Search results for ""Author Marc Lowenthal""

"Take it with you to any cafe in any city, and Perec will be both your drinking partner and your tour guide, drawing your attention to each little detail coming and going.” –Ian Klaus, CityLab One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one café window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In An Attempt at Exhausting a Place in Paris, Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.

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Twenty four delirious narratives from the highpoint of Surrealist automatic writing A foundational classic of Surrealist literature, The Leg of Lamb brings together the arch-Surrealist Benjamin Péret's short prose: a smorgasbord of automatic writing and fantastical narratives employing everything from the cinematic antics of Buster Keaton and slapstick animation to the storytelling devices of detective novels, alchemical operations and mythology. The Leg of Lamb consists of 24 delirious narratives, including the novella-length works "And the Breasts Were Dying" and "There Was a Little Bakeress." Péret's adult fairy tales bear equal allegiance to Lewis Carroll and the Marquis de Sade, and present one of the clearest examples of Surrealist humor, in which the boundaries between character and object blur, and where a coat rack, artichoke or a pile of manure is just as likely as Napoléon, El Cid or Pope Pius VII to take on the role of hero and adventurer. Péret himself edited this collection toward the end of his life. Originally published in French in 1957, almost all of the stories in this collection had been written in the 1920s, half of them even preceding André Breton's Manifesto of Surrealism. The Leg of Lamb offers not only a highpoint of Surrealist automatic writing, but a key chapter in the genesis of the Surrealist movement.

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Stories and Remarks collects the best of Raymond Queneau's shorter prose. The works span his career and include short stories, an uncompleted novel, melancholic and absurd essays, occasionally baffling "Texticles," a pastiche of Alice in Wonderland, and his only play. Talking dogs, boozing horses, and suicides come head to head with ruminations on the effects of aerodynamics on addition, rhetorical dreams, and a pioneering example of permutational fiction influenced by computer language. Also included is Michel Leiris's preface from the French edition, an introduction by the translator, and endnotes addressing each piece individually. Raymond Queneau—polyglot, novelist, philosopher, poet, mathematician, screenwriter, and translator—was one of the most significant figures in twentieth-century French letters. His work touches on many of the major literary movements of his lifetime, from surrealism to the experimental school of the nouveau roman. He also founded the Oulipo, a collection of writers and mathematicians dedicated to the search for artificial inspiration via the application of constraint.

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