Search results for ""Author M. Thomas""

This dark comedy explores the lost universes of disgraced idol Dylan Greenyears. Dylan had always wanted to live as many lives as he could-that was the appeal of being an actor. But at the end of a brief stint as a Hollywood heartthrob, Dylan loses the lead in Titanic and exiles himself and his wife to a recently settled exoplanet called New Taiwan. At first, life beyond Earth seems uncannily un-wondrous. Dylan teaches at an American prep school, raises a family with his high school sweetheart, and lives out his restlessness through literature. But then a box of old fan mail (and the hint of a galaxy-wide conspiracy) offers Dylan a chance to recapture the past. As he tries to balance this transdimensional midlife crisis against family life, Dylan encounters a cast of extraordinary characters: a supercomputer with aspirations of godhood, a Mormon-fundamentalist superfan, an old-school psychoanalyst, a sampling of his alternate selves, and, once again, the love of his lives. King of the Worlds throws cosmology, technology, nineties pop culture, and religion into an existential blender for a mix that is by turns tragic and absurd, elegiac and filled with wonder. M. Thomas Gammarino is the author of the novel Big in Japan and the novella Jellyfish Dreams. His short fiction has appeared in the New York Tyrant, Tinfish, Word Riot, and the Hawai'i Review, among others. In 2014, Gammarino received the Elliot Cades Award for Literature, Hawaii's highest literary honor. He lives and teaches in Honolulu, Hawaii.

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"From Susie Wong to Madame Butterfly to Miss Saigon: you might think that we've had enough of American men adventuring, scoring, and coming undone in the Far East. But you'd be wrong. Gammarino's Big in Japan is a shrewd and lively book, sharp-eyed and unsparing in its account of a young American's good and very bad moments overseas. The writing is wired and the ultimate judgement is merciless. It's seductive and it's devastating." -PF Kluge, author of Eddie and the Cruisers and Gone Tomorrow While playing to lackluster crowds in their hometown of Philadelphia, progressive rock band Agenbite clings to the comforting half-truth that they're doing better in Japan. When their manager agrees to send them over on a shoestring tour, though, they're swiftly forced to give up their illusions and return stateside. All but one of them, that is. Brain Tedesco, the band's obsessive-compulsive nerve center, has fallen in love with a part-time sex worker - the first woman ever to have touched him - and his illusions have only just begun. What ensues is a gritty coming-of-age tale in which Brain, intent on achieving some kind of transcendence, paradoxically (or not so paradoxically) descends into the Hungry Ghost realm of Tokyo's underworld. He becomes, in effect, a gaki - the insatiable creature of Buddhist cosmology - and must learn how to live even as his outsize desires threaten to engulf him. By turns compassionate and ruthless, erotic and grotesque, riotously serious and deadly funny, Big in Japan is a sparking, gut-wrenching, face-melting debut novel.

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This volume offers a section of the most important essays published by Emyr Humphreys over a 30-year period. The essays are prefaced by a series of discusssions which explore some of the intellectual concerns and motifs that have recurred throughout Humphreys' work.

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Focuses on the literary implications of 17th-century religion, Shakespeare's Roman plays, and 16th-century poetry. Renaissance Papers collects the best essays submitted each year to the Southeastern Renaissance Conference. In the 2007 volume, two essays focus on Shakespeare's Roman plays: one on Lavinia's death and Roman suicide in Titus Andronicus, the other on the rhetorical construction of masculinity in Julius Caesar. Five essays address the literary implications of seventeenth-century religious belief and practice, considering the influence of the timing and delivery of sermons on John Donne, the impact of godly reforms on Thomas Browne's Religio Medici, the effect of Scottish on English Presbyterianism during the 1640s, the critique of reformist utopianism in Margaret Cavendish's The Blazing World, and the implications of Paradise Lost's lack of a frontispiece. Two essays on sixteenth-century poetry look at the literary voices of commoners and of kings: one focuses on the portraits of women and commoners in A Mirror for Magistrates, while the other examines the political implications of King James VI/I's metrical translations of David's Psalms. Contributors: Reid Barbour, Nora L. Corrigan, William A. Coulter, Julie Fann, Robert Kilgore, Sonya Freeman Loftis, Christopher Hair, Jim Pearce, and John N. Wall.

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The current volume contains nine articles reflecting a wide range of approaches to Renaissance literary performance and theory. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The nine articles in this volume reflect a wide range of approaches to Renaissance literary performance and theory. The first four essays seek reasons for the success of various Renaissance plays: Christopher Cobb examines how Thomas Heywood casts heroic action in a positive light in his romantic dramas, whereas Lucas Erneurges that Thomas Kyd's Spanish Tragedy owes its success to its Christian portrait of Heironimo's unsuccessful attempt to recognize a benevolent deity. Robert Reeder looks at Renaissance educational manuals in order to clarify views on precocity in Richard III, Bartholomew Fair, and Twelfth Night; and Thomas L. Martin and Duke Pesta investigate and refute postmodern claims about a "transvestite stage." Scott Lucas shows how several sonnets of Fulke Greville's Caelica disorient the reader, underscoring the poet's doubts about human reason and perception; and Pamela Macfie illustrates how Marlowe's ghostly allusions to Ovid's Heroides in Hero andLeander darken the portrayal of the tragic lovers' frustration. The final three essays concern the 17th-century literary giants Donne and Milton: Jay Stubblefield shows Donne's 1619 sermon to the Virginia Company to be a uniquely Thomistic commentary on the conflicting motives behind England's exploits in the New World; and John Wall and John T. Shawcross explore the effects of John Milton's poems on Renaissance and modern readers. M. Thomas Hester is professor of English at North Carolina State University.

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Annual collection of essays, this year treating works by Donne, Shakespeare, Marvell, and Spenser, among other topics. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and the world. Of the nine essays in the 2002 volume, three have to do with John Donne; among the topics here are Donne and Pietro Aretino, Donne and "All the World," andauthorial intention in the Holy Sonnets. Two essays deal with Shakespeare, specifically the discourse of dilution in 2 Henry IV and the Ovidian underworld in Othello. Other essays treat Marvell and the temporality of paranoia; poetry, patronage, and identity in Spenser's The Faerie Queene; and the visual culture of the Elizabethan prodigy house. Contributors: Nicholas Crawford, Dennis Flynn, Heather Hirschfeld, Pamela Royston Macfie, Anne E. McIlhaney, Graham Roebuck, Gary Stringer, James M. Sutton, Alzada Tipton. M. Thomas Hester is professor of English at North Carolina State University

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When A Connecticut Yankee at King Arthur's Court was published in 1889, Mark Twain was undergoing a series of personal and professional crises. Thus what began as a literary burlesque of British chivalry and culture grew into a disturbing satire of modern technology and social thought. The story of Hank Morgan, a nineteenth-century American who is accidentally returned to sixth-century England, is a powerful analysis of such issues as monarchy versus democracy and free will versus determinism, but it is also one of Twain's finest comic novels, still fresh and funny after more than 100 years. In his introduction, M. Thomas Inge shows how A Connecticut Yankee develops from comedy to tragedy and so into a novel that remains a major literary and cultural text for new generations of readers. This edition reproduces a number of the original drawings by Dan Beard, of whom Twain said `he not only illustrates the text but he illustrates my thoughts'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This is a complete facsimile edition of fourteen autograph letters of John Donne that are among the greatest treasures of the Folger Library. The letters, dating from February and March 1602, relate to Donne's clandestine marriage to Anne More and are addressed to his father-in-law, Sir George More, and to Sir Thomas Egerton, the lord keeper, who was also Donne's employer.The text of a letter provides one part of the story, while its very tangibility -- the ancient folds, the grime and fingerprints deposited by the writer, deliverer, and readers, the broken seals, the ink blots, the idosyncratic spelling, the location of a signature -- tells another. An understanding of a letter's written and unwritten social signals brings into focus a fuller, grittier, and a clearer view of life in 17th century England.John Donne's Marriage Letters was recognized in the AIGA "50 books/50 Covers" competition as one of 100 examples of outstanding book and book cover design produced in 2005.

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