ideas and studies their influence on nineteenth-century German, French, and American writers. In conclusion, she examines the ways in which modern authors absorbed and reshaped the mesmerist legacy bequeathed to them by earlier generations. Whether discussing the electrical energy vibrating through Kleist's dramas, the electrical heat radiating from Hoffmann's figures, the streams of magnetic fluid coursing through Balzac's novels, or the magnetic chain of humanity linking Hawthorne's characters, Professor Tatar recaptures the meaning of ideas, motifs, and metaphors often overlooked by literary critics. Her study illuminates, in a remarkable way, the subtle connections between science, psychology, and literature. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Our worldwide storytelling heritage is vast and varied and yet contains common threads, themes and motifs running throughout the many legends, whether they hail from the dusty plains of Africa or the cherry-blossom-blanketed hills of Japan. This astonishing anthology, in Flame Tree’s covetable series of myths and tales, gathers together the most iconic and entertaining tales of adventure and daring from around the world. From Perseus the Gorgon-Slayer of Greek myhology, and the exploits of Frithiof the Bold of Norse saga fame, to the tragic tale of Irish heroine Deirdre, these exciting stories vibrate with the heart and soul of age-old narrative. An extended introduction is followed by four main sections, with mythic stories from Mexico, Egypt, India and more: Tales of Warriors, Travel & Adventure; Heroes & Heroines in Literature & Poetry; Legends of the Gods, Demigods & Culture Heroes; Leading Ladies & Affairs of the Heart.

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“With her trademark brio and deep-tissue understanding, Maria Tatar opens the glass casket on this undying story, which retains its power to charm twenty-one times, and counting.”—Gregory Maguire, author of WickedThe story of the rivalry between a beautiful, innocent girl and her cruel and jealous mother has been endlessly repeated and refashioned all over the world. The Brothers Grimm gave this story the name by which we know it best, and in 1937 Walt Disney sweetened their somber version to make the first feature-length, animated fairy tale, Snow White and the Seven Dwarfs. Since then, the Disney film has become our cultural touchstone—the innocent heroine, her evil stepmother, the envy that divides them, and a romantic rescue from domestic drudgery and maternal persecution. But each culture has its own way of telling this story of jealousy and competition. An acclaimed folklorist, Maria Tatar brings to life a global melodrama of mother-daughter rivalries that play out in unforgettable variations across countries and cultures.“Fascinating…A strange, beguiling history of stories about beauty, jealousy, and maternal persecution.”—Wall Street Journal“Is the story of Snow White the cruelest, the deepest, the strangest, the most mythopoeic of them all?…Tatar trains a keen eye on the appeal of the bitter conflict between women at the heart of the tale…a feast of rich thoughts…An exciting and authoritative anthology from the wisest good fairy in the world of the fairy tale.”—Marina Warner“The inimitable Maria Tatar offers us a maze of mothers and daughters and within that glorious tangle an archetype with far more meaning than we imagine when we say ‘Snow White.’”—Honor Moore“Shocking yet familiar, these stories…retain the secret whisper of storytelling. This is a properly magical, erudite book.”—Literary Review

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Perhaps no fairy tale is as widely known as 'Beauty and the Beast' - and perhaps no fairy tale exists in as many variations. Nearly every culture tells the story in one fashion or another - such cultural phenomena as The Fault in Our Stars and Me Before You are recent examples - and it is impossible to find one version that laid the foundation for the rest. From Cupid and Psyche, India's Snake Bride to South Africa's 'Story of Five Heads', the partnering of beast and beauties has beguiled us for thousands of years. In this fascinating volume preeminent fairy tale scholar Maria Tatar brings together tales from ancient times to the present and from a wide variety of cultures.

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The author Hans Christian Andersen is regarded as a national treasure by his homeland Denmark, but his popularity extends far beyond his native shores. As one of the most translated authors in the world, there are hundreds of editions of his books in many languages. He is known predominantly for his remarkable series of fairy tales, many of which remain classics today, providing both inspiration for many film versions of his famous tales, as well as new collections of his stories. Evocative and poignant, their rich narratives are hugely compelling and tend to explore morality in an accessible and thought-provoking way. He was a great admirer of Dickens, and they conducted a literary friendship for many years. This latest collection celebrates Andersen’s unique literary output and gathers together a large selection of much-loved tales such as ‘The Little Mermaid’, ‘The Emperor’s New Clothes’, ‘The Ugly Duckling’, ‘The Princess and the Pea’ and ‘The Snow Queen’.

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Originally issued in 1934, The Fairies Return was the first collection of modernist fairy tales ever published in England, and it marked the arrival of a satirical classic that has never been surpassed. Even today, this reimagining of fourteen timeless tales--from "Puss in Boots" to "Little Red Riding Hood"--is still fresh and bold, giving readers a world steeped not in once upon a time, but in the here and now. Longtime favorites in this playfully subversive collection are retold for modern times and mature sensibilities. In "Jack the Giant Killer," Jack becomes a trickster who must deliver England from the hands of three ogres after a failed government inquiry. "Ali Baba and the Forty Thieves" is set in contemporary London and the world of financial margins and mergers. In "The Little Mermaid," a young Canadian girl with breathtaking swimming skills is lured by the temptations of Hollywood. And Cinderella becomes a spinster and holy woman, creating a very different happily ever after. These tales expose social anxieties, political corruption, predatory economic behavior, and destructive appetites even as they express hope for a better world. A new introduction from esteemed fairy-tale scholar Maria Tatar puts the collection in context. From stockbrokers and socialites to shopkeepers and writers, the characters in The Fairies Return face contemporary challenges while living in the magical world of fairy tales.

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The beloved classic fantasy adventure PETER PAN (originally published in 1911 as PETER AND WENDY), has been adapted countless times for film, stage, and spin-offs -- but it's never been seen as depicted by the brushwork of celebrated Belgian cartoonist Brecht Evens. This elaborately illuminated version of Barrie's perennial masterwork takes an inventive approach to world-building, treating Neverland as an imaginative space of infinite possibility to explore. Pirate ships, lost cities, fairy societies, unknowable beasts and magical creatures -- each of which fall, as Barrie wrote, "somewhere between reality and all we've ever dreamed." Featuring an introduction by Maria Tatar. 9x12", 176 pages.

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Even after two hundred years, the tales collected by the Brothers Grimm remain among our most powerful stories. Their scenes of unsparing savagery and jaw-dropping beauty remind us that fairy tales, in all their simplicity, have the power to change us. With some of the most famous stories in world literature, including “Cinderella,” “Little Red Riding Hood,” “Hansel and Gretel,” “Snow White,” as well as some less well known stories like “The Seven Ravens,” this definitive collection promises to entrance readers with the strange and wonderful world of the Brothers Grimm. Maria Tatar’s engaging preface provides readers with the historical and cultural context to understand what these stories meant and their contemporary resonance. Fans of all ages will be drawn to this elegant and accessible collection of stories that have cast their magical spell over children and adults alike for generations.

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A rare discovery in the world of fairy tales - now for the first time in English. With this volume, the holy trinity of fairy tales - the Brothers Grimm, Charles Perrault, and Hans Christian Andersen - becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost - until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive. Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre. 'Schönwerth's tales have a compositional fierceness and energy rarely seen in stories gathered by the Brothers Grimm or Charles Perrault' -The New Yorker'Schönwerth's legacy counts as the most significant collection in the German-speaking world in the nineteenth century' - Daniel Drascek, University of RegensburgFranz Xanver von Schönwerth (1810-1886) was born in Bavaria and had a successful career in lawand the Bavarian royal court before devoting himself to researching the customs of his homeland and preserving its fairy tales and folklore.Maria Tatar chairs the program in folklore and mythology at Harvard, and has edited and translated many collections of fairy tales. Eeika Eichenseer is a historian and preservationist working for the Bavarian government and the director of theFranz Xaver von Schönwerth Society.

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