Search results for ""Author Lucy Lippard""

Explore the dynamic world of 1960s Pop Art through Lucy Lippard's insightful analysis in this new addition to the Pocket Perspectives series. Pop Art epitomized the free spirit of the 1960s, blending carnival-like qualities with bold colours and monumental scale, but based on a tough, no-nonsense, no-refinement standard appropriate to its time. Renowned art critic and curator Lucy Lippard's classic, contemporaneous study enriches our understanding of this groundbreaking art movement. Across three chapters, the author first outlines the phenomenon of Pop Art, its antecedents and related styles ranging from folk art, Surrealism and Dada as well as the work of key artists such as Robert Rauschenberg and Jasper Johns. She then focuses on Pop Art in New York, discussing key iconic figures including Claes Oldenburg, Jim Dine, Roy Lichtenstein, James Rosenquist, Andy Warhol and Tom Wesselmann, who appropriated advertising, comics, and the conventions of commercial art and its specific

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Influential art writer Lippard weaves together cultural studies, history, geography and contemporary art to provide a fascinating examination of our multiple senses of place.

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Award-winning author, curator and activist Lucy Lippard is one of America s most influential writers on contemporary art, a pioneer in the fields of cultural geography, conceptualism and feminist art; she now turns her eye to the politics of land use.

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Essays and meditations on iPhone photography, artist residencies, mortality and more from the acclaimed New England photographer and educator A memoir and meditation on the history of photography from one of New England’s most respected photographers, Rose Marasco (born 1948), this volume features short personal writings on topics ranging from artist residencies and iPhone photography to the early death of her father and includes selections from several bodies of work across Marasco’s long career. Lucy Lippard’s foreword situates Marasco as a key feminist voice among practitioners of vernacular photography. Marasco is now a widely exhibited photographer with works in many museum collections, who has also spent decades as a beloved and highly regarded teacher of photography. Her keen eye and generous voice offer an important perspective on how photography can shape a lifetime.

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A multimedia portrait of a fictional woman artist caught between two cultures In her latest body of work, multimedia artist Shirin Neshat (born 1957) turns her focus to the American West. With more than 100 photographs, a two-channel video installation and a feature film, Neshat creates a multilayered look at contemporary America through the eyes of a fictionalized artist. Monumental black-and-white photographs are transformed through Neshat's use of Farsi text and images that have been hand-drawn onto the picture. The texts represent Neshat's interpretation of the dreams of the sitter, with references to ancient myths and ideologies. Neshat works and experiments with photography, video and film, imbuing them with highly poetic and politically charged images and narratives that question issues of power, religion, race, gender and the relationship between the past and present, occident and orient, individual and collective through the lens of her personal experiences as an Iranian woman living in exile.

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Walt Cassidy (b. 1972) is a multimedia artist and designer based in Brooklyn, New York. Throughout the 1990s, as Waltpaper, he was at the center of the New York City Club Kids movement. In 2014, Walt Cassidy Studio was established as a jewelry brand and has expanded to include interiors-based murals. Cassidy’s explorative and allegorical work incorporates photography, drawing, sculpture, painting, and jewelry, and has been exhibited at MASS MOCA, Paul Kasmin Gallery, Deitch Projects, 303 Gallery, Torrance Art Museum, Watermill Center, Miami Basel Art Fair, Leslie- Lohman Museum, and Invisible Exports. Publications include Vogue, Elle, Artforum, Wall Street Journal, The New York Times, and others.

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Artist Kent Monkman's all-encompassing project, Shame and Prejudice: A Story of Resilience, takes viewers on a journey through Canada's history, starting in the present and going back to before Canadian confederation. Throughout the book there are clever, albeit controversial, commentaries told by Monkman's genderfluid, time-travelling, supernatural alter-ego Miss Chief Eagle Testickle. Her narratives take viewers through the history of New France and the fur trade, the nineteenth-century dispossession of First Nations lands through Canadian colonial policies, the horrors of the residential school system, and modern First Nations experiences in urban environments. Shame and Prejudice challenges predominant narratives of Canadian history and honours the resilience of First Nations peoples. This book accompanies Monkman's largest solo exhibition to date, which is currently travelling across Canada at venues including the Art Museum at the University of Toronto, the Winnipeg Art Gallery, the Glenbow Museum in Calgary, and the Museum of Anthropology in Vancouver. The exhibition includes the artist's own paintings, drawings, and sculptural works, which form a dialogue with historical artefacts and artworks borrowed from museums and private collections across Canada. The book is trilingual with all text in English, French and Cree.

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The definitive account of Lucy Lippard’s pioneering 1971 feminist art exhibition, with work from a new generation of artists alongside the original participants This volume celebrates the 51st anniversary of the historic 1971 exhibition Twenty Six Contemporary Women Artists, curated by Lucy R. Lippard and presented at the Aldrich Contemporary Art Museum. It showcases work by the artists included in the original 1971 exhibition, alongside a new roster of 26 female-identifying or nonbinary emerging artists, tracking the evolution of feminist art practices over the past five decades. This significant volume includes new essays by Lippard, Amy Smith-Stewart and Alexandra Schwartz, as well as rare historical documentation of the original exhibition, images, installation views and checklists from both the 1971 and 2022 shows. Among the artists whose work was presented in the original 1971 exhibition are Cecile Abish, Alice Aycock, Cynthia Carlson, Susan Hall, Mary Heilmann, Audrey Hemenway, Laurace James, Mablen Jones, Carol Kinne, Christine Kozlov, Brenda Miller, Mary Miss, Dona Nelson, Shirley Pettibone, Howardena Pindell, Adrian Piper, Sylvia Plimack Mangold, Reeva Potoff, Paula Tavins, Merrill Wagner, Grace Bakst Wapner, Jackie Winsor and Barbara Zucker. (All but three of the original 26 artists are included in 52 Artists.) The new generation of artists included are Leilah Babirye, Phoebe Berglund, LaKela Brown, Lea Cetera, Susan Chen, Pamela Council, Lizania Cruz, Amaryllis DeJesus Moleski, Florencia Escudero, Alanna Fields, Emilie L. Gossiaux, Ilana Harris-Babou, Loie Hollowell, Maryam Hoseini, Hannah Levy, Catalina Ouyang, Anna Park, Erin M. Riley, LJ Roberts, Aya Rodriguez-Izumi, Aliza Shvarts, Astrid Terrazas, Tourmaline, Rachel Eulena Williams, Kiyan Williams and Stella Zhong.

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