Search results for ""Author Langston Hughes""

Our greatest African American poet’s award-winning first novel, about a black boy’s coming-of-age in a largely white Kansas town When first published in 1930, Not Without Laughter established Langston Hughes as not only a brilliant poet and leading light of the Harlem Renaissance but also a gifted novelist. In telling the story of Sandy Rogers, a young African American boy in small-town Kansas, and of his family—his mother, Annjee, a housekeeper for a wealthy white family; his irresponsible father, Jimboy, who plays the guitar and travels the country in search of employment; his strong-willed grandmother Hager, who clings to her faith; his Aunt Tempy, who marries a rich man; and his Aunt Harriet, who struggles to make it as a blues singer—Hughes gives the longings and lineaments of black life in the early twentieth century an important place in the history of racially divided America. For more than seventy years, Penguin has been th

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VINTAGE CLASSICS' HARLEM RENAISSANCE SERIESCelebrating the finest works of the Harlem Renaissance, one of the most important Black arts movements in modern history.'White peoples maybe mistreats you an' hates you, but when you hates 'em back, you's de one what's hurted, 'cause hate makes yo' heart ugly - that's all it does'Sandy's in the fifth grade when he's forced to sit on the back row away from his white classmates and denied entry to a new amusement park. His grandmother, who is raising him alongside his mother and aunt, tells him that love is the only thing to make room for in his heart. But it's Sandy's discovery of literature that inspires him to continue his education and make sense of the unjust world he inhabits in the debut novel from one of the foremost pioneers of the Harlem Renaissance.'[Hughes] gives his readers... a guide for careful consideration of the lives of everyday black people. Such a guide is still useful to readers and writers today. Perhaps now more than ever' Angela Flournoy, New York Times

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THE CELEBRATED SHORT STORY COLLECTION FROM THE AMERICAN POET AND WRITER OFTEN CALLED THE 'POET LAUREATE OF HARLEM'A black maid forms a close bond with the daughter of the cruel white couple for whom she works. Two rich, white artists hire a black model to pose as a slave. A white-passing boy ignores his mother when they cross each other on the street.Written with sardonic wit and a keen eye for the absurdly unjust, these fourteen stories about racial tensions are as relevant today as the day they were penned, and linger in the mind long after the final page is turned.'Powerful, polemical pieces' New York Times'Some of the best stories that have appeared in this country in years' North American Review

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With a new introduction by the multi-prizewinning young poet Kayo Chingonyi. For over forty years, until his death in 1967, Langston Hughes captured in his poetry the lives of black people in the USA. This edition is Hughes's own selection of his work, and was first published in 1959. It includes all of his best known poems including 'The Negro Speaks of Rivers', 'The Weary Blues', 'Song for Billie Holiday', 'Black Maria', 'Magnolia Flowers', 'Lunch in a Jim Crow Car' and 'Montage of a Dream Deferred'. A key figure in the Harlem Renaissance, Langston Hughes is now seen as one of the great chroniclers of black American experience - and one of the great artists of the twentieth century.

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Five poems by Langston Hughes and one anonymous one translated from the Spanish present the story of the first Christmas from different perspectives.

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Discover the power and joy of poetry in this simple, modern introduction to Langston Hughes, featuring an ode to spring and long-awaited new beginningsIn this illustrated adaptation of a beloved Langston Hughes poem, a child delights as the world around him awakens from winter and comes to life with the long-awaited arrival of spring and new beginnings of all kinds.

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Langston Hughes is well known as a poet, playwright, novelist, social activist, communist sympathizer, and brilliant member of the Harlem Renaissance. He has been referred to as the "Dean of Black Letters" and the "poet low-rate of Harlem." But it was as a columnist for the famous African-American newspaper the Chicago Defender that Hughes chronicled the hopes and despair of his people. For twenty years, he wrote forcefully about international race relations, Jim Crow, the South, white supremacy, imperialism and fascism, segregation in the armed forces, the Soviet Union and communism, and African-American art and culture. None of the racial hypocrisies of American life escaped his searing, ironic prose.This is the first collection of Hughes's nonfiction journalistic writings. For readers new to Hughes, it is an excellent introduction; for those familiar with him, it gives new insights into his poems and fiction.

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Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes' poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics. Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized world - one without hunger, war, racism, and class oppression.

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A collection of interviews, speeches, and essays by Langston Hughes. Let America Be America Again: Conversations with Langston Hughes is a record of a remarkable man talking. In texts ranging from early interviews in the 1920s, when he was a busboy and scribbling out poems on hotel napkins, to major speeches, such as his keynote address at the First World Festival of Negro Arts in Dakar, Senegal, in 1966, Hughes's words further amplify the international reputation he established over the course of five decades through more widely-published and well-known poems, stories, novels, and plays. In these interviews, speeches, and conversational essays, the writer referred to by admirers as the "Poet Laureate of the Negro Race" and the "Dean of Black Letters" articulated some of his most powerful critiques of fascism, economic and racial oppression, and compromised democracy. It was also through these genres that Hughes spoke of the responsibilities of the Black artist, documented the essential contributions of Black people to literature, music, and theatre, and chronicled the substantial challenges that Black artists face in gaining recognition, fair pay, and professional advancement. And it was through these pieces, too, that Hughes built on his celebrated work in other literary genres to craft an original, tragic-comic persona--a Blues poet in exile, forever yearning for and coming back to a home, a nation, that nevertheless continues to disappoint and harm him. A global traveler, Hughes's words, "Let America be America Again" were, throughout his career, always followed by a caveat: "America never was America to me."

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