Search results for ""Author Margot Norton""

A rich panorama of Athens' thriving contemporary art scene Published on the occasion of the 2019 exhibition The Same River Twice, organized by the DESTE Foundation and the New Museum in collaboration with the Benaki Museum in Athens, this catalog features the work of over 30 Athens-based artists of all ages and nationalities. From underground happenings and activist orientations to the rise of artist-run spaces and the critical realm of self-published art zines and journals, The Same River Twice offers a portrait of a city with an artistic dynamism that continues to unfold as artists seek new models for creative output and exchange. Artists include: Eleni Christodoulou, Anastasia Douka, Pavlos Fysakis, Eva Giannakopoulou, Delia Gonzalez, Navine G. Khan-Dossos/GTSA, Lakis & Aris Ionas/The Callas, Evi Kalogiropoulou, Dionisis Kavallieratos, Katerina Komianou, Panayiotis Loukas, Petros Moris, Rallou Panagiotou, Angelos Papadimitriou, Vasilis Papageorgiou, Rena Papaspyrou, Eftihis Patsourakis, Anastasia Pavlou, Yorgos Prinos, Kostas Sahpazis, Socratis Socratous, Eva Stefani, Valinia Svoronou, Iris Touliatou and others.

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The most comprehensive survey to date of the legendary feminist artist Judy Chicago One of the most important contemporary American artists, Judy Chicago is known for multimedia works that embrace an explicitly feminist methodology. Accompanying a major retrospective at the New Museum, this book showcases Chicago’s tremendous impact on American art and presents the full breadth of her career across installation, sculpture, drawing, textiles, photography, stained glass, and printmaking. Featuring an extensive selection curated by Chicago of works by women artists across history, the book also highlights her critical role as an activist and cultural historian who has reshaped the canon. This dedicated section features Chicago’s ‘personal museum’ of women artists and historical figures whom she has placed within her own alternative canon, including Hilma af Klint, Simone de Beauvoir, Leonora Carrington, Elizabeth Catlett, Emily Dickinson, Barbara Hepworth, Frida Kahlo, Georgia O’Keeffe, Virginia Woolf, and many others. The book presents works from across her sixty-year career, from her experiments with Minimalism to her revolutionary feminist artworks and her later works on themes of social inequity, environmentalism, and the construction of masculinity.

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Recent film works from the international duo exploring cultural change Working together for a decade, artists Bárbara Wagner (born 1980, Brazil) and Benjamin De Burca (born 1975, Germany) produce films and video installations that feature protagonists engaged in cultural production. The duo typically collaborates with nonactors to make their films, from writing scripts to staging performances on camera. The resulting works are marked by economic conditions and social tensions present in the contexts in which they are filmed, giving urgency to new forms of self-representation through voice, movement and drama. Accompanying the exhibition at the New Museum—which focuses on projects that the artists filmed in Brazil over the past seven years, as well as a new commissioned piece featuring the theater group Coletivo Banzeiros—this volume includes a conversation between the artists and Margot Norton, as well as texts by Vivian Crockett, Bernardo Mosqueira and Wendelien van Oldenborgh.

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Pepón Osorio’s epic installations unite conceptual art and community dynamics Informed by his background in theater and performance as well as his experiences as a child services case worker and professor, the richly textured sculptures and installations of Puerto Rican–born, Philadelphia-based artist Pepón Osorio (born 1955) are deeply invested in political, social and cultural issues affecting Latinx and working-class communities in the United States. Published for the artist’s most comprehensive exhibition to date, this catalog focuses on the elaborate, large-scale multimedia environments that Osorio has been creating since the early 1990s. Often developed through long-term conversations and collaborations with individuals in the neighborhoods where they were first shown, his installations draw from personal stories in order to empathetically elucidate larger social ills. Taken from an eponymous work, the book’s title addresses themes that resonate throughout Osorio’s practice, such as the need to better care for one another.

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