Search results for ""Author Leo Depuydt""

This investigation is concerned with ancient Egyptian calendars. Its specific focus is one of the oldest problems of the study of these calendars: the so-called problem of the month names. This work's main purpose is to suggest an explanation for the Brugsch phenomenon. The Brugsch phenomenon is one of the two main aspects of the problem of the month names. The other is the Gardiner phenomenon. No new theory is presented for the Gardiner phenomenon. As a problem, the Brugsch phenomenon is slightly older than the Gardiner Phenomenon. It has occupied center stage in the study of ancient Egyptian calendars since the early days of this endeavor. In 1870, Heinrich Brugsch, the great pioneer in this subject, wrote about the phenomenon, "Here we encounter all at once the most curious contradiction." Just recently, Rolf Krauss has described the contradiction as still "unsolved". The Brugsch phenomenon concerns the indisputable fact that the last or twelfth month of the Egyptian civil year can be named as if it were the first. Two month names are involved. The first is wp rnpt. Its meaning "opener of the year," refers to a beginning. The second month name is mswt r' "birth of Re" in hieroglyphic Egyptian, Mesore in Aramaic, Greek and Coptic. Both can otherwise also refer to New Year's Day, the quintessential calendrical beginning.

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Following the newest procedures of the "archaeology of the book", this catalogue raisonne presents a detailed description of the Coptic holdings of the Pierpont Morgan Library. The first efforts to provide such a catalogue date back to the twenties and thirties of this century. The introduction includes chapters on the modern history of the Coptic manuscripts, their antiquity and provenance, the method employed in this catalogue to describe them, and the history of the ancient monastery of St. Michael near present-day Hamuli, whose library yielded the bulk of the Morgan Coptic collection. In the individual entries, the literary contents of the manuscripts are treated at length and secondary literature, including modern editions and translations, is listed. Extensive concordances facilitate the use of the catalogue.

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"Encomiastica from the Pierpont Morgan Library" continues a collaborative effort to make available in edition and translation what remains unpublished of the Coptic literary manuscripts at the Pierpont Morgan Library. A first volume appeared under the title Homiletica from the Pierpont Morgan Library (CSCO 524 and 525). The introduction to the text volume includes sections on the texts, the manuscripts, and the language, as well as some addenda to Homiletica and to the Catalogue of Coptic Manuscripts in the Pierpont Morgan Library (Peeters 1993). In the introduction to the translation volume, S. Harvey discusses the cultural and historical setting of the five texts. The texts are attributed to Anastasius of Euchaita, Epiphanius of Salamis, Isaac of Antinoe, Severian of Gabala, and Theopempus of Antioch, but these attributions are probably spurious. The works may have been composed as late as the seventh or eight century AD in Coptic, with the thematic features being derived from earlier sources, possibly including Greek church fathers, and in certain instances perhaps even the authors to which they are attributed; but this matter awaits further investigation.

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Homiletica in the Pierpont Morgan Library is the first volume in a collaborative effort to edit and translate what has remained unpublished of the Coptic literary texts kept at the Pierpont Morgan Library in mid-town Manhattan, New York City. The showpiece of the Morgan collection is a group of some fifty parchment codices acquired in 1911 in Paris for Pierpont Morgan, the American financier and philanthropist, and discovered in 1910 on the site of an ancient monastery near present-day Hamuli in the Faiyum. The eminent Coptologist Walter Ewing Crum called them "the largest and, in some ways, the most important of extant collections, ...a body of texts unparalleled for completeness, if not for variety."

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