Search results for ""Author Linda Little""

In her bold debut novel, Linda Little has crafted a story where music, creativity, and sexuality merge, as a young Nova Scotian carver embarks on a profound discovery of his sense of self. Strong Hollow tells the story of Jackson Bigney, a young man coping with a crippling past of repression, alcoholism, and poverty. Failure seems built-in to Jackson's life. His father, a brutal man with a short fuse, despises his son, and Jackson's brothers thrive on drinking, violence and petty crime. Jackson finds solace only by carving tiny objects — acorns, field mice, bottle caps and leaves — as he has done since childhood. The day Jackson finds his father dead in a ditch beside the MacIntyre road is the day he begins his own metamorphosis. At nineteen, the seventh of nine children and the eldest still at home, Jackson seems predestined to follow in the feckless footsteps of his father. He becomes silent and empty, unable to feel or to articulate emotion. Setting himself up as a bootlegger, Jackson builds a small cabin. He lives only in the present, expecting no more from life than work, alcohol, and empty sex. One summer, Jackson meets Ian Sutherland, an accomplished fiddler and a powerful attraction develops between them. Twenty-nine and in love for the first time, Jackson feels alive with anticipation and fulfilment. Inevitably, at summer's end, Ian leaves and Jackson is shattered. Seeking to fill the void in this life, Jackson begins to restore a derelict fiddle. At a music shop in Halifax, he meets an accepting circle of friends. And as the fiddle takes shape, Jackson's perceptions of himself begin to change and he realizes that how the world sees you is how you come to see yourself.

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In her bold debut novel, Linda Little has crafted a story where music, creativity, and sexuality merge, as a young Nova Scotian carver embarks on a profound discovery of his sense of self. Strong Hollow tells the story of Jackson Bigney, a young man coping with a crippling past of repression, alcoholism, and poverty. Failure seems built-in to Jackson's life. His father, a brutal man with a short fuse, despises his son, and Jackson's brothers thrive on drinking, violence and petty crime. Jackson finds solace only by carving tiny objects -- acorns, field mice, bottle caps and leaves -- as he has done since childhood. The day Jackson finds his father dead in a ditch beside the MacIntyre road is the day he begins his own metamorphosis. At nineteen, the seventh of nine children and the eldest still at home, Jackson seems predestined to follow in the feckless footsteps of his father. He becomes silent and empty, unable to feel or to articulate emotion.Setting himself up as a bootlegger, Jackson builds a small cabin. He lives only in the present, expecting no more from life than work, alcohol and empty sex. One summer, Jackson meets Ian Sutherland, an accomplished fiddler and a powerful attraction develops between them. Twenty-nine and in love for the first time, Jackson feels alive with anticipation and fulfilment. Inevitably, at summer's end, Ian leaves and Jackson is shattered. Seeking to fill the void in this life, Jackson begins to restore a derelict fiddle. At a music shop in Halifax, he meets an accepting circle of friends. And as the fiddle takes shape, Jackson's perceptions of himself begin to change and he realizes that how the world sees you is how you come to see yourself.

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Tom lives in the countryside in the mid 1800s and he’s curious — what is it like in the town, the city and the world beyond? It’s all “work and more work,” everyone tells him. Determined to find out for himself, Tom sets off with a bit of bread and cheese in a bundle…He encounters crowded marketplaces, bustling wharves and storms on the high seas. In China he sees how tea is made; in India he watches men make deep blue dye from indigo; in Ceylon he marvels at the skill of cinnamon peelers. Eventually, he returns home with stories and gifts, showing his parents the riches to be found all over the world. Includes an illustrated afterword about the different kinds of work mentioned in the story when, in the days before steam, nothing moved except through the power of wind, water and muscle.

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