Search results for ""Author Lisa Hopkins""
De Gruyter Greeks and Trojans on the Early Modern English Stage
No story was more interesting to Shakespeare and his contemporaries than that of Troy, partly because the story of Troy was in a sense the story of England, since the Trojan prince Aeneas was supposedly the ancestor of the Tudors. This book explores the wide range of allusions to Greece and Troy in plays by Shakespeare and his contemporaries, looking not only at plays actually set in Greece or Troy but also those which draw on characters and motifs from Greek mythology and the Trojan War. Texts covered include Shakespeare’s Troilus and Cressida, Othello, Hamlet, The Winter’s Tale, The Two Noble Kinsmen, Pericles and The Tempest as well as plays by other authors of the period including Marlowe, Chettle, Ford and Beaumont and Fletcher.
£101.28
Bucknell University Press Giants of the Past: Popular Fictions and the Idea of Evolution
Giants of the Past explores how ideas about evolution, initially seen as a major threat to the establishment of Victorian England, were rapidly co-opted in popular fiction and transformed from a revolutionary danger to a powerful bolstering mechanism for reactionary ideas, particularly in the areas of gender, sexuality, and race.
£85.47
Manchester University Press BESS of Hardwick: New Perspectives
Bess of Hardwick was one of the most extraordinary figures of Elizabethan England. She was born the daughter of a country squire. But by the end of her long life (which a recent redating of her birth suggests was even longer than previously thought) she was the richest woman in England outside the royal family, had risen to the rank of countess and seen two of her daughters do the same and had built one of the major ‘prodigy houses’ of the period. While married to her fourth husband, the Earl of Shrewsbury, she had been jailer to Mary, Queen of Scots, and her granddaughter by her second marriage, Lady Arbella Stuart, was of royal blood and might have succeeded to the throne of England. This wide-ranging collection brings out the full range of her activities and impact.
£81.00
Manchester University Press The Lady’S Trial: By John Ford
John Ford is best known as the author of the controversial *Tis Pity She’s a Whore*, but his other plays are also full of interest. The Lady’s Trial, his last play, encapsulates the final development of his own unique theatrical aesthetic whilst looking back to the drama of his youth, most notably Othello, whose story is here rewritten. In Ford’s version, the supposedly wronged husband, the victorious general Auria, does not simply take the word of his friend, the well-intentioned but overly suspicious Aurelio, that his wife, Spinella, is unfaithful: instead he does what Othello apparently never even thinks of doing, and conducts a rational, public sifting of the apparent evidence, at the end of which Spinella is triumphantly cleared. In combining this story of public vindication with his distinctive dramatic style of delicate reticence, Ford offers a powerful exploration of both the capabilities and the limitations of language and its role in human relationships. The first scholarly edition of this undeservedly neglected play situates it in its dramatic and historical contexts and helps elucidate Ford’s understated, allusive style.
£90.00
Manchester University Press Beginning Shakespeare
'Beginning Shakespeare' introduces students to the study of Shakespeare, and grounds their understanding of his work in theoretical discourses. After an introductory survey of the dominant approaches of the past, seven chapters examine the major current critical approaches to Shakespeare; psychoanalysis, New Historicism, Cultural Materialism, gender studies, queer theory, postcolonial criticism and performance criticism. A further chapter looks at the growing roles of biography, attribution studies and textual studies.Each chapter analyses the strengths and weaknesses of a particular perspective, allowing students to gain a clear critical purchase on the respective approaches, and to make informed choices between them. Each chapter ends with a list of suggested further reading and interactive exercises based on the key issues raised.An invaluable introduction, essential for anyone studying Shakespeare, 'Beginning Shakespeare' offers students a map of the current critical practices, and a sense of the possibilities for developing their own approaches.
£11.36
Medieval Institute Publications From the Romans to the Normans on the English Renaissance Stage
This book examines the late sixteenth- and early seventeenth-century engagement with a crucial part of Britain's past, the period between the withdrawal of the Roman legions and the Norman Conquest. A number of early modern plays suggest an underlying continuity, an essential English identity linked to the land and impervious to change. This book considers the extent to which ideas about early modern English and British national, religious, and political identities were rooted in cultural constructions of the pre-Conquest past.
£78.00
Edinburgh University Press Reading the Road, from Shakespeare's Crossways to Bunyan's Highways
This book brings together thirteen essays, by both established and emerging scholars, which examine the most influential meanings of roads in early modern literature and culture. Chapters develop our understanding of the place of the road in the early modern imagination and open various windows on a geography which may by its nature seem passing or trivial but is in fact central to all conceptions of movement. They also shed new light on perhaps the most astonishing achievement of early modern plays: their use of one small, bare space to suggest an amazing variety of physical and potentially metaphysical locations.
£25.99
University of Texas Press Screening the Gothic
Filmmakers have long been drawn to the Gothic with its eerie settings and promise of horror lurking beneath the surface. Moreover, the Gothic allows filmmakers to hold a mirror up to their own age and reveal society's deepest fears. Franco Zeffirelli's Jane Eyre, Francis Ford Coppola's Bram Stoker's Dracula, and Kenneth Branagh's Hamlet are just a few examples of film adaptations of literary Gothic texts. In this ground-breaking study, Lisa Hopkins explores how the Gothic has been deployed in these and other contemporary films and comes to some surprising conclusions. For instance, in a brilliant chapter on films geared to children, Hopkins finds that horror resides not in the trolls, wizards, and goblins that abound in Harry Potter, but in the heart of the family. Screening the Gothic offers a radical new way of understanding the relationship between film and the Gothic as it surveys a wide range of films, many of which have received scant critical attention. Its central claim is that, paradoxically, those texts whose affiliations with the Gothic were the clearest became the least Gothic when filmed. Thus, Hopkins surprises readers by revealing Gothic elements in films such as Sense and Sensibility and Mansfield Park, as well as exploring more obviously Gothic films like The Mummy and The Fellowship of the Ring. Written in an accessible and engaging manner, Screening the Gothic will be of interest to film lovers as well as students and scholars.
£16.99
Edinburgh University Press Christopher Marlowe, Renaissance Dramatist
This book offers a comprehensive and accessible introduction to all of the plays of Christopher Marlowe. Marlowe is a playwright whose work taps into the central concerns of his age, many of which are still important to us - religious uncertainty, the clash between Islam and Christianity, the discovery of America, ideas of sexuality and gender identity, and the role of the marginalised inidividual in society. The book contains six chapters, each on a specific aspect of Marlowe's work and its cultural contexts: Marlowe's life and death; the Marlowe canon; the theatrical contexts and stage history of the plays; Marlowe's distinctive interest in old and new branches of knowledge; the ways in which he transgresses against established norms and values; and the major issues which have been raised in critical discussions of his plays. Each chapter allows students to see the significance, scope and distinctive contribution made by Marlowe in all his plays, and his place in the development of Renaissance drama. Key Features *Covers all of Marlowe's plays, including Tamburlaine the Great, Doctor Faustus, Edward II and The Jew of Malta *Emphasises how daring Marlowe's ideas were at the time as well as their relevance to readers today *Covers the theatrical contexts of Marlowe's plays and their performance history *Reassesses Marlowe's achievement as well as his relationship to Shakespeare
£20.99
Manchester University Press The Genres of Renaissance Tragedy
This collection of newly commissioned essays explores the extraordinary versatility of Renaissance tragedy and shows how it enables exploration of issues ranging from gender to race to religious conflict, as well as providing us with some of the earliest dramatic representations of the lives of ordinary Englishmen and women. The book mixes perspectives from emerging scholars with those of established ones and offers the first systematic examination of the full range and versatility of Renaissance tragedy as a literary genre. It works by case study, so that each chapter offers not only a definition of a particular kind of Renaissance tragedy but also new research into a particularly noteworthy or influential example of that genre. Collectively the essays examine the work of a range of dramatists and offer a critical overview of Renaissance tragedy as a genre.
£90.00
Edinburgh University Press Reading the Road from Shakespeare to Bunyan
£85.50
Amsterdam University Press Women on the Edge in Early Modern Europe
Women on the Edge in Early Modern Europe examines the lives of women whose gender impeded the exercise of their personal, political, and religious agency, with an emphasis on the conflict that occurred when they crossed the edges society placed on their gender. Many of the women featured in this collection have only been afforded cursory scholarly focus, or the focus has been isolated to a specific, (in)famous event. This collection redresses this imbalance by providing comprehensive discussions of the women’s lives, placing the matter that makes them known to history within the context of their entire life. Focusing on women from different backgrounds -- such as Marie Meurdrac, the French chemist; Anna Trapnel, the Fifth Monarchist and prophetess; and Cecilia of Sweden, princess, margravine, countess, and regent -- this collection brings together a wide range of scholars from a variety of disciplines to bring attention to these previously overlooked women.
£107.00
