Search results for ""Author Maren Clegg Hyer""

Similar in theme and method to the first and second volumes, Water and the Environment in the Anglo-Saxon World, third volume of the series Daily Living in the Anglo-Saxon World, illuminates how an understanding of the impact of water features on the daily lives of the people and the environment of the Anglo-Saxon world can inform reading and scholarship of the period in significant ways. In discussing fishing, for example, we learn in what ways fish and fishing might have impacted the life of the average person who lived near fishing waters in early medieval England: how fishing affected that person’s diet, livelihood, and religious obligations, as well as how fish and fishing waters influenced social and cultural structures. Similar lines of enquiry in the volume’s chapters shed insight on water imagery in Old English poetry, on place names that delineate types of watery bodies across the early medieval landscape, and on human interactions (poetic and otherwise) with fens and other wetlands, sacred wells and springs, landing spaces, bridges, canals, watermills, and river settlements, as well as a variety of other waterscapes. The volume’s examination of the impact of water features on the daily lives of the people and the environment of the Anglo-Saxon world fosters an understanding, in the end, not only of the archaeological and material circumstances of water and its uses, but also the imaginative waterscapes found in the textual records of the peoples of early medieval England.

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The Material Culture of the Built Environment in the Anglo-Saxon World, second volume of Daily Living in the Anglo-Saxon World, continues to introduce students of Anglo-Saxon culture to aspects of the realities of the built environment that surrounded Anglo-Saxon peoples through reference to archaeological and textual sources. It considers what structures intruded on the natural landscape the Anglo-Saxons inhabited – roads and tracks, ancient barrows and Roman buildings, the villages and towns, churches, beacons, boundary ditches and walls, grave-markers and standing sculptures – and explores the interrelationships between them and their part in Anglo-Saxon life.

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Essays on costume, fabric and clothing in the Middle Ages and beyond. All those who work with historical dress and textiles must in some way re-fashion them. This fundamental concept is developed and addressed by the articles collected here, ranging over issues of gender, status and power. Topics include: the repurposing and transformation of material items for purposes of religion, memorialisation, restoration and display; attempts to regulate dress, both ecclesiastical and secular, the reasons for it and the refashioning which was both a result and a reaction; conventional ways in which dress was used to characterise children, and their transition into young men; how symbolism-laded dress items could indicate political/religious affiliations; waysin which allegorical, biblical and historical figures were depicted in art in dress familiar to the viewers of their own era, and the emotive and intellectual responses to these costumes the artists sought to elicit; and the use of clothing in medieval literature (often rich, exotic or unique) as narrative, structuring and rhetorical devices. Taken together, they honour the costume historian and editor Robin Netherton, who has been hugely influentialin the development of medieval and Renaissance dress and textile studies. GALE R. OWEN-CROCKER is Professor Emerita at the University of Manchester; MAREN CLEGG HYER is Professor of English at Valdosta State University. Contributors: Melanie Schuessler Bond, Elizabeth Coatsworth, Lisa Evans, Gina Frasson-Hudson, Charney Goldman, Sarah-Grace Heller, Maren Clegg Hyer, John Friedman, Thomas Izbicki, Drea Leed, Christine Meek, M.A. Nordtorp-Madson, Gale R. Owen-Crocker, Lucia Sinisi, Monica L. Wright.

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Essays centred round the representation of weaving, both real and imagined, in the early middle ages. The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile references and images drawn from the Bayeux Tapestry, examine parallels in word-woven poetics, riddling texts, and interwoven homiletic and historical prose, and identify iconographical textures in medieval art. The volume thus considers the images and creative strategies of textiles, texts, and intertexts, generating a complex and fascinating view of the material culture and metaphorical landscape of the Anglo-Saxon peoples. It is therefore a particularly fitting tribute to Professor Gale R. Owen-Crocker, whose career and lengthy list of scholarly works have centred on her interests in the meaning and cultural importance of textiles, manuscripts and text, and intertextual relationships between text and textile. MAREN CLEGG HYER is Associate Professor and Graduate Coordinator in the Department of English at Valdosta State University; JILL FREDERICK is Professor of English at Minnesota State University Moorhead. Contributors: Marilina Cesario, Elizabeth Coatsworth, Martin Foys, Jill Frederick, Joyce Hill, Maren Clegg Hyer, Catherine E. Karkov, Christina Lee, Michael Lewis, Robin Netherton, Carol Neuman de Vegvar, Donald Scragg, Louise Sylvester, Paul Szarmach, Elaine Treharne.

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