Search results for ""Author Llewelyn Morgan""

Very Short Introductions: Brilliant, Sharp, Inspiring Horace was one of the greatest poets during the reign of Augustus and is seen as a mark of cultural sophistication since this time. This Very Short Introduction examines how Horace's poetry has exerted enormous influence but argues that it is best understood within the traditions of ancient literature. Llewellyn Morgan guides the reader through the dizzying vagaries of Horace's biography, which reflects the political and social instability of the period. His poetry, and the life he artfully constructs and presents to us in it, engages both with the greatest crisis that Rome had ever faced, and its resolution by the first Emperor. Horace is Rome's laureate, and through him we experience the anxieties and triumphs of his age. For posterity, Horace has served for a model of the good life, a promoter of enlightened retirement, but has also exemplified poetic artistry, and is the most creative manipulator of the Latin language, even among his remarkable contemporaries. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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"Vivam" is the very last word of Ovid's masterpiece, the Metamorphoses: "I shall live." If we're still reading it two millennia after Ovid's death, this is by definition a remarkably accurate prophecy. Ovid was not the only ancient author with aspirations to be read for eternity, but no poet of the Greco-Roman world has had a deeper or more lasting impact on subsequent literature and art than he can claim. In the present day no Greek or Roman poet is as accessible, to artists, writers, or the general reader: Ovid's voice remains a compellingly contemporary one, as modern as it seemed to his contemporaries in Augustan Rome. But Ovid was also a man of his time, his own story fatally entwined with that of the first emperor Augustus, and the poetry he wrote channels in its own way the cultural and political upheavals of the contemporary city, its public life, sexual mores, religion, and urban landscape, while also exploiting the superbly rich store of poetic convention that Greek literature and his Roman predecessors had bequeathed to him. This Very Short Introduction explains Ovid's background, social and literary, and introduces his poetry, on love, metamorphosis, Roman festivals, and his own exile, a restlessly innovative oeuvre driven by the irrepressible ingenium or wit for which he was famous. Llewelyn Morgan also explores Ovid's immense influence on later literature and art, spanning from Shakespeare to Bernini. Throughout, Ovid's poetry is revealed as enduringly scintillating, his personal story compelling, and the issues his life and poetry raise of continuing relevance and interest. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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The View from Malakand: Harold Deane’s ‘Note on Udyana and Gandhara’ presents an edition with introductions and extensive commentary of a manuscript, discovered by Luca M. Olivieri in the fort at Malakand, Swat, Pakistan, of a seminal and pioneering account of the antiquities of Swat and Peshawar by Harold Deane. The article of which this manuscript is an earlier draft, the first significant contribution to the archaeology of Swat, was published in the Journal of the Asiatic Society (1896), and the manuscript contains interesting additional information that did not make the final text. The book presents and transcribes the manuscript, also including introductory material on its discovery and the life and significance of Deane, and (most importantly) extended notes identifying and describing the places that Deane discusses in his article. The book thus doubles as a gazetteer of this immensely rich archaeological space, and a history of its archaeological discovery. The book includes images of the original article, the manuscript, some of the artefacts referred to by Deane in his article, and an appendix publishing a manuscript by J. W. McCrindle, ‘Alexander’s Campaign in Afghanistan’, found among a small number of Deane’s papers in the possession of his great-grandson in England, which is directly relevant to the composition of his article.

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How is it possible for a poet to find his own individual voice, when he is writing in a tradition so venerable and so constrained by convention as Roman epic? How do poets working in related genres - particularly didactic - conceptualize their relationship to the main epic tradition? The eleven essays in this volume, by leading scholars in the field of Roman poetry and its post-Classical receptions, consider some of the strategies which writers from Lucretius onwards have employed in negotiating their relationship with their literary forebears, and staking out a place for their own work within a tradition stretching back to Hesiod and Homer.

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