Search results for ""Author Malcolm Imrie""

Throughout his adventurous life, Ralph Rumney was in constant flight from the wreckage of postwar Europe. Crossing paths with every avant-garde of the past fifty years, he was one of the founding members of the Situationist International. Rumney’s traveling companions — Guy Debord, Pegeen Guggenheim, Asger Jorn, Michèle Berstein, Bernard Kops, Yves Klein, Marcel Duchamp, Georges Bataille, William Burroughs, Félix Guattari, E.P. Thompson, Victor Brauner, and many others — are recalled in the oral history with sharp intelligence and dry wit.Profusely illustrated with Rumney’s own photos, paintings, and collages and other documentary materials."The Consul regains that magnificent freedom that a handful of people enjoyed and shared with artists, writers and others, in a world whose password was total, unfailing rejection of the world." —Judith Brouste, Art Press". . . fine compendium of the most poetic of political writings, albeit still a partial measure for fans, followers and future revolutionaries awaiting the complete translations of the journal Situationist Internationale." —Publishers WeeklyRalph Rumney (1934 - 2002), was the sole member of the London Psychogeographical Society, a founding organization of the Situationist International (1957). He is the author of The Leaning Tower of Venice, a fabled psychogeographical exploration of that city.Malcolm Imrie is a literary agent and translator whose translations include Guy Debord's Comments on the Society of the Spectacle and Josè Pierre's Investigating Sex: Surrealist Discussions 1928 - 1932.

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First published in 1967, Guy Debord's stinging revolutionary critique ofcontemporary society, The Society of the Spectacle has since acquired acult status. Credited by many as being the inspiration for the ideasgenerated by the events of May 1968 in France, Debord's pitiless attackon commodity fetishism and its incrustation in the practices of everydaylife continues to burn brightly in today's age of satellite televisionand the soundbite. In Comments on the Society of the Spectacle, publishedtwenty years later, Debord returned to the themes of his previousanalysis and demonstrated how they were all the more relevant in aperiod when the "integrated spectacle" was dominant. Resolutely refusingto be reconciled to the system, Debord trenchantly slices through thedoxa and mystification offered tip by journalists and pundits to showhow aspects of reality as diverse as terrorism and the environment, theMafia and the media, were caught up in the logic of the spectacularsociety. Pointing the finger clearly at those who benefit from the logicof domination, Debord's Comments convey the revolutionary impulse atthe heart of situationism.

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"Whenever I was asked: 'Why did you go to Santiago?', I had a hard time answering. How could I explain to those who had not done it that the way has the effect - if not the virtue - to make you forget all reasons that led you to become involved in it in the first place."Each year, tens of thousands of backpackers (Christian pilgrims and many others) set out from either their front doorstep or from popular starting points across Europe, to Santiago de Compostela. Most travel by foot, others ride a bicycle, and a few of them travel as did some of their medieval counterparts, on horseback or with a donkey. In addition to those who undertake a religious pilgrimage, the majority are hikers who walk the way for non-religious reasons: travel, sport, or simply the challenge of spending weeks walking in a foreign land. Also, many consider the experience as a spiritual adventure, with a view to removing themselves from the bustle of modern life. Jean-Christophe Rufin followed this "Northern Way" to Santiago de Compostela by foot, on over eight hundred kilometers. Much less crowded than the usual pilgrimage route, this one runs along the Basque and Cantabrian coasts in Spain and through the wild mountains of Asturias and Galicia.Translated from the French by Malcolm Imrie and Martina Dervis

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