Search results for ""Author Lily Kong""

Adopting a geographically diverse and theoretically rigorous approach, this Handbook on the Geographies of Creativity is a cutting-edge study of creativity as it has emerged in policy, academic, activist, and cultural discourse over the last two decades. A range of sectors are explored with in-depth engagement and understanding, including: dance, music, craft, visual art, circus arts and fashion. This Handbook departs from conventional modes of analysing creativity by industry, region or sector, and instead identifies key themes that thread through shifting contexts of the creative, namely creativity as imaginary, locality, mobility, labour, culture, intervention and method. By tracing the myriad spatialities of creativity, the chapters map its inherently paradoxical features: reinforcing persistent conditions of inequality even as it opens avenues for imagining and enacting more equitable futures. The conceptual framework proposed for critically appraising present debates and articulating future directions for creative and cultural industries will be useful for scholars and academics researching culture, media and design. Policy makers and professionals working in creative and cultural industries (CCIs) will find the wide range of case studies in this Handbook an essential tool for further understanding the field. Contributors include: S.T. Allison, S. Baker, J. Banfield, D. Bennett, S. Black, C. Brennan-Horley, A.R. Brown, P. Carter, S. Ching-Kiu Chan, K. Connell, A. de Dios, S. de Leeuw, O. Efthimiou, C. Gibson, S. Hannon, H. Hawkins, M. Keane, L. Kong, D. Leslie, S. Luckman, H. McLean, S. McQuire, J. O'Connor, N. Papastergiadis, J. Peck, N.M. Rantisi, A. Rogers, J. Smith, J. Wang, S. Warren, D. Wyatt, C. Veal, A. Yue, L. Zhang

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Digital media is changing the ways in which religion is practiced, understood, proselytised and countered. Religious institutions and leaders use digital media to engage with their congregations who now are not confined to single locations and physical structures. The faithful are part of online communities which allow them a space to worship and to find fellowship. Migrant and mobile subjects thus are able to be connected to their faith -- whether home grown or emerging -- wherever they may be, providing them with an anchor in unfamiliar physical and cultural surroundings. As Asia rises, mobilities associated with Asian populations have escalated. The notion of ‘Global Asia’ is a reflection of this increased mobility, where Asia includes not only Asian countries as sites of political independence, but also the transnational networks of Asian trans/migrants, and the diasporic settlements of Asian peoples all over the world. This collection features cutting edge research by scholars across disciplines seeking to understand the role and significance of religion among transnational mobile subjects in this age of digital media, and in particular, as experienced in Global Asia.

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This book is a welcome and timely analysis of how global economic and financial powerhouses in Asia also aim to become global cultural cities. It critically examines the tension between top-down policies implemented by strong states to boost urban culture, which are typically focused on the hardware of iconic venues, museums, and opera houses mostly designed by famous western architects, and the need for freedom to enable more organic cultural initiatives rooted in local practices.'- Robert C. Kloosterman, University of Amsterdam, the NetherlandsWhile global cities have mostly been characterized as sites of intensive and extensive economic activity, the quest for global city status also increasingly rests on the creative production and consumption of culture and the arts. Arts, Culture and the Making of Global Cities examines such ambitions and projects undertaken in five major cities in Asia: Beijing, Shanghai, Hong Kong, Taipei and Singapore.Providing a thorough comparison of their urban imaging strategies and attempts to harness arts and culture, as well as more organically evolved arts activities and spaces, this book analyses the relative successes and failures of these cities. Offering rich ethnographic detail drawn from extensive fieldwork, the authors challenge city strategies and existing urban theories about cultural and creative clusters and reveal the many complexities in the art of city-making.This noteworthy study will appeal to undergraduate and graduate students, as well as academics from a variety of disciplines ranging from urban and cultural geography to Asian studies. Arts and cultural policy makers and artists will also find this a fascinating read.Contents: 1. Arts spaces, New Urban Landscapes and Global Cultural Cities PART I 2. The National Grand Theatre in a City of Monuments: Discourse and Reality in the Construction of Beijing's New Cultural Space 3. Rivalling Beijing and the World: Realizing Shanghai's Ambitions through Cultural Infrastructure 4. Hong Kong's Dilemmas and the Changing Fates of West Kowloon Cultural District 5. The Making of a 'Renaissance City': Building Cultural Monuments in Singapore 6. In Search of New Homes: The Absent New Cultural Monument in Taipei PART II 7. Cultural Creativity, Clustering and the State in Beijing 8. Remaking Shanghai's Old Industrial Spaces: The Growth and Growth of Creative Precincts 9. Factories and Animal Depots: The 'New' Old Spaces for the Arts in Hong Kong 10. Reusing Old Factory Spaces in Taipei: The Challenges of Developing Cultural Parks 11. From Education to Enterprise in Singapore: Converting Old Schools to New Artistic and Aesthetic Use 12. Culture, Globalization and Urban Landscapes References Index

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