Search results for ""Author Lachlan Mackinnon""

Lachlan MacKinnon's fourth collection opens with a gathering of lyrics and descriptive poems: observing rites of passage (elegies, wedding poems), offering nuanced accounts of places and their patchwork afterlives (the Midlands, a Suffolk sketchbook), or meditations on historical figures introspectively at odds with their time (King Canute, Edward Thomas). This preoccupation with contingency - personal and historical - opens onto The Book of Emma: a long poem of fifty-four sections, written mostly in prose, which address a lost friend and contemporary in terms which seem laconically factual, but which draw their power from archaic conventions (Egyptian, Celtic) of talking to the dead.

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Many of the poems in The Missing Months occupy the strange hiatus afforded by lockdown. They look forward as well as back, toying with possible futures, enthused by utopian dreams or fearing cultural and bodily entropy. They celebrate and mourn the lives of friends and relatives, captivated by carefully tended images from the past. Lockdown's 'missing months' in the world of a four-year-old granddaughter are laid down and remembered for her. Familiar objects - a park bench, stones, grass, stars, windows - are reanimated. This poetry of imaginative journeying 'stretches/Banks on a slope of air and turns' like the heron it watches. Between the crackle of radio signals and rain, the Russian poet Osip Mandelstam and the American singer Miranda Lambert, here is a poet in search of points of reference, the 'bright fresh leaves' of sunlight among the ruins.

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The Jupiter Collisions, Lachlan Mackinnon's third collection, opens with a characteristically exact account of something ungraspable: a distant episode in cosmology. This is the starting point for a series of investigations into uncertainty and flux, in which poem after poem brings home its cargo in precisely shaped but oblique and surprising ways. The collection is as various in its concerns as it is unified in its search for the close naming of things. One of the paradoxes of these poems is to start from spareness and reserve, and to end by establishing an intensely personal voice, whatever the subject almost casually to hand - American scenes, foreign places, the remembered present of the 1960s, the lives within paintings, the potentiality of prime numbers.The Jupiter Collisions includes two subtle and intriguingly constructed sequences of linked poems, in which the canvas of personal matter (loss, love, contingency) is stretched across a frame of philosophical concerns, in a poetry which is as unafraid of thinking - 'the heaven of ideas' - as it is firmly vested in 'the pointillisme of what is'. We come to recognise a tone, quietly distinctive, addressing the world in poems which are cool but numinous in their phrasing, moving in their understatement.

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Closing Sysco presents a history of deindustrialization and working-class resistance in the Cape Breton steel industry between 1945 and 2001. The Sydney Steel Works is at the heart of this story, having existed in tandem with Cape Breton’s larger coal operations since the early twentieth century. The book explores the multifaceted nature of deindustrialization; the internal politics of the steelworkers’ union; the successful efforts to nationalize the mill in 1967; the years in transition under public ownership; and the confrontations over health, safety, and environmental degradation in the 1990s and 2000s. Closing Sysco moves beyond the moment of closure to trace the cultural, historical, and political ramifications of deindustrialization that continue to play out in post-industrial Cape Breton Island. A significant intervention into the international literature on deindustrialization, this study pushes scholarship beyond the bounds of political economy and cultural change to begin tackling issues of bodily health, environment, and historical memory in post-industrial places. The experiences of the men and women who were displaced by the decline and closure of Sydney Steel are central to this book. Featuring interviews with former steelworkers, office employees, managers, politicians, and community activists, these one-on-one conversations reveal both the human cost of industrial closure and the lingering after-effects of deindustrialization.

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Doves is Lachlan Mackinnon's most candid and affecting volume of poems to date, and follows on from Small Hours, shortlisted for the Forward Prize for Poetry in 2010. Formally dexterous and inventive, these inclusive, approachable poems welcome all-comers in their broad-minded address: refugees, reality television, detective shows, number-theory, Shakespeare's brothers, ecology, a marriage. Wherever it turns, the poetry remains courageously sociable and moral, ever concerned with honouring lives and good deeds, and asking what can be saved from the ruins of what is lost by individuals, cultures and civilisations. But for all its outward gaze, its cares speak privately too - of crises in personal action and belief, of friends and intimacies disturbed and renewed - and, underpinning it all, an urging to account for our behaviour and 'to start to answer / to ourselves for what we have made of life.'Doves is an uplifting account of recovery that makes no stranger of despair. But with each moment of despondency comes a tough-minded - even humorous - response that tempers grief, and bolsters our equipment for living, and in so doing extends a timeless ring around the heart of this thoughtful, inspiriting and memorable book.

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Since the 1970s, the closure of mines, mills, and factories has marked a rupture in working-class lives. The Deindustrialized World interrogates the process of industrial ruination, from the first impact of layoffs in metropolitan cities, suburban areas, and single-industry towns to the shock waves that rippled outward, affecting entire regions, countries, and beyond. Scholars from France, Canada, Australia, the United Kingdom, and the United States share personal stories of ruin and ruination and ask others what it means to be working class in a postindustrial world. Part 1 examines the ruination of former workplaces and the failing health and injured bodies of industrial workers. Part 2 brings to light disparities between rural resource towns and cities, where hipster revitalization often overshadows industrial loss. Part 3 reveals the ongoing impact of deindustrialization on working people and their place in the new global economy.Together, the chapters open a window on the lived experiences of people living at ground zero of deindustrialization, revealing its layered impacts and examining how workers, environmentalists, activists, and the state have responded to its challenges.

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