Search results for ""Author Laurie L. Patton""

Who Owns Religion? focuses on a period—the late 1980s through the 1990s—when scholars of religion were accused of scandalizing or denigrating the very communities they had imagined themselves honoring through their work. While controversies involving scholarly claims about religion are nothing new, this period saw an increase in vitriol that remains with us today. Authors of seemingly arcane studies on subjects like the origins of the idea of Mother Earth or the sexual dynamics of mysticism have been targets of hate mail and book-banning campaigns. As a result, scholars of religion have struggled to describe their own work to their various publics, and even to themselves. Taking the reader through several compelling case studies, Patton identifies two trends of the ’80s and ’90s that fueled that rise: the growth of multicultural identity politics, which enabled a form of volatile public debate she terms “eruptive public space,” and the advent of the internet, which offered new ways for religious groups to read scholarship and respond publicly. These controversies, she shows, were also fundamentally about something new: the very rights of secular, Western scholarship to interpret religions at all. Patton’s book holds out hope that scholars can find a space for their work between the university and the communities they study. Scholars of religion, she argues, have multiple masters and must move between them while writing histories and speaking about realities that not everyone may be interested in hearing.

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This elegantly written book introduces a new perspective on Indic religious history by rethinking the role of mantra in Vedic ritual. In Bringing the Gods to Mind, Laurie Patton takes a new look at mantra as "performed poetry" and in five case studies draws a portrait of early Indian sacrifice that moves beyond the well-worn categories of "magic" and "magico-religious" thought in Vedic sacrifice. Treating Vedic mantra as a sophisticated form of artistic composition, she develops the idea of metonymy, or associational thought, as a major motivator for the use of mantra in sacrificial performance. Filling a long-standing gap in our understanding, her book provides a history of the Indian interpretive imagination and a study of the mental creativity and hermeneutic sophistication of Vedic religion.

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Part of the ancient Hindu epic The Mahabharata, The Bhagavad Gita is one of the enduring religious texts of the worldThe Bhagavad Gita is an early poem that recounts the conversation between Arjuna the warrior and his charioteer Krishna, a manifestation of God. In the moments before a great battle, Krishna sets out the important lessons Arjuna must learn to understand his own role in the war he is about to fight. Krishna reveals to Arjuna his true cosmic form and counsels the warrior to act according to his sacred obligations. Ranging from instructions on yoga to moral discussion, the Gita has served for centuries as an everyday, practical guide to living well. Translated with an introduction by Laurie L. Patton

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Notes from a Mandala gathers together current work in the history, ethnography and textual study of religions in honor of the career of Wendy Doniger. Its authors are a new generation of leading scholars whose work falls in the interstices between the traditional disciplines: gender studies; the history of sexuality; the role of textual study and translation in the early twenty-first century; the borders between myth and literature; and the place between ethnography and history of religions. Whether they are about history of religions, sexuality, politics, cross-cultural translation, or the slipperiness of categories, these essays honor a woman who has given many in the field a vocabulary for true scholarly conversation.

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