Search results for ""Author Lauren Arrington""

Constance Markievicz (1868-1927), born to the privileged Protestant upper class in Ireland, embraced suffrage before scandalously leaving for a bohemian life in London and then Paris. She would become known for her roles as politician and Irish revolutionary nationalist. Her husband, Casimir Dunin Markievicz (1874-1932), a painter, playwright, and theater director, was a Polish noble who would eventually join the Russian imperial army to fight on behalf of Polish freedom during World War I. Revolutionary Lives offers the first dual biography of these two prominent European activists and artists. Tracing the Markieviczes' entwined and impassioned trajectories, biographer Lauren Arrington sheds light on the avant-garde cultures of London, Paris, and Dublin, and the rise of anti-imperialism at the turn of the twentieth century. Drawing from new archival material, including previously untranslated newspaper articles, Arrington explores the interests and concerns of Europeans invested in suffrage, socialism, and nationhood. Unlike previous works, Arrington's book brings Casimir Markievicz into the foreground of the story and explains how his liberal imperialism and his wife's socialist republicanism arose from shared experiences, even as their politics remained distinct. Arrington also shows how Constance did not convert suddenly to Irish nationalism, but was gradually radicalized by the Irish Revival. Correcting previous depictions of Constance as hero or hysteric, Arrington presents her as a serious thinker influenced by political and cultural contemporaries. Revolutionary Lives places the exciting biographies of two uniquely creative and political individuals and spouses in the wider context of early twentieth-century European history.

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Constance Markievicz (1868–1927), born to the privileged Protestant upper class in Ireland, embraced suffrage before scandalously leaving for a bohemian life in London and then Paris. She would become known for her roles as politician and Irish revolutionary nationalist. Her husband, Casimir Dunin Markievicz (1874–1932), a painter, playwright, and theater director, was a Polish noble who would eventually join the Russian imperial army to fight on behalf of Polish freedom during World War I. Revolutionary Lives offers the first dual biography of these two prominent European activists and artists. Tracing the Markieviczes' entwined and impassioned trajectories, biographer Lauren Arrington sheds light on the avant-garde cultures of London, Paris, and Dublin, and the rise of anti-imperialism at the turn of the twentieth century.Drawing from new archival material, including previously untranslated newspaper articles, Arrington explores the interests and concerns of Europeans invested in suffrage, socialism, and nationhood. Unlike previous works, Arrington's book brings Casimir Markievicz into the foreground of the story and explains how his liberal imperialism and his wife's socialist republicanism arose from shared experiences, even as their politics remained distinct. Arrington also shows how Constance did not convert suddenly to Irish nationalism, but was gradually radicalized by the Irish Revival. Correcting previous depictions of Constance as hero or hysteric, Arrington presents her as a serious thinker influenced by political and cultural contemporaries.Revolutionary Lives places the exciting biographies of two uniquely creative and political individuals and spouses in the wider context of early twentieth-century European history.

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A new story about the relationships between major twentieth-century English-language poets. Why did poets from the United States, Britain, and Ireland gather in a small town in Italy during the early years of Mussolini's regime? These writers were--or became--some of the most famous poets of the twentieth century. What brought them together, and what did they hope to achieve? The Poets of Rapallo is about the conversations, collaborations, and disagreements among Ezra and Dorothy Pound, W.B. and George Yeats, Richard Aldington and Brigit Patmore, Thomas MacGreevy, Louis Zukofsky, and Basil Bunting. Drawing on their correspondence, diaries, drafts of poems, sketches, and photographs, this book shows how the backdrop of the Italian fascist regime is essential to their writing about their home countries and their ideas about modern art and poetry. It also explores their interconnectedness as poets and shows how these connections were erased as their work was polished for publication. Focusing on the years between 1928 and 1935, when Pound and Yeats hosted an array of visiting writers, this book shows how the literary culture of Rapallo forged the lifelong friendships of Richard Aldington and Thomas MacGreevy--both veterans of the First World War--and of Louis Zukofsky and Basil Bunting, who imagined a new kind of "democratic" poetry for the twentieth century. In the wake of the Second World War, these four poets all downplayed their relationship to Ezra Pound and avoided discussing how important Rapallo was to their development as poets. But how did these "democratic" poets respond to the fascist context in which they worked during their time in Rapallo? The Poets of Rapallo discusses their collaboration with Pound, their awareness of the rising tide of fascism, and even--in some cases--their complicity in the activities of the fascist regime. The Poets of Rapallo charts the new direction for modernist writing that these writers imagined, and in the process, it exposes the dark underbelly of some of the most lauded poetry in the English language.

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The forty-two chapters in this book consider Yeats's early toil, his practical and esoteric concerns as his career developed, his friends and enemies, and how he was and is understood. This Handbook brings together critics and writers who have considered what Yeats wrote and how he wrote, moving between texts and their contexts in ways that will lead the reader through Yeats's multiple selves as poet, playwright, public figure, and mystic. It assembles a variety of views and adds to a sense of dialogue, the antinomian or deliberately-divided way of thinking that Yeats relished and encouraged. This volume puts that sense of a living dialogue in tune both with the history of criticism on Yeats and also with contemporary critical and ethical debates, not shirking the complexities of Yeats's more uncomfortable political positions or personal life. It provides one basis from which future Yeats scholarship can continue to participate in the fascination of all the contributors here in the satisfying difficulty of this great writer.

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