Search results for ""Author Laura Mulvey""
Bloomsbury Publishing (UK) Fetishism and Curiosity Cinema and the Minds Eye BFI Silver
Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the author of Death Twenty-four Times a Second: Stillness and the Moving Image (2006), Visual and Other Pleasures (1989; 2009), and the BFI Film Classic on Citizen Kane (1992; 2012).
£26.05
Reaktion Books Afterimages: On Cinema, Women and Changing Times
This book marks a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works in this book, and the way we view them. Structured in three main parts the book begins with a section on the theme of woman as spectacle. Part Two focuses on films drawn from different parts of the world, directed by women and about women, and all adopting radical cinematic strategies. In Part Three Mulvey considers moving image works made for art galleries and argues that the aesthetics of cinema have persisted into this environment. Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay Visual Pleasure and Narrative Cinema, in which Mulvey addresses questions of spectatorship crucial to our era of #MeToo. An urgent and compelling book for anyone interested in the power and pleasures of moving images.
£20.00
Bierke Publishing Kahlo Modotti 40 Years later
£12.15
Bloomsbury Publishing (UK) Fetishism and Curiosity BFI Silver
Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the author of Death Twenty-four Times a Second: Stillness and the Moving Image (2006), Visual and Other Pleasures (1989; 2009), and the BFI Film Classic on Citizen Kane (1992; 2012).
£80.00
British Film Institute Citizen Kane
Laura Mulvey offers a fresh and original reading of one of the greatest films in all cinema. This new edition of Mulvey's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by the author, and a stunning new jacket design by Eric Skillman.
£12.99
John Wiley and Sons Ltd Godard's Contempt: Essays From The London Consortium
Combining work from established film critics and the very freshest of voices, this collection brings to bear a wide range of cultural and disciplinary backgrounds on one of the most intriguing films of the twentieth century. Features contributions from a wide range of cultural and disciplinary backgrounds Essays are brought together to form the basis of a new analysis of one of the most intriguing films of the twentieth century Incorporates essays from students studying in the London Consortium, a partnership of five institutions including the Architectural Association, Birkbeck, University of London, the Institute of Contemporary Arts, the Science Museum, and the Tate Contains an introduction and post-script from the editors
£20.75
Bloomsbury Publishing PLC Other Cinemas: Politics, Culture and Experimental Film in the 1970s
The innovations and debates in experimental film in the 1970s have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer/director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection. Chapters are at once historically grounded yet fused with the current analysis of today's generation of cine-philes, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape alternative film: world cinema and internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences. Exploring and celebrating the work of The Other Cinema, the London Film-makers' Co-op and other cornerstones of today's film culture, as well as the impact of creatives such as William Raban and Stephen Dwoskin - and Mulvey and Clayton themselves - this important book takes account of a wave of socially-aware film practice. Without this body of work, today's activist, queer, minority and feminist voices in cinema would have struggled to gather such impact.
£39.47
Amsterdam University Press Feminisms: Diversity, Difference and Multiplicity in Contemporary Film Cultures
This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism.
£44.95
