Search results for ""Author Kimmo Laine""

Provides the first scholarly examination of Finnish studio system Provides an approach that is both sensitive to the specific characteristics of Finnish studio system and applicable to small nation cinema industries in general Considers practically the whole output of Finnish film companies over the studio era; this is a benefit of analysing a small nation cinema with c. 600 feature films made between the 1930s and early 1960s Explores films such as Stolen Death (1938), The Way You Wanted Me (1944), The White Reindeer (1952), The Glass Heart (1959) Finnish Film Studios provides a thorough examination of Finnish film industry through the core decades of the studio era, from the early 1920s to the early 1960s. Laine analyses the contributions of fully integrated major companies, Suomi-Filmi, Suomen Filmiteollisuus and Fennada-Filmi, in addition to minor companies and independent producers that were responsible for some of the canonized work of the studio era, including the films of Teuvo Tulio and Nyrki Tapiovaara. This study approaches Finnish studio cinema as both typical and particular: it is a typical European small nation cinema with its industrial structures, reliance on hierarchical organisation of labour and love-hate relationship with Hollywood; yet, it is particular, not only in its genres, cycles and hugely popular domestic stars, but also because films were made in the constant presence of geopolitical realities, at times under the influence of Germany and the Soviet Union.

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Global Film Studios is a series of books devoted to examining international film studios and their global influence. Each volume will address several studios representing an era (New Hollywood Studios), a regional intersection of production (Nordic Film Studios), a nation cinema (French Film Studios), a genre (Hong Kong Action Film Studios) or a style (Bollywood Studios). The series offers interdisciplinary interpretations of international film studios. Particular attention will emphasize the signature features of these studios, such as their distinctive style, look, design, and genres, as well as principal figures who created and sustained those definable studio elements. Technological advancements and innovations associated with or promoted by studios will also be examined. Additionally, these volumes will address studios' market strategies, their core competencies and core rigidities, and their reliance upon and shifts from film cycles in terms of re-evaluating box office and audien

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Teuvo Tulio (1912 2000) was one of the most obsessive directors in film history. As an independent producer and an increasingly reclusive personality, he developed his own, excessive brand of melodrama, haunted by irresistible temptations, obsessive desires, mad jealousies and toxic moralism. Combining cultural and historical contextualisation with formalist analysis, ReFocus: The Films of Teuvo Tulio is the first English-language study on this innovative director. Three internationally recognised scholars analyse the strange trajectory of his career through its impressive beginning within the Finnish studio system to becoming an outsider, an independent producer-director who could single-mindedly pursue his own, highly idiosyncratic line.

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This is the first English-language collection on this innovative director, exploring Tulio's unique style and the extent and effect of his obsessive recirculation of story elements and stylistic patterns in his work.

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