Search results for ""Author Ludmila Ulitskaya""

'Dazzling . . . [An] engrossing study of a vivacious personality slipping away' THE TIMES'Rich in detail, elusive in meaning, light in touch' MOSCOW TIMESIn a small apartment in New York, in the sweltering mid-summer heat, a group of Russian émigrés gather around the sickbed of an artist named Alik.Nina, his wife, is desperate for Alik to be baptised; Irina, his ex-lover, a circus acrobat turned lawyer, quietly pays the bills; elderly Maria dispenses magical herbs; and Maika, Irina's fifteen-year-old daughter, prepares to lose the only man to make her laugh. As the visitors fuss and reminisce over Alik, in a corner of the crowded room the television shows the uprising outside the White House in Moscow and the tanks closing in on the city . . .

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The Big Green Tent is the kind of book for which the term "Russian novel" was invented. A sweeping saga, it tells the story of three school friends who meet in 1950s Moscow and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys - an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets - struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. Ludmila Ulitskaya's big, yet intimate novel belongs to the tradition of Dostoevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times. Named a must-read book by New York magazine, Travel Leisure, Flavor wire, and Bustle, and a Best Fiction Book of the Year by The Christian Science Monitor

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One of Russia’s most renowned literary figures and a Man Booker International Prize nominee, Ludmila Ulitskaya presents what may be her final novel. Jacob’s Ladder is a family saga spanning a century of recent Russian history - and represents the summation of the author’s career, which has been devoted to sharing the absurd and tragic tales of twentieth-century life in her nation. Spanning the seeming promise of the prerevolutionary years, to the dark Stalinist era, to the corruption and confusion of the present day, Jacob’s Ladder is a pageant of romance, betrayal, and memory. With a scale worthy of Tolstoy, it asks how much control any of us have over our lives - and how much is in fact determined by history, by chance, or indeed by the genes passed down by the generations that have preceded us into the world.

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Rudolf Maier, a young microbiologist working on a plague vaccine, is summoned to Moscow to deliver a progress report to his superiors. Inadvertently, he carries the virus with him from the lab. When his illness is discovered, the state machinery turns with terrifying efficiency, rounding up dozens of people. But for many, the distinction between this enforced, life-sparing isolation and the constant churn of political surveillance and arrests is barely detectable, and personal tragedy is not completely averted. Based on real events in the Stalinist Russia of the 1930s, this gripping novel, written in the late 1980s and rediscovered by the author during lockdown - and never before translated into English - surfaces uncomfortable truths about the current Russian regime and the pandemic crisis. Includes a new afterord by the author.

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A new collection of stories by the acclaimed Ludmila Ulitskaya, masterfully translated into English A New Yorker Best of the Week Pick • A Library Journal choice for Best World Literature of 2023 • A World Literature Today Notable Translation of 2023 “[A] magnificent collection . . . [by] a writer of boundless tenderness.”—Geneviève Brisac, Le Monde “Centrifugal, pensive, often elusive stories by one of the greatest living Russian writers (and leading anti-Putinist). . . . The stories are marvels of economy and the unexpected twist, each a memorable tour de force. . . . A welcome introduction to the short fiction of an essential writer.”—Kirkus Reviews (starred review) While we can feel, know, and study the body, the soul refuses definition. Where does it begin and end? What does the soul have to do with love? Does it exist at all, and if so, does it outlast the body? Or are the soul and body really one and the same? These are questions posed by the characters who inhabit this book of stories by the award-winning Russian writer Ludmila Ulitskaya. A woman believes that the best way to control her life is to control her death. A landscape photographer wonders if the beauty he has witnessed can triumph over decay. A coroner dedicated to science is confronted by a startling physical anomaly, a lonely divorcée experiences an extraordinary transformation, a librarian whose life is devoted to language finds words slipping away from her. In these eleven stories, artfully rendered into English by Richard Pevear and Larissa Volokhonsky, Ulitskaya maps the edges of our lives, tracing a delicate geography of the soul.

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