Search results for ""Author Laurent Milesi""

Zero's Neighbour is Hélène Cixous's tribute to the minimalist genius of the artist in exile who courted nothingness in his writing like nobody else: Samuel Beckett. In this unabashedly personal odyssey through a sizeable range of his novels, plays and poems, Cixous celebrates Beckett’s linguistic flair and the poignant, powerful thrust of his stylistic terseness, and passionately declares her love for his unrivalled expression of the meaningless ‘precious little’ of life, its unfathomable banality ending in chaos and death. Poised between a critical essay and a textual performance across two languages adapting Beckett's own literary vein, this book will appeal to scholars, critics and creative writers as well as students of the ‘grey self-Sam’. Its allusive intertextual insights will also prove to be of critical relevance to readers of Dante and Proust, among other literary figures, as much as to those appreciative of Cixous’s own inimitable genius for dissecting the quintessence of the life and works of a ‘neighbourly’ artist.

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‘In 1968–69 I wanted to die, that is to say, stop living, being killed, but it was blocked on all sides,’ wrote Hélène Cixous, esteemed French feminist, playwright, philosopher, literary critic, and novelist. Instead of suicide, she began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous’s life and spirit and a secret book, the first book she ever authored. Originally written in 1970, Tomb(e) is a Homerian recasting of Shakespeare’s Venus and Adonis in the thickets of Central Park, a book Cixous provocatively calls the ‘all-powerful-other of all my books, it sparks them off, makes them run, it is their Messiah’.Masterfully translated by Laurent Milesi, Tomb(e) preserves the sonic complexities and intricate wordplay at the core of Cixous’s writing, and reveals the struggles, ideas, and intents at the centre of her work. With a new prologue by the author, this is a necessary document in the development of Cixous’s aesthetic as a writer and theorist, and will be eagerly welcomed by readers as a crucial building block in the foundation of her later work.

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Zero's Neighbour is Hélène Cixous's tribute to the minimalist genius of the artist in exile who courted nothingness in his writing like nobody else: Samuel Beckett. In this unabashedly personal odyssey through a sizeable range of his novels, plays and poems, Cixous celebrates Beckett’s linguistic flair and the poignant, powerful thrust of his stylistic terseness, and passionately declares her love for his unrivalled expression of the meaningless ‘precious little’ of life, its unfathomable banality ending in chaos and death. Poised between a critical essay and a textual performance across two languages adapting Beckett's own literary vein, this book will appeal to scholars, critics and creative writers as well as students of the ‘grey self-Sam’. Its allusive intertextual insights will also prove to be of critical relevance to readers of Dante and Proust, among other literary figures, as much as to those appreciative of Cixous’s own inimitable genius for dissecting the quintessence of the life and works of a ‘neighbourly’ artist.

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H. C. for Life, That Is to Say . . . is Derrida's literary critical recollection of his lifelong friendship with Hélène Cixous. The main figure that informs Derrida's reading here is that of "taking sides." While Hélène Cixous in her life and work takes the side of life, "for life," Derrida admits always feeling drawn to the side of death. Rather than being an obvious choice, taking the side of life is an act of faith, by wagering one's life on life. H. C. for Life sets up and explores this interminable "argument" between Derrida and Cixous as to what death has in store deep within life itself, before the end. In addition to being a memoir, it is also a theoretical confrontation—for example about the meaning of "might" and "omnipotence," and a philosophical and philological analysis of the crypts within the vast oeuvre of Hélène Cixous. Finally, the book is Derrida's tribute to the thought of the woman whom he regards as one of the great French poets, writers, and thinkers of our time.

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