Search results for ""Author Lily Wong""

The figure of the Chinese sex worker—who provokes both disdain and desire—has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their tales clarify the boundaries of citizenship, nationalism, and internationalism. In Transpacific Attachments, Lily Wong studies the mobility and mobilization of the sex worker figure through transpacific media networks, illuminating the intersectional politics of racial, sexual, and class structures.Transpacific Attachments examines shifting depictions of Chinese sex workers in popular media—from literature to film to new media—that have circulated within the United States, China, and Sinophone communities from the early twentieth century to the present. Wong explores Asian American writers’ articulation of transnational belonging; early Hollywood’s depiction of Chinese women as parasitic prostitutes and Chinese cinema’s reframing the figure as a call for reform; Cold War–era use of prostitute and courtesan metaphors to question nationalist narratives and heteronormativity; and images of immigrant brides against the backdrop of neoliberalism and the flows of transnational capital. She focuses on the transpacific networks that reconfigure Chineseness, complicating a diasporic framework of cultural authenticity. While imaginations of a global community have long been mobilized through romantic, erotic, and gendered representations, Wong stresses the significant role sex work plays in the constant restructuring of social relations. “Chineseness,” the figure of the sex worker shows, is an affective product as much as an ethnic or cultural signifier.

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The figure of the Chinese sex worker—who provokes both disdain and desire—has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their tales clarify the boundaries of citizenship, nationalism, and internationalism. In Transpacific Attachments, Lily Wong studies the mobility and mobilization of the sex worker figure through transpacific media networks, illuminating the intersectional politics of racial, sexual, and class structures.Transpacific Attachments examines shifting depictions of Chinese sex workers in popular media—from literature to film to new media—that have circulated within the United States, China, and Sinophone communities from the early twentieth century to the present. Wong explores Asian American writers’ articulation of transnational belonging; early Hollywood’s depiction of Chinese women as parasitic prostitutes and Chinese cinema’s reframing the figure as a call for reform; Cold War–era use of prostitute and courtesan metaphors to question nationalist narratives and heteronormativity; and images of immigrant brides against the backdrop of neoliberalism and the flows of transnational capital. She focuses on the transpacific networks that reconfigure Chineseness, complicating a diasporic framework of cultural authenticity. While imaginations of a global community have long been mobilized through romantic, erotic, and gendered representations, Wong stresses the significant role sex work plays in the constant restructuring of social relations. “Chineseness,” the figure of the sex worker shows, is an affective product as much as an ethnic or cultural signifier.

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An engaging and enlightening new account of the progression, impact, and legacy of the Vietnam War. The Vietnam War was the first major conflict to be televised, and the public's response to images beamed directly into their living rooms played an important role in the eventual outcome of the war and in the decisions of the American military command. Packed with photographs, posters and other images that evoke the period, this volume traces the history of American involvement in Vietnam from 1945 to 1975. Six short essays and nearly 50 chronological entries highlight the places, people, key events and important questions of the era. More than 40 years have passed since the Vietnam War came to an end, but its far-reaching impact continues to reverberate today. Grounded in recent scholarship, The Vietnam War integrates multiple perspectives as it brings home the complexity of one of the momentous events of the twentieth century. AUTHORS: David Parsons is a social and cultural historian of 20th century America, teaching at the Gallatin School of Individualized Study, New York University. His primary research interests include the Vietnam War in American memory, social and political protest movements of the 1960s and 1970s, and the shifting landscape of media and technology. He also hosts a weekly podcast called The Nostalgia Trap that uses personal biographies to explore the social, political, and cultural history of the past several decades.Marci Reaven is vice president for History Exhibitions, New-York Historical Society. Lily Wong is a research associate at New-York Historical Society. SELLING POINTS: . This vividly illustrated book is an accessible and up-to-date account of the causes, conduct, and consequences of the Vietnam War, on the warfront, as well as reaction to the war back home. . Written for the general reader . Captures the voice of the individuals who were there 80 colour and b/w illustrations, photographs and map

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