Search results for ""Author Leith Davis""
University of Notre Dame Press Music, Postcolonialism, and Gender: The Construction of Irish National Identity, 1724–1874
In Music, Postcolonialism, and Gender, Leith Davis studies the construction of Irish national identity from the early eighteenth until the mid-nineteenth centuries, focusing in particular on how texts concerning Irish music, as well as the social settings within which those texts emerged, contributed to the imagining of Ireland as “the Land of Song.” Through her considerations of Irish music collections by the Neals, Edward Bunting, and George Petrie; antiquarian tracts and translations by Joseph Cooper Walker, Charlotte Brooke, and James Hardiman; and lyrics and literary works by Sidney Owenson, Thomas Moore, Samuel Lover, and Dion Boucicault, Davis suggests that music served as an ideal means through which to address the ambiguous and ever-changing terms of the colonial relationship between Ireland and England. Davis also explores the gender issues so closely related to the discourses on both music and national identity during the time, and the influence of print culture and consumer capitalism on the representation of Irish music at home and abroad. She argues that the emergence of a mass market for culture reconfigured the gendered ambiguities already inherent in the discourses on Irish music and identity. Davis’s book will appeal to scholars within Irish studies, postcolonial studies, gender studies, print culture, new British history, eighteenth- and nineteenth-century studies, and ethnomusicology.
£100.80
Association for Scottish Literary Studies The International Companion to Scottish Literature of the Long Eighteenth Century
£24.95
Stanford University Press Acts of Union: Scotland and the Literary Negotiation of the British Nation, 1707-1830
Acts of Union explores the political relationship between Scotland and England as it was negotiated in the literary realm in the century after the 1707 Act of Union. It examines Britain, one of the precursors to the modern nation, not as a homogeneous, stable unit, but as a dynamic process, a dialogue between heterogeneous elements. Far from being constituted by a single Act of Union, the author contends, Britain was forged—in all the variant senses of that word—from multiple acts of union and dislocation over time. Accordingly, each of the first five chapters focuses on a discursive encounter between a Scottish and an English writer. Chapter 1 examines the political debate between Daniel Defoe and Lord Belhaven concerning the Act of Union. Chapter 2 considers how Tobias Smollett and Henry Fielding used the novel form to highlight their concerns regarding the state of the nation after the 1745 rebellion. Chapter 3 analyzes the debate between James Macpherson and Samuel Johnson over the poems of Ossian and the origins of British culture, concluding with the crucial role played by James Boswell as a political and cultural mediator. Chapter 4 reads William Wordsworth's renegotiation of Robert Burns's work after the Scottish poet's death as illustrative of the contest for control of the British cultural realm at the end of the eighteenth century. Chapter 5 argues that in his 1830 republication of Minstrelsy of the Scottish Border, Walter Scott imagines alternative histories of Britain and of English literature through his negotiations with Thomas Percy and his Scottish predecessors Macpherson and Burns. The concluding chapter considers the use made of the representation of Scottish national difference in the institutionalization of English literature. As well as plotting out specific moments during which writing served both to trouble and to renegotiate the Union of Great Britain, the book considers the articulation of British national identity within more general questions concerning postcolonial theories of the nation, and also sets itself within the current debate about the future of Scotland within Britain.
£52.20