Search results for ""Author Larry Millett""

Dogged by depression, doubt, and—as a trip to the Mayo Clinic has revealed—emphysema, 66-year-old Sherlock Holmes is preparing to return to England when he receives a shock: a note slipped under his hotel room door, from a vicious murderer

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The seventh in Larry Millett’s thrilling mystery series pursues the tangled truth behind the killing of the spoiled young heir to an industrial fortune The place is Minneapolis, the year is 1903, and Michael Masterson has fallen in love, or so he claims, with Addie Strongwood, a beautiful working-class girl with an interesting past and a mind of her own. But their promising relationship quickly begins to disintegrate before reaching a violent conclusion. Amid allegations of seduction, rape, and blackmail, Michael is shot dead and Addie goes on trial for first-degree murder. As the case unfolds in a welter of conflicting evidence and surprise discoveries, a jury must decide whether Addie acted in self-defense or killed her one-time lover with the coldest of calculation. Reconstructing the case through trial testimony, newspaper stories, the journal of Addie’s flamboyant defense attorney, and her own first-person account as serialized in the Minneapolis Tribune, Larry Millett builds a suspenseful tale of love, money, betrayal, and death. Sherlock Holmes and Shadwell Rafferty, long known to readers from Millett’s previous mysteries, play crucial roles in the unraveling of the case, which also offers a glimpse into the sharply divided worlds of the rich and the poor at the dawn of the twentieth century.

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The story of one of Minnesota’s most famous and most mourned buildings, set against the history of downtown Minneapolis When it opened in 1890, the twelve-story Northwestern Guaranty Loan Building was the tallest, largest, and most splendid commercial structure in Minneapolis—a mighty stone skyscraper built for the ages. How this grand Richardsonian Romanesque edifice, which later came to be called the Metropolitan Building, rose with the growth of Minneapolis only to fall in the throes of the city’s postwar renewal, is revealed in Metropolitan Dreams in all its scandalous intrigue. It is a tale of urban growing pains and architectural ghosts and of colorful, sometimes criminal characters amid the grandeur and squalor of building and rebuilding a city’s skyline.Against the thrumming backdrop of turn-of-the-century Minneapolis, architectural critic and historian Larry Millett recreates the impressive rise of the massive office building, its walls of green New Hampshire granite and red Lake Superior sandstone surrounding its true architectural wonder, a dazzling twelve-story iron and glass light court. The drama, however, was far from confined to the building itself. A consummate storyteller, Millett summons the frenetic atmosphere in Gilded Age Minneapolis that encouraged the likes of Northwestern Guaranty’s founder, real estate speculator Louis Menage, whose shady deals financed this Minneapolis masterpiece—and then forced him to flee both prosecution and the country a mere three years later.Dubious as its financial beginnings might have been, the economic circumstances of the Metropolitan’s demise were at least as questionable. Anchoring Minneapolis’s historic Gateway District in its heyday, the building’s fortunes shifted with the city’s demographics and finally it fell victim to the fervor of one of the largest downtown urban renewal projects ever undertaken in the United States. Though the long and furious battle to save the Metropolitan ultimately failed in 1962, its ghost persists in the passion for historic preservation stirred by its demise—and in Metropolitan Dreams, whose photographs, architectural drawings, and absorbing narrative bring the building and its story to vibrant, enduring life.

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St. Paul, Minnesota. October 1, 1917. High above the city, a renowned local financier named Artemis Dodge lies facedown on the floor of his armored penthouse sanctuary, a single bullet hole in his head. Thirty stories up, in the city’s tallest building, and not a shred of evidence or sign pointing to anyone having broken into the wealthy man’s fortress. It is—to all appearances—an impossible crime. Enter Shadwell Rafferty: Irishman, St. Paul saloonkeeper, sometime detective, and old friend of the celebrated sleuth Sherlock Holmes. Summoned by Louis B. Hill—son of railroad magnate James J. Hill—to investigate, Rafferty descends into a world dominated by greedy tycoons and awash in political intrigue and wartime fearmongering. Suspects lurk in every corner of the city—including Dodge’s beautiful young widow, his slippery assistant, and a shadowy anarchist—and Rafferty pursues them from the streets of Ramsey Hill and the rooms of the Ryan Hotel to the labyrinthine caves under the Schmidt brewery. Matching wits with his foes at the police department and his unsavory rival, the St. Paul detective Mordecai Jones, Rafferty knows that in order to bring a killer to justice he must first unravel the riddle of a single bullet fired in a locked room, three hundred feet above the streets of St. Paul.Set during a bitter streetcar strike and amid the clandestine activities of a ruthless commission charged with enforcing wartime patriotism, Larry Millett has created a classic and perfectly executed locked-room mystery in the great tradition of John Dickson Carr. From locked rooms and civil unrest to murder and wartime paranoia, The Magic Bullet presents Rafferty’s most challenging case, and its gripping conclusion—with a timely assist from Sherlock Holmes—finds both Rafferty and Millett at the top of their games.

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Sherlock Holmes is bored between cases at 221B Baker Street. So when King Oskar II of Sweden—who has heard of the discovery of the Kensington Rune Stone by a farmer in Minnesota—asks to engage his services, Holmes jumps at the chance to decipher the runes and determine whether the find is real or a hoax. With Dr. John H. Watson by his side, faithfully recording every detail, Holmes makes his way to Minnesota for a third time. But, in the first of many strange and unfortunate coincidences, the farmer who found the mysterious stone is murdered, and the stone itself is stolen on the day the famous detective arrives.With the help of one Shadwell Rafferty, now a friend and partner, Holmes must solve this baffling case to find both the stone and the murderer.

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The ninth and final Minnesota mystery, in which Shadwell Rafferty, with the inimitable Sherlock Holmes, may have solved his own murder​ Like many mysteries, this one begins with a murder. But in this case the victim happens to be the detective, on the verge of revealing the culprit in an earlier crime. Had Shadwell Rafferty identified his own murderer? When news of Rafferty’s death reaches Sherlock Holmes, in Chicago on the last leg of an American speaking tour, the world’s most famous detective and his redoubtable companion Watson rush to Minnesota to hunt for their friend’s killer. Set amid the glittering society and sordid underworld of 1928 St. Paul, Larry Millett’s ninth and final Shadwell Rafferty mystery takes readers through the serpentine twists of Rafferty’s fatal investigation, even as Holmes, following in Rafferty’s tracks, may be closing in on the answer to both cases. This ingenious double mystery takes us to every corner of St. Paul, from the city’s most notorious speakeasy to a home for unwed mothers to the mansions of Summit Avenue, and at every turn we find another suspect: an ambitious mayor and his devoted fixer-in-chief, a heartless blackmailer and a police detective mired in city hall connections, a poet-turned-mystery writer with a suspicious coterie, and a priest hiding a terrible secret. A mysterious woman in Minneapolis who makes certain illicit arrangements and a young man in possession of incriminating documents provide Holmes with vital clues that lead to a final confrontation with an exceptionally devious murderer worthy of the exceptionally devious plot that brings the Minnesota mystery series to a fitting and powerful conclusion.

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The ninth and final Minnesota mystery, in which Shadwell Rafferty, with the inimitable Sherlock Holmes, may have solved his own murder​ Like many mysteries, this one begins with a murder. But in this case the victim happens to be the detective, on the verge of revealing the culprit in an earlier crime. Had Shadwell Rafferty identified his own murderer? When news of Rafferty’s death reaches Sherlock Holmes, in Chicago on the last leg of an American speaking tour, the world’s most famous detective and his redoubtable companion Watson rush to Minnesota to hunt for their friend’s killer. Set amid the glittering society and sordid underworld of 1928 St. Paul, Larry Millett’s ninth and final Shadwell Rafferty mystery takes readers through the serpentine twists of Rafferty’s fatal investigation, even as Holmes, following in Rafferty’s tracks, may be closing in on the answer to both cases. This ingenious double mystery takes us to every corner of St. Paul, from the city’s most notorious speakeasy to a home for unwed mothers to the mansions of Summit Avenue, and at every turn we find another suspect: an ambitious mayor and his devoted fixer-in-chief, a heartless blackmailer and a police detective mired in city hall connections, a poet-turned-mystery writer with a suspicious coterie, and a priest hiding a terrible secret. A mysterious woman in Minneapolis who makes certain illicit arrangements and a young man in possession of incriminating documents provide Holmes with vital clues that lead to a final confrontation with an exceptionally devious murderer worthy of the exceptionally devious plot that brings the Minnesota mystery series to a fitting and powerful conclusion.

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When the Pioneer Press Building opened its doors in 1889, it was news. The twelve-story skyscraper, the tallest at the time in the heart of St. Paul—featuring the first glass elevator in the country—merited a forty-page special edition of the Pioneer Press, whose editors modestly proclaimed it “the greatest newspaper building mother earth carries.” A year later, another architectural monument, the Endicott Complex—which wraps around the Pioneer Building—opened its doors. Designed by rising St. Paul architect Cass Gilbert, the Endicott included two office buildings linked by a one-story L-shaped shopping arcade crowned by a stained-glass ceiling. Journalist and architectural historian Larry Millett tells the story of these two icons of downtown St. Paul from conception through numerous alterations to their present incarnation as vibrant cultural and living spaces in the city’s center. He describes how the Pioneer came to be designed by noted Chicago architect Solon Beman, who in 1910 added four floors to create a sixteen-story light court that remains one of Minnesota’s great architectural spaces. Millett also describes Gilbert’s meticulous work in designing the Endicott complex, which was inspired by the Renaissance palaces of Florence. Gilbert would later go on to produce such masterpieces as the Minnesota State Capitol and the Woolworth Building in New York. As entertaining as it is edifying, Heart of St. Paul combines architectural history with the rich human story behind two buildings that have played a prominent role in the life of the city for over a century. The book includes an introduction by Kristin Makholm, Director of the Minnesota Museum of American Art, which has found a new home in the buildings.

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From the genteel elegance of Christ Lutheran Church in Minneapolis to the lowbrow wonder of Porky's Drive-in in St. Paul, the Twin Cities and other Minnesota communities are nothing short of a living museum of midcentury modernism, the new style of architecture that swept through much of America from 1945 to the mid-1960s. Renowned Minnesota architecture critic and historian Larry Millett conducts an eye-opening, spectacularly illustrated tour of this rich and varied landscape.A history lesson as entertaining as it is enlightening, Minnesota Modern provides a close-up view of a style that penetrated the social, political, and cultural machinery of the times. Extending from modest suburban ramblers and ranch houses to the grandest public and commercial structures, midcentury modernism expressed new ways of thinking about how to live, work, and play in communities that sprang up as thousands of military members returned from World War II. Millett describes the style’s sources in the work of European masters like Ludwig Mies van der Rohe and Walter Gropius, as well as the midwestern innovations of Frank Lloyd Wright, and its refinement at the University of Minnesota under the guidance of Ralph Rapson and other modernists. He shows us its applications in twelve midcentury homes in Minnesota and takes us through its many permutations in sites as different as Barry Byrne’s St. Columba Catholic Church in St. Paul and Eero Saarinen’s sprawling IBM complex in Rochester. This is Minnesota modern at its historic best, a firsthand, in-depth history of a singularly American sensibility and aesthetic writ large on the midwestern region.

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