Search results for ""Author Kirstin Innes""

New Writing Scotland is the principal forum for poetry and short fiction in Scotland today. Every year we publish the very best from emerging and established writers, and list many of the leading literary lights of Scotland among our contributors.

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‘Gripping and moving. A literary triumph’ Nicola Sturgeon ‘A humane and searching story’ Ian Rankin ‘Kirstin Innes is aiming high, writing for readers in the early days of a better nation’ A.L. Kennedy A NEW STATESMAN BOOK OF THE YEAR • A SCOTSMAN BOOK OF THE YEAR Three days before her fifty-first birthday Clio Campbell – one-hit wonder, political activist, lifelong love and one-night-stand – kills herself in her friend Ruth’s spare bedroom. And, as practical as she is, Ruth doesn’t know what to do. As the news spreads around Clio’s collaborators and comrades, lovers and enemies, the story of her glamorous, chaotic life spreads with it – from the Scottish Highlands to the Genoa G8 protests, from an anarchist squat in Brixton to Top of the Pops. Sifting through half a century of memories and unanswered questions, everyone who thought they know her is forced to ask: who was Clio Campbell?

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Twenty-year-old Rona Leonard walks out of her sister Fiona’s flat and disappears. Six years on, worn down by a tedious job, child care and the aching absence in her life, Fiona’s existence is blown apart by the revelation that, before she disappeared, Rona worked as a prostitute. Determined to uncover the truth, Fiona embarks on a quest to investigate the industry that claimed her sister. Drawn into a complex world, Fiona’s life tilts on its axis as she makes shocking discoveries that challenge everything she’s ever believed ... Bittersweet, sensual and rich, Fishnet is a beautifully told story of love and grief, interwoven with a meticulous, controversial account of the sex industry and its workers. An outstanding piece of fiction, it questions the ways in which we perceive women, their interactions with the world and with each other.

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Nightclub, theatre, creative hub, party place, and one of the most important venues in Scotland, Britain and Europe: for almost 25 years, The Arches was the beating heart of Glasgow. In 1991, former punk-turned-theatre director Andy Arnold walked into the disused red brick Victorian railway arches underneath Glasgow's Central Station and immediately saw the potential of the space. Not even he could have imagined its future, as simultaneously one of the biggest and most famous nightclubs in the world and a major player on the European theatre scene. Until its closure following a drug-related death in 2015, The Arches carved its own, indefinable path, playing a vital role in the lives of many Scottish artists along the way. Some of those stars of the future began their careers taking tickets, hanging coats and serving drinks there. For the first time, the people who made the venue get to tell their story. Piecing together accounts from directors, DJs, performers, clubbers, artists, bar tenders, actors, audiences and staff, Brickwork writes the biography of a space that was always more than its bricks and mortar.

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