Search results for ""Author Lyndsey Stonebridge""

This book tells the story of the struggle to imagine new forms of justice after Nuremberg. Returning to the work of Hannah Arendt, Lyndsey Stonebridge traces the emergence of a critical aesthetics of judgment in a group of writers - often hard to place in the 'between' of modernism and contemporary writing - including Elizabeth Bowen, Muriel Spark, Iris Murdoch and Martha Gellhorn. From Nuremberg to the Eichmann trial, from the Paris Peace Conference to attempts to legislate for the world's newly stateless through the discourse of human rights, Stonebridge shows that these ethically-driven women intellectuals were drawn to the law because of its promise of historical justice, yet critical of its political blindness and suspicious of its moral claims. This book returns to the work of Hannah Arendt as the starting point for a new theorisation of the relation between law and trauma. It provides a new context for understanding the continuities between late modernism and postwar writing through a focus on justice and human rights. It offers a model of reading between history, law and literature which focuses on how matters of style and genre articulate moral, philosophical and political ambiguities and perplexities. It makes a significant contribution to the rapidly developing fields of literary-legal and human rights studies.

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A bold and accessible argument for the moral and political value of literature in rightless times. The obvious humanity of books would seem to make literature and human rights natural allies. But what is the real connection between literature and human rights? In this short polemical book, Lyndsey Stonebridge shows how the history of human rights owes much to the creative imagining of writers. Yet, she argues, it is not enough to claim that literature is the empathetic wing of the human rights movement. At a time when human rights are so blatantly under attack, the writers we need how are the political truthtellers, the bold callers out of easy sympathy and comfortable platitudes.

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A bold and accessible argument for the moral and political value of literature in rightless times. The obvious humanity of books would seem to make literature and human rights natural allies. But what is the real connection between literature and human rights? In this short polemical book, Lyndsey Stonebridge shows how the history of human rights owes much to the creative imagining of writers. Yet, she argues, it is not enough to claim that literature is the empathetic wing of the human rights movement. At a time when human rights are so blatantly under attack, the writers we need how are the political truthtellers, the bold callers out of easy sympathy and comfortable platitudes.

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This bold new take on the life and ideas of political philosopher Hannah Arendt explores her lessons for living in an age of uncertainty'Compelling and original' OBSERVER'An absorbing new biography... Admirable' ECONOMIST'Invigorating and insightful' FINANCIAL TIMESThe violent unease of today's world would have been all too familiar to Hannah Arendt. Tyranny, occupation, disenchantment, post-truth politics, conspiracy theories, racism, mass migration, the banality of evil: she had lived through them all.Born in the first decade of the last century, Arendt escaped fascist Europe to make a new life for herself in America, where she became one of the world's most influential - and controversial - public intellectuals. She wrote about power and terror, exile and love, and above all about freedom. Questioning - thinking - was her first defence against tyranny. In place of the forces of darkness and insanity, she pitched a politics of plurality, spontaneity and defiance. Loving the world, Arendt taught, meant finding the courage to protect it.Written with passion and authority, Lyndsey Stonebridge's We Are Free to Change the World illuminates Arendt's life and work and its urgent dialogue with our troubled present. It calls on each of us to think our way, as Hannah Arendt did - unflinchingly, lovingly and defiantly - through our own unpredictable times.

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From Hannah Arendt, the author of The Origins of Totalitarianism, her influential essay examining the relationship between violence, power, war and politics'Violence can destroy power; it is utterly incapable of creating it'Why has violence played such a significant role in human history? Written in 1970, with the Holocaust and Hiroshima still fresh in recent memory, war in Vietnam raging and the streets of Europe and America exploding into student protest, Hannah Arendt's seminal work dissects violence in the twentieth century: its nature and causes, its relationship with politics and war, its role in the modern age. Arendt warns against the glamorization of violence by revolutionary causes, and argues that true, lasting power can never grow 'out of the barrel of a gun'.'Incisive, deeply probing, written with clarity and grace, it provides an ideal framework for understanding the turbulence of our times' The NationWith an introduction by Arendt expert, Lyndsey Stonebridge, Professor of Humanities and Human Rights at the University of Birmingham.

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