Search results for ""Author Manuel DeLanda""

Manuel DeLanda provides the first detailed overview of the assemblage theory found in germ in Deleuze and Guattari’s writings. Through a series of case studies DeLanda shows how the concept can be applied to economic, linguistic, and military history as well as to metaphysics, science, and mathematics.

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Until quite recently, almost no philosophers trained in the continental tradition saw anything of value in realism. The situation in analytic philosophy was always different, but in continental philosophy realism was usually treated as a pseudo-problem. That is no longer the case. In this provocative new book, two leading philosophers examine the remarkable rise of realism in the continental tradition. While exploring the similarities and differences in their own positions, they also consider the work of others and assess rival trends in contemporary philosophy. They begin by discussing the relation between realism and materialism, which DeLanda links closely but which Harman tries to separate. Part Two covers the many different meanings of realism, with the two authors working together to develop an expanded definition of the term. Part Three features a spirited exchange on the respective virtues and drawbacks of DeLanda's realism of attractors and singularities and Harman's object-oriented theory. Part Four shifts to the question of the knowability of the real, as the authors discuss whether scientific knowledge does full justice to reality. In Part Five, they shift the focus to space, time, and science more generally, and here Harman offers a defence of actor-network theory despite its obvious anti-realist elements. Lively, accessible and engaging, this book is the best attempt so far to clarify the different paths for realism in continental philosophy. It will be of great value to students and scholars of continental philosophy and to anyone interested in the cutting-edge debates in philosophy and critical theory today.

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Until quite recently, almost no philosophers trained in the continental tradition saw anything of value in realism. The situation in analytic philosophy was always different, but in continental philosophy realism was usually treated as a pseudo-problem. That is no longer the case. In this provocative new book, two leading philosophers examine the remarkable rise of realism in the continental tradition. While exploring the similarities and differences in their own positions, they also consider the work of others and assess rival trends in contemporary philosophy. They begin by discussing the relation between realism and materialism, which DeLanda links closely but which Harman tries to separate. Part Two covers the many different meanings of realism, with the two authors working together to develop an expanded definition of the term. Part Three features a spirited exchange on the respective virtues and drawbacks of DeLanda's realism of attractors and singularities and Harman's object-oriented theory. Part Four shifts to the question of the knowability of the real, as the authors discuss whether scientific knowledge does full justice to reality. In Part Five, they shift the focus to space, time, and science more generally, and here Harman offers a defence of actor-network theory despite its obvious anti-realist elements. Lively, accessible and engaging, this book is the best attempt so far to clarify the different paths for realism in continental philosophy. It will be of great value to students and scholars of continental philosophy and to anyone interested in the cutting-edge debates in philosophy and critical theory today.

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Economically downtrodden New York City in the mid-to-late 1970s was like the end of the world, but only if you chose to see it that way. For young artists running amok in the collapsing capital, the possibilities seemed endless. For Manuel DeLanda (born 1952), a Mexican transplant enrolled at the School of Visual Arts, overcrowded sidewalks and decrepit subway stations were blank canvases for inspired mayhem. Widely recognized today as a philosopher, professor and author (of A Thousand Years of Nonlinear History, Assemblage Theory and The Rise of Realism, among other titles), DeLanda initially came to prominence as one of the premiere experimental filmmakers of his generation. Fueled by the gonzo humor and graphic audacity of Frank Zappa and Zap Comix, DeLanda’s fevered productions were among the most deliriously innovative movies of the punk era. While films like Raw Nerves: A Lacanian Thriller and Incontinence: A Diarrhetic Flow of Mismatches are certified underground classics, DeLanda’s visually striking, virtually unknown graffiti work (signed with the tag Ism Ism) has long remained more urban legend than legendary. ISM ISM presents a comprehensive overview of DeLanda’s ephemeral street collages through a colorful frame-by-frame breakdown of a Super-8 short film made in 1979 to document his sweetly subversive activities. Extensive still images, an expansive interview and copious contextual materials combine to illustrate the story of DeLanda’s aesthetic attack on 23rd St, including his friendly competition with fellow taggers Keith Haring and Jean-Michel Basquiat.

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