Search results for ""Author Larry McMurtry""

The second book in the Lonesome Dove quartet, Comanche Moon, which follows on from Dead Man's Walk, follows ranchers Gus and Call in their bitter struggle to protect the advancing West frontier against the defiant Comanches, courageously determined to defend their territory and their way of life. It showcases Larry McMurtry's strong affinity for the landscape and its inhabitants with a deeply felt lyrical intensity.On the wild Texas frontier where barbarism and civilization come in many forms, Rangers Gus McCrae and Woodrow Call are pitched into the long, bitter, bloody fighting under the command of Captain Inish Scull.When Scull's favourite horse is stolen by the Comanches, he decides to track him down, leaving Gus and Call in charge. However, on their return to Austin, Gus is greeted by the news that his sweetheart is to marry another man and Call finds that the town's most notorious woman is desperate to settle down with him and become respectable. When Scull's wealthy wife demands that her errant husband be brought home, with feelings akin to relief the two men set off once more into the vast, untamed plains . . .Continue the series set in the American West with the Pulitzer Prize winning Lonesome Dove.

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This is Larry McMurtry's ballad in prose: his heartfelt tribute to a bygone era of the American West.Larry McMurtry has done more than any other living writer to shape our literary imagination of the American West. With The Last Kind Words Saloon, he returns to the vivid and unsparing portrait of the nineteenth-century and cowboy lifestyle made so memorable in his classic Lonesome Dove. Evoking the greatest characters and legends of the Old Wild West, McMurtry tells the story of the closing of the American frontier through the travails of two of its most immortal figures: Wyatt Earp and Doc Holliday. Long Grass, Texas. Once hailed as heroes for their days of subduing drunks in Abilene and Dodge – more often with a mean look than a pistol – the taciturn Wyatt now idles away his time between bottles, while the dentist-turned-gunslinger Doc is more adept at poker than extracting teeth. With the buffalo herds gone, the Comanche defeated, and vast swaths of the Great Plains enclosed by cattle ranches, Wyatt and Doc live on, even as the storied West that forged their myths disappears.McMurtry traces the rich and varied friendship of the heroic pair from the town of Long Grass to Buffalo Bill's Wild West Show in Denver, then to Mobetie, Texas, and finally to Tombstone, Arizona, culminating with the famed gunfight at the O.K. Corral, rendered here in McMurtry's stark and peerless prose. As harsh and beautiful, and as brutal and captivating as the open range it depicts, The Last Kind Words Saloon celebrates the genius of one of the most original American writers.

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In this "comically subversive work of fiction" (Joyce Carol Oates, New York Review of Books), Larry McMurtry chronicles the closing of the American frontier through the travails of two of its most immortal figures, Wyatt Earp and Doc Holliday. Tracing their legendary friendship from the settlement of Long Grass, Texas, to Buffalo Bill's Wild West Show in Denver, and finally to Tombstone, Arizona, The Last Kind Words Saloon finds Wyatt and Doc living out the last days of a cowboy lifestyle that is already passing into history. In his stark and peerless prose McMurtry writes of the myths and men that live on even as the storied West that forged them disappears. Hailed by critics and embraced by readers, The Last Kind Words Saloon celebrates the genius of one of our most original American writers.

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Hailed as one of “the best novels ever set in America’s fourth largest city” (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry’s “comic genius, his ability to render a sense of landscape, and interior intellection tension” (Jim Harrison, New York Times Book Review). Desperate to break from the “mundane happiness” of Houston, budding writer Danny Deck hops in his car, “El Chevy,” bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable characters joins the naive troubadour’s pilgrimage to California and back to Texas, including a cruel, long-legged beauty; an appealing screenwriter; a randy college professor; and a genuine if painfully “normal” friend. Since the novel’s publication in 1972, Danny Deck has “been far more successful at getting loved by readers than he ever was at getting loved by the women in his life” (McMurtry), a testament to the author’s incomparable talent for capturing the essential tragicomedy of the human experience.

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Larry McMurtry’s Moving On, his epic first novel in the acclaimed Houston series, has long been considered a defining tale of “monumental honesty” worthy of great attention (New York Times). Preceding Terms of Endearment by five years, it is essential reading for anyone who appreciates the inherent genius of McMurtry’s late twentieth-century fiction. Moving On centers on the life of Patsy Carpenter, one of his most beloved characters. After calmly finishing a Hershey bar alone in her car, a restless Patsy drives away from her lifeless marriage in search of a greater purpose. In “precise and lyrical prose” (Boston Globe), McMurtry reveals the complex, colorful lives of Pete, the rodeo clown; high-spirited cowboy Sonny Shanks; and impassioned grad student Hank. A critical work of American literature that “presents human drama with sympathy and compassion” (Los Angeles Times), Moving On unfolds a tale of perseverance and emotional survival in the modern-day West.

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The final novel in Larry McMurtry's Lonesome Dove quartet, Streets of Laredo is an exhilarating and achingly poignant tale of heroism and friendship, set in the American West.Captain Woodrow Call, Gus McCrae's old partner, once a youthful Texas Ranger, is now a bounty hunter hired to track down a brutal young Mexican bandit. Riding with Call are an Eastern city slicker, a witless deputy, and one of the last members of the Hat Creek outfit, Pea Eye Parker, now married to Lorena - once Gus's sweetheart. Their long, perilous chase leads them across the last wild stretches of the West into a hellhole known as Crow Town and, finally, deep into the vast, relentless plains of the Texas frontier.

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Taking you deep into the heart of the American West, Dead Man's Walk is the first book in Larry McMurtry's Lonesome Dove quartet.These are the wild days when Gus McCrae and Woodrow Call – heroes of Lonesome Dove – first encounter the untamed frontier that will form their characters.Not yet twenty, Gus and Call enlist as Texas Rangers under the command of Caleb Cobb, a capricious outlaw determined to seize Santa Fe from the Mexicans. The two young men experience their first great adventure in the barren, empty landscape of the great plains, in which arbitrary violence is the only law – whether from nature, or from those whose territory they must cross in order to reach New Mexico.Danger, sacrifice and fear test Gus and Call to the limits of endurance, as they seek the strength and courage to survive against almost insurmountable odds in the West of early nineteenth-century America.Continue the series set in the Wild West with Comanche Moon.

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The Pulitzer Prize­-winning American classic of the American West that follows two aging Texas Rangers embarking on one last adventure. An epic of the frontier, Lonesome Dove is the grandest novel ever written about the last defiant wilderness of America.Journey to the dusty little Texas town of Lonesome Dove and meet an unforgettable assortment of heroes and outlaws, whores and ladies, Indians and settlers. Richly authentic, beautifully written, always dramatic, Lonesome Dove is a book to make us laugh, weep, dream, and remember.

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Larry McMurtry’s “big hearted” fiction has been lauded for “taking us places we hadn’t known existed” (Joyce Carol Oates, New York Review of Books). Cadillac Jack does exactly that, inviting readers into the passenger seat of a pearl-colored Caddy with peach velour–covered seats, joining a rodeo-bulldogger-turned-antique- scout at the wheel. “Superbly comic” (Newsday), this rollicking tale echoes the cultural climate of America today, with the cagey yet charming Jack grappling with the capitol’s pretentious elite. As he cruises through relationships with distinctively appealing women—including socialite boutique owner Cindy and discreet mother-of-two Jean—Jack realizes home for him will always be simply barreling down freeways in his Cadillac, wandering the country in search of another obscure treasure. Bolstered with its cast of unforgettable characters, Cadillac Jack entices with the prospect of undiscovered riches around that next bend in the road.

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A stunning literary debut, Horseman, Pass By (1961) exhibits the “full-blooded Western genius” (Publishers Weekly) that would come to define McMurtry’s incomparable sensibility. In the dusty north Texas town of Thalia, young Lonnie Bannon quietly endures the pangs of maturity as a persistent rivalry between his grandfather and step-uncle, Hud, festers, and a deadly disease spreads among their cattle like wildfire.

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Larry McMurtry burst onto the American literary scene with a force that would forever redefine how we perceive the American West. His first three novels— Horseman, Pass By (1961),* Leaving Cheyenne (1963), and The Last Picture Show (1966)— all set in the north Texas town of Thalia after World War II, are collected here for the first time. In this trilogy, McMurtry writes tragically of men and women trying to carve out an existence on the plains, where the forces of modernity challenge small- town American life. From a cattleranch rivalry that confirms McMurtry’s “full- blooded Western genius” (Publishers Weekly) to a love triangle involving a cowboy, his rancher boss and wife, and finally to the hardscrabble citizens of an oil- patch town trying to keep their only movie house alive, McMurtry captures the stark realities of the West like no one else. With a new introduction, Thalia emerges as an American classic that celebrates one of our greatest literary masters. *Just named in 2017 by Publishers Weekly the #1 Western novel worthy of rediscovery.

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In Leaving Cheyenne (1963), which anticipates Lonesome Dove more than any other early novel, the stark realities of the American West play out in a mesmerizing love triangle. Stubborn rancher Gideon Fry, resilient Molly Taylor, and awkward ranch hand Johnny McCloud struggle with love and jealousy as the years pass.

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Larry McMurtry has done more than any other living writer to shape our literary imagination of the American West. With The Last Kind Words Saloon he returns again to the vivid and unsparing portrait of the nineteenth-century and cowboy lifestyle made so memorable in his classic Lonesome Dove. Evoking the greatest characters and legends of the Old Wild West, here McMurtry tells the story of the closing of the American frontier through the travails of two of its most immortal figures: Wyatt Earp and Doc Holliday. Opening in the settlement of Long Grass, Texas—not quite in Kansas, and nearly New Mexico—we encounter the taciturn Wyatt, whiling away his time in between bottles, and the dentist-turned-gunslinger Doc, more adept at poker than extracting teeth. Now hailed as heroes for their days of subduing drunks in Abilene and Dodge—more often with a mean look than a pistol—Wyatt and Doc are living out the last days of a way of life that is passing into history, two men never more aware of the growing distance between their lives and their legends. Along with Wyatt's wife, Jessie, who runs the titular saloon, we meet Lord Ernle, an English baron; the exotic courtesan San Saba, "the most beautiful whore on the plains"; Charlie Goodnight, the Texas Ranger turned cattle driver last seen in McMurtry's Comanche Moon, and Nellie Courtright, the witty and irrepressible heroine of Telegraph Days. McMurtry traces the rich and varied friendship of Wyatt Earp and Doc Holiday from the town of Long Grass to Buffalo Bill's Wild West Show in Denver, then to Mobetie, Texas, and finally to Tombstone, Arizona, culminating with the famed gunfight at the O.K. Corral, rendered here in McMurtry's stark and peerless prose. With the buffalo herds gone, the Comanche defeated, and vast swaths of the Great Plains being enclosed by cattle ranches, Wyatt and Doc live on, even as the storied West that forged their myths disappears. As harsh and beautiful, and as brutal and captivating as the open range it depicts, The Last Kind Words Saloon celebrates the genius of one of our most original American writers.

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The Last Picture Show (1966) is both a rambunctious coming-of-age story and an elegy to a forlorn Texas town trying to keep its one movie house alive. Adapted into the Oscar-winning film, this masterpiece immortalizes the lives of the hardscrabble residents who are threatened by the inexorable forces of the modern world.

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Forty years ago, Larry McMurtry journeyed from the sprawling ranches of his early work to the provocative Sunset Strip, creating a Hollywood fable that is both immediate and relevant in today’s dynamic cultural climate. One would never guess that Jill Peel is still on the verge of stardom. Jill won an Oscar shortly after her fresh-faced arrival in 1950s Hollywood, then for the next twenty years batted away every Tinseltown producer who tried to hire her and get her into bed. Now middle-aged, she’s determined to create more movie magic by directing a cast of raunchy eccentrics, including Joe Percy, an aging womanizing screenwriter, and ex-football player Owen Oarson, eager to sleep his way to leading-man stardom. Teeming with biting humor and intriguing characters that mirror the scandals of modern-day Hollywood, Somebody’s Darling is a timeless story about a fiercely capable woman who dares to challenge the realities of a deceptively seductive Babel.

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Before embarking on what would become one of the most prominent writing careers in American literature, spanning decades and indelibly shaping the nation’s perception of the West, Larry McMurtry knew what it meant to come from Texas. Originally published in 1968, In a Narrow Grave is the Pulitzer Prize–winning author’s homage to the past and present of the Lone Star State, where he grew up a precociously observant hand on his father’s ranch. From literature to rodeos, small-town folk to big city intellectuals, McMurtry explores all the singular elements that define his land and community, revealing the surprising and particular challenges in the “dying . . . rural, pastoral way of life.” “The gold standard for understanding Houston’s brash rootlessness and civic insecurities” (Douglas Brinkley, New York Times Book Review), In a Narrow Grave offers a timeless portrait of the vividly human, complex, full-blooded Texan.

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Larry McMurtry's Pulitzer Prize winning novel is a powerful, triumphant portrayal of the American West as it really was. From Texas to Montana, it follows cowboys on a grueling cattle drive through the wilderness.It begins in the office of The Hat Creek Cattle Company of the Rio Grande.It ends as a journey into the heart of every adventurer who ever lived . . .More than a love story, more than an adventure, Lonesome Dove is an epic: a monumental novel which embraces the spirit of the last defiant wilderness of America.Legend and fact, heroes and outlaws, whores and ladies, Indians and settlers – Lonesome Dove is the central, enduring American experience dramatically recreated in a magnificent story of heroism and love; of honour, loyalty and betrayal. From the author of The Last Picture Show and Texasville, and screenplay writer of Brokeback Mountain, this is the third novel in the McMurtry's Lonesome Dove quartet, following on from Comanche Moon and prequels Streets of Laredo.'If you read only one Western novel in your life, read this one . . . no other has ever approached the accomplishment of Lonesome Dove' - USA Today

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Sam the Lion runs the pool-hall, the picture house and the all-night café. Coach Popper whips his boys with towels and once took a shot at one when he disturbed his hunting. Billy wouldn't know better than to sweep his broom all the way to the town limits if no one stopped him. And teenage friends Sonny and Duane have nothing better to do than drift towards the adult world, with its temptations of sex and confusions of love.The basis for a classic film, The Last Picture Show is both extremely funny and deeply profound. And, with the eccentrically peopled Thalia, Texas, Larry McMurtry made a small town that feels as real as any you've ever walked around.

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Internationally acclaimed for his portraits of powerful and accomplished people and women of great beauty, Richard Avedon was one of the twentieth century's greatest photographers—but perhaps not the most obvious choice to create a portrait of ordinary people of the American West. Yet in 1979, the Amon Carter Museum of Fort Worth, Texas, daringly commissioned him to do just that.The resulting 1985 exhibition and book, In the American West, was a milestone in American photography and Avedon's most important body of work. His unflinching portraits of oilfield and slaughterhouse workers, miners, waitresses, drifters, mental patients, teenagers, and others captured the unknown and often-ignored people who work at hard, uncelebrated jobs. Making no apologies for shattering stereotypes of the West and Westerners, Avedon said, "I'm looking for a new definition of a photographic portrait. I'm looking for people who are surprising—heartbreaking—or beautiful in a terrifying way. Beauty that might scare you to death until you acknowledge it as part of yourself."Photographer Laura Wilson worked with Avedon during the six years he was making In the American West. In Avedon at Work, she presents a unique photographic record of his creation of this masterwork—the first time a major photographer has been documented in great depth over an extended period of time. She combines images she made during the photographic sessions with entries from her journal to show Avedon's working methods, his choice of subjects, his creative process, and even his experiments and failures. Also included are a number of Avedon's finished portraits, as well as his own comments and letters from some of the subjects.Avedon at Work adds a new dimension to our understanding of one of the twentieth century's most significant series of portraits. For everyone interested in the creative process it confirms that, in Laura Wilson's words, "much as all these photographs may appear to be moments that just occurred, they are finally, in varying degrees, works of the imagination."

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In this historical novel by Max Crawford, the U.S. 2nd Cavalry rolls into Texas in the 1870s with orders to keep the peace and persuade the fierce Comanches to move quietly onto the reservation. Captain Philip Chapman tells a tale of high adventure: the hardships of a forced cavalry march, an ambush by the Comanches, an idyllic summer camp at the Caballo Ranch, the epic trek made by Chapman and his K Troop across the Ilano estacado, and defeat of Tehana Storm, legendary half-white Comanche chieftain, in the decisive battle at Palo Duro Canyon.

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Widely acclaimed as the greatest Western ever made, Lonesome Dove has become a true American epic. Larry McMurtry’s Pulitzer Prize–winning novel was a New York Times best seller, with more than 2.5 million copies currently in print. The Lonesome Dove miniseries has drawn millions of viewers and won numerous awards, including seven Emmys.A Book on the Making of Lonesome Dove takes you on a fascinating behind-the-scenes journey into the creation of the book, the miniseries, and the world of Lonesome Dove. Writer John Spong talks to forty of the key people involved, including author Larry McMurtry; actors Robert Duvall, Tommy Lee Jones, Anjelica Huston, Diane Lane, Danny Glover, Ricky Schroder, D. B. Sweeney, Frederic Forrest, and Chris Cooper; executive producer and screenwriter Bill Wittliff; executive producer Suzanne de Passe; and director Simon Wincer. They and a host of others tell lively stories about McMurtry’s writing of the epic novel and the process of turning it into the miniseries Lonesome Dove. Accompanying their recollections are photographs of iconic props, costumes, set designs, and shooting scripts. Rounding out the book are continuity Polaroids used during filming and photographs taken on the set by Bill Wittliff, which place you behind the scenes in the middle of the action.Designed as a companion for A Book of Photographs from Lonesome Dove, Wittliff’s magnificent fine art volume, A Book on the Making of Lonesome Dove is a must-have for every fan of this American epic.

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