Search results for ""Author Kenneth Fearing"

A TIMES BOOK OF THE YEAR. 'Matthew Dennison skilfully covers the facts, producing a vivid impression of this strange, shy, awkward figure. The result is a highly readable book' Literary Review. 'A haunting new biography... A compelling account of Grahame's life' Daily Mail. 'A sensitively probing and nuanced portrait that makes sense of the darker character furled in the dreamer' New Statesman. During the week Kenneth Grahame sat behind a mahogany desk as Secretary of the Bank of England; at the weekend he retired to the house in the country he shared with his fanciful wife Elspeth and fragile son Alistair and took lengthy walks along the Thames in Berkshire, 'tempted [by] the treasures of hedge and ditch; the rapt surprise of the first lords-and-ladies, the rustle of a field-mouse, the splash of a frog.' The result of these pastoral wanderings was The Wind in the Willows: an enduring classic of children's literature; a cautionary tale for adult readers; a warning of the fragility of the English countryside; and an expression of fear at threatened social changes that, in the aftermath of the World War I, became reality. Like its remarkable author, it balances maverick tendencies with conservatism. Grahame was an Edwardian pantheist whose work has a timeless appeal, an escapist whose withdrawal from reality took the form of time travel into his own past.

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The Sculpture of Kenneth Armitage, which is being published to coincide with the artist's centenary in 2016, is the first book to feature a fully illustrated inventory of all of Armitage's known sculptures. It will be the only available illustrated reference book on the sculptural work of this important 20th-century artist. Through an inventory of 298 pieces and an accompanying narrative text, the book undertakes an examination of Armitage's significant contribution to sculpture nationally and internationally during the second half of the 20th century, starting with the `geometry of fear' exhibition at the 1952 Venice Biennale and Armitage's solo contribution to the Biennale in 1958. It will be an essential reference resource for researchers, curators, dealers and collectors which will complement the complete sculpture catalogues already produced for Armitage's sculptor contemporaries Lynn Chadwick, Elisabeth Frink, Robert Adams and Reg Butler, enhancing our understanding of post-war British sculpture.

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The contemporary consumer is bombarded with fear-inducing images and information. This media shower of imagery is equalled only by the sheer quantity of fear-assuaging products offered for our consumption. "The Politics of Everyday Fear" addresses questions raised by the saturation of social space by capitalized fear. Emphasizing the relatively neglected domain of what might be called "ambient" fear - continually rekindled, low-level fear that insinuates itself into people's daily routine, subtly reshaping their lives - "The Politics of Everyday Fear" approaches fear less as a psychological fixation than a fluid mechanism for the social control order of late capitalism. Brian Massumi is the author of "User's Guide to Capitalism and Schizophrenia: Deviations From Deleuze and Guattari" (1992) and with Kenneth Dean of "First and Last Emperors: the Absolute State and the Body of the Despot (1992)". He has translated many books and written many essays on contemporary discourses. This book is intended for undergraduates and graduate students in media studies, interdisciplinary cultural theory, comparative literature, postmodernism, Marxism and post-structuralist media theory.

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This practical Burmese phrasebook and dictionary puts all the most important Burmese words and phrases in the palm of your hand.It contains all the necessary words and phrases for speaking Burmese in any setting. Perfect for students, tourists, or business people learning Burmese or traveling to Myanmar, it also contains a beginners guide to the Burmese language, allowing for a more in-depth understanding than a typical Burmese phrasebook or Burmese dictionary. The phrasebook is organized by situations where one might need to speak Burmese such as: at the hotel, in a taxi, using numbers, etc. Say it like it is: A pronunciation guide for each phrase Meet and greet: The right greeting for every situation A little respect, please: Use the correct personal titles to address people Who, what, where, why, when: Requesting things and asking questions The ties that bind: Talking about your family What time/day is it? Telling time and days of the week How to read menus and important road signs Travel vocabulary and useful expressions: Getting to the airport Buses, taxis, and trains Hotels and resorts Eating and drinking Sightseeing Health emergencies Popular tourist spots Toilets and restrooms Shopping and money Telephone and internet Numbers and counting Seasons and weather

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Kenneth Buthlay's edition of A Drunk Man Looks at the Thistle is widely considered to be the best edition of all and provides extensive commentary and notes, taking the reader through MacDiarmid's complex and often opaque use of language. The drunk man lies on a moonlit hillside looking at a thistle, jaggy and beautiful, which epitomises Scotland's divided self. The man reflects on the fate of the nation, the human condition in general and his own personal fears.

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This study examines the feminist, African-American and populist avant-garde that flourished in the era of American modernism. Arguing that American modernism runs much deeper than the seminal contributions of Wallace Stevens, T.S. Eliot and Ezra Pound, Kalaidjian revisits the "historical avant-garde" showcased in magazines of the period. This revisionary study discusses public art in the Depression era, proletarian subculture, and the social poetics of Kenneth Fearing, Muriel Rukeyser and Langston Hughes. Kalaidjian establishes a continuity between interwar modernist movements and the contemporary work of Barbara Kruger, Jenny Holzer, Sue Coe, Hans Haacke and others.

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From the New York Times bestselling author of This Time Is Different, "a fascinating and important book" (Ben Bernanke) about phasing out most paper money to fight crime and tax evasion--and to battle financial crises by tapping the power of negative interest rates The world is drowning in cash--and it's making us poorer and less safe. In The Curse of Cash, Kenneth Rogoff, one of the world's leading economists, makes a persuasive and fascinating case for an idea that until recently would have seemed outlandish: getting rid of most paper money. Even as people in advanced economies are using less paper money, there is more cash in circulation--a record $1.4 trillion in U.S. dollars alone, or $4,200 for every American, mostly in $100 bills. And the United States is hardly exceptional. So what is all that cash being used for? The answer is simple: a large part is feeding tax evasion, corruption, terrorism, the drug trade, human trafficking, and the rest of a massive global underground economy. As Rogoff shows, paper money can also cripple monetary policy. In the aftermath of the recent financial crisis, central banks have been unable to stimulate growth and inflation by cutting interest rates significantly below zero for fear that it would drive investors to abandon treasury bills and stockpile cash. This constraint has paralyzed monetary policy in virtually every advanced economy, and is likely to be a recurring problem in the future. The Curse of Cash offers a plan for phasing out most paper money--while leaving small-denomination bills and coins in circulation indefinitely--and addresses the issues the transition will pose, ranging from fears about privacy and price stability to the need to provide subsidized debit cards for the poor. While phasing out the bulk of paper money will hardly solve the world's problems, it would be a significant step toward addressing a surprising number of very big ones. Provocative, engaging, and backed by compelling original arguments and evidence, The Curse of Cash is certain to spark widespread debate.

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No literary figure has proved so elusive as Shakespeare. How, Courtney Lehmann asks, can the controversies surrounding the Bard's authorship be resolved when his works precede the historical birth of that modern concept? And how is it that Shakespeare remains such a powerful presence today, years after poststructuralists hailed the "death of the author"? In her cogent book, Lehmann reexamines these issues through a new lens: film theory. An alternative to literary models that either minimize or exalt the writer's creative role, film theory, in Lehmann's view, perceives authorship as a site of constitutive conflict, generating in the process the notion of the auteur. From this perspective, she offers close readings of Romeo and Juliet, A Midsummer Night's Dream, and Hamlet, of film adaptations by Kenneth Branagh, Baz Luhrmann, and Michael Almereyda, and of John Madden's Shakespeare in Love. In their respective historical contexts, these plays and films emerge as allegories of authorship, exploiting such strategies as appropriation, adaptation, projection, and montage. Lehmann explores the significance of this struggle for agency, both in Shakespeare's time and in the present day, in the cultures of early and late capitalism. By projecting film theory from the postmodern to the early modern and back again, Lehmann demonstrates the ways in which Shakespeare emerges as a special effect—indeed, as an auteur—in two cultures wherein authors fear to tread.

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While some cultural critics are pronouncing the death of the novel, a whole generation of novelists have turned to other media with curiosity rather than fear. These novelists are not simply incorporating references to other media into their work for the sake of verisimilitude, they are also engaging precisely such media as a way of talking about what it means to write and read narrative in a society filled with stories told outside the print medium. By examining how some of our best fiction writers have taken up the challenge of film, television, video games, and hypertext, Daniel Punday offers an enlightening look into the current status of such fundamental narrative concepts as character, plot, and setting. He considers well-known postmodernists like Thomas Pynchon and Robert Coover, more-accessible authors like Maxine Hong Kingston and Oscar Hijuelos, and unjustly overlooked writers like Susan Daitch and Kenneth Gangemi, and asks how their works investigate the nature and limits of print as a medium for storytelling. Writing at the Limit explores how novelists locate print writing within the contemporary media ecology, and what it really means to be writing at print’s media limit.

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Minhag (custom) played a far greater and far more important role in medieval Ashkenazic society than in any other Jewish community. In upholding the authority of a custom, halakhic authorities frequently asserted that "custom prevails over halakhah." Furthermore, Ashkenazic authorities asserted that Ashkenazic custom is more authentic than the customs of other Jewish communities, including those of Sepharad (Spain). Given the importance attributed to minhag and the influence of the siddur commentaries of the circle of Hassidei Ashkenaz, which emphasize the precise formulation of liturgical texts, one might assume that Ashkenazic Jewry was committed to preserving ancestral custom and opposed to liturgical change. However, the reality is that the liturgy of Ashkenaz was never static. From a very early time, new liturgies and liturgical practices were incorporated into the service, the inclusion of various prayers was challenged, and variant readings of prayers became standard. Tradition, Interpretation, and Change focuses on developments in the Ashkenazic rite, the liturgical rite of most of central and eastern European Jewry, from the eleventh century through the seventeenth. Kenneth Berger argues that how a prayer or practice was understood, or the rationale for its recitation or performance, often had a profound effect on whether and when it was to be recited, as well as on the specific wording of the prayer. In some cases, the formulation of new interpretations served a conservative function, as when rabbinic authorities sought to find new, alternative explanations which would justify the continued performance of practices whose original rationale no longer applied. In other cases, new understandings of a liturgical practice led to changes in that practice, and even to the development of new liturgies expressive of those interpretations. In Tradition, Interpretation, and Change, Berger draws upon a wide body of primary sources, including classical rabbinic and geonic works, liturgical documents found in the Cairo genizah, medieval codes, responsa, and siddur commentaries, minhag books, medieval siddur manuscripts, and early printed siddurim, as well as a wealth of secondary sources, to provide the reader with an in-depth account of the history and history of interpretation of many familiar and not-so-familiar prayers and liturgical practices. While emphasizing the role that the interpretation ascribed to various prayers and practices had in shaping the liturgy of medieval and early modern Ashkenaz, Berger illustrates the degree to which Sephardic and kabbalistic influences, concern for the fate of the dead, the fear of demons, and the desire for healing and divine protection from a variety of dangers shaped both liturgical practice and the way in which those practices were understood.

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A landmark study of the nude in art—from the ancient Greeks to Henry Moore—by a towering figure in art historyIn this classic book, Kenneth Clark, one of the most eminent art historians of the twentieth century, examines the ever-changing fashion in what constitutes the ideal nude as a basis of humanist form, from the art of the ancient Greeks to that of Renoir, Matisse, and Henry Moore. The Nude reveals the sensitivity of aesthetic theory to fashion, what distinguishes the naked from the nude, and just why the nude has played such an important role in art history. As Clark writes, “The nude gains its enduring value from the fact that it reconciles several contrary states. It takes the most sensual and immediately interesting object, the human body, and puts it out of reach of time and desire; it takes the most purely rational concept of which man is capable, mathematical order, and makes it a delight to the senses; and it takes the vague fears of the unknown and sweetens them by showing that the gods are like men and may be worshipped for their life-giving beauty rather than their death-dealing powers.”

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Today's gangsters are streets apart from the old-style gang lords of the Fifties and Sixties. The godfathers of old were seen by many as a stabilising influence. Their power inspired respect and they well and truly kept the underworld in check. The twenty-first century gangs of Britain are far more shady.Their brutality has spread far and wide and they live and thrive in our midst, on the streets and in suburbs where ordinary folk live. The creeping tentacles of crime have never stretched further. Organised crime is now worth more than GBP 10 billion in Britain every year. The old crimes of prostitution and extortion are being dropped in favour of multi-million pound drug deals, bringing gangsters more money and power than they've ever known. It is a cut-throat industry that is conducted in the shadows and driven solely by profit.Acclaimed true crime author Wensley Clarkson has met many of Britain's richest and most powerful gangs. In this fascinating and gripping account, he provides an extraordinary insight into these feared characters and takes us on a journey into the dark and glamorous underworld that seems to prove that, for many gangs, crime really does pay.This book reveals the activities of these gangs to the world, exposing such underworld legends as Kenneth Noye, who hold continuing fascination with lovers of true crime.

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From the New York Times bestselling author of This Time Is Different, "a fascinating and important book" (Ben Bernanke) about phasing out most paper money to fight crime and tax evasion--and to battle financial crises by tapping the power of negative interest rates The world is drowning in cash--and it's making us poorer and less safe. In The Curse of Cash, Kenneth Rogoff, one of the world's leading economists, makes a persuasive and fascinating case for an idea that until recently would have seemed outlandish: getting rid of most paper money. Even as people in advanced economies are using less paper money, there is more cash in circulation--a record $1.4 trillion in U.S. dollars alone, or $4,200 for every American, mostly in $100 bills. And the United States is hardly exceptional. So what is all that cash being used for? The answer is simple: a large part is feeding tax evasion, corruption, terrorism, the drug trade, human trafficking, and the rest of a massive global underground economy. As Rogoff shows, paper money can also cripple monetary policy. In the aftermath of the recent financial crisis, central banks have been unable to stimulate growth and inflation by cutting interest rates significantly below zero for fear that it would drive investors to abandon treasury bills and stockpile cash. This constraint has paralyzed monetary policy in virtually every advanced economy, and is likely to be a recurring problem in the future. The Curse of Cash offers a plan for phasing out most paper money--while leaving small-denomination bills and coins in circulation indefinitely--and addresses the issues the transition will pose, ranging from fears about privacy and price stability to the need to provide subsidized debit cards for the poor. While phasing out the bulk of paper money will hardly solve the world's problems, it would be a significant step toward addressing a surprising number of very big ones. Provocative, engaging, and backed by compelling original arguments and evidence, The Curse of Cash is certain to spark widespread debate.

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An international cast of suspects, all passengers on the crowded train, are speeding through the snowy European landscape when a bizarre and terrible murder brings them to an abrupt halt. One of their glittering number lies dead in his cabin, stabbed a mysterious twelve times. There is no lack of clues for Poirot - but which clue is real and which is a clever plant? Poirot realises that this time he is dealing with a murderer of enormous cunning and that in a case frought with fear and inconstencies only one thing is certain - the murderer is still aboard the train waiting to strike again... John Moffatt stars as Hercule Poirot, with a stellar cast including Joss Ackland, Sylvia Syms, Francesca Annis, and Siân Phillips.Soon to be released as a film, directed by Kenneth Branagh and starring Penelope Cruz, Olivia Coleman, Dame Judi Dench, Daisy Ridley, Derek Jacobi, and Michele Pfeiffer, The Murder on the Orient Express is a perennial classic.

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The first document enacted by the Second Vatican Council was its Constitution on the Sacred Liturgy, Sacrosanctum Concilium, and the liturgical reform mandated by that document has probably had a greater impact on the average Catholic than any other action of the Council. That this liturgical reform has not in every respect been the unalloyed success hoped for by the Council Fathers, however, has only been grudgingly recognized. The liturgists and other Church officials responsible for implementing the reforms have had a vested interest in claiming success, even where there was evidence to the contrary. Nevertheless, the many and sometimes abrupt liturgical changes made were bound to affect long-established modes of worship and devotion – not to speak of the drastic move from Latin to the vernacular which came shortly after the Council, and which necessarily entailed radical change in the Church’s worship. In July 2007, Pope Benedict XVI signaled that the liturgical question needed to be revisited when he issued a motu proprio that allowed, some forty-plus years after the end of the Council, a wider celebration of the unreformed pre-Vatican-II Mass in Latin as an “extraordinary” form of the Roman rite. While the pope’s motu proprio was not a repudiation or cancellation of the Vatican II liturgical reforms — as some liturgists feared (and some traditionalists hoped) – it did indicate a sane and sensible papal recognition that liturgy must be developed organically, not “manufactured” by a “committee.” Above all, the pope recognized that the question of the liturgy must be approached realistically in the light of how the reforms have actually worked out, not of how some have imagined that they might or should have worked out. This book by Kenneth D. Whitehead, who has written extensively both on Vatican II and on the liturgy, explains Pope Benedict’s action in its proper context and describes the reactions to it, while making special reference to some of the pontiff’s own extensive previous writings on the liturgy. The author then doubles back to evaluate the Vatican II liturgical reforms generally – how and why they were enacted, what has actually come about as a result of them, and how and why a “reform of the reform” is now called for.

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Gross explores our complex fascination with uncanny children in works of fiction. Ranging from Victorian to modern works—Lewis Carroll’s Alice in Wonderland, Carlo Collodi’s Pinocchio, Henry James’s What Maisie Knew, J. M. Barrie’s Peter and Wendy, Franz Kafka’s “The Cares of a Family Man,” Richard Hughes’s A High Wind in Jamaica, Elizabeth Bowen’s The Death of the Heart, and Vladimir Nabokov’s Lolita—Kenneth Gross’s book delves into stories that center around the figure of a strange and dangerous child. Whether written for adults or child readers, or both at once, these stories all show us odd, even frightening visions of innocence. We see these children’s uncanny powers of speech, knowledge, and play, as well as their nonsense and violence. And, in the tales, these child-lives keep changing shape. These are children who are often endangered as much as dangerous, haunted as well as haunting. They speak for lost and unknown childhoods. In looking at these narratives, Gross traces the reader’s thrill of companionship with these unpredictable, often solitary creatures—children curious about the adult world, who while not accommodating its rules, fall into ever more troubling conversations with adult fears and desires. This book asks how such imaginary children, objects of wonder, challenge our ways of seeing the world, our measures of innocence and experience, and our understanding of time and memory.

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A New York Times Editor’s Choice One of Newsweek’s Most Highly Anticipated Books of 2021 Named a Bustle Best Book of 2021 An award-winning journalist’s breathtaking mosaic of the tough-love industry and the young adults it inevitably fails. In the middle of the night, they are vanished. Each year thousands of young adults deemed out of control—suffering from depression, addiction, anxiety, and rage—are carted off against their will to remote wilderness programs and treatment facilities across the country. Desperate parents of these “troubled teens” fear it’s their only option. The private, largely unregulated behavioral boot camps break their children down, a damnation the children suffer forever. Acclaimed journalist Kenneth R. Rosen knows firsthand the brutal emotional, physical, and sexual abuse carried out at these programs. He lived it. In Troubled, Rosen unspools the stories of four graduates on their own scarred journeys through the programs into adulthood. Based on three years of reporting and more than one hundred interviews with other clients, their parents, psychologists, and health-care professionals, Troubled combines harrowing storytelling with investigative journalism to expose the disturbing truth about the massively profitable, sometimes fatal, grossly unchecked redirection industry. Not without hope, Troubled ultimately delivers an emotional, crucial tapestry of coming of age, neglect, exploitation, trauma, and fraught redemption.

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The most wanted, the most feared, the most hated, the most powerful job in journalism: being a reviewer means writing about something you love and getting paid for it. So for a lot of people it's the No 1 dream job in the media. Whether your passion is film, music, books, visual arts or the stage, you can get closer to it as a reviewer and establish a career in one of the most influential roles open to a writer. Get the edge on the competition with a book that's a treasure trove of wisdom, experience and downright cunning, passed on by the best critics writing today. A great review will be read by millions, and writing it calls for a high degree of skill. Based on a lifelong passion, packed into a few hundred words and often written in less than an hour, a review makes heavy demands on writer's technique and experience. This book explains how to seize your readers' attention and how to be witty always, fascinating most of the time and bitchy when you need to be. Reviews from classic writers like Pauline Kael or Kenneth Tynan are contrasted with today's hot names including Mark Kermode and Stewart Maconie. We look back at the history of the critic and some of the groundbreaking groups who have shaped our culture, including Dorothy Parker and the Algonquin Round Table, the French New Wave directors who founded Les Cahiers du Cinema and London's celebrated Modern Review, founded by Julie Burchill, Toby Young and Cosmo Landesman.

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The puppet creates delight and fear. It may evoke the innocent play of childhood, or become a tool of ritual magic, able to negotiate with ghosts and gods. Puppets can be creepy things, secretive, inanimate while also full of spirit, alive with gesture and voice. In this eloquent book, Kenneth Gross contemplates the fascination of these unsettling objects - objects that are also actors and images of life. The poetry of the puppet is central here, whether in its blunt grotesquery or symbolic simplicity, and always in its talent for metamorphosis. On a meditative journey to seek the idiosyncratic shapes of puppets on stage, Gross looks at the anarchic Punch and Judy show, the sacred shadow theater of Bali, and experimental theaters in Europe and the United States, where puppets enact everything from Baroque opera and Shakespearean tragedy to Beckettian farce. Throughout, he interweaves accounts of the myriad faces of the puppet in literature - Collodi's cruel, wooden Pinocchio, puppet-like characters in Kafka and Dickens, Rilke's puppet-angels, the dark puppeteering of Philip Roth's Mickey Sabbath - as well as in the work of artists Joseph Cornell and Paul Klee. The puppet emerges here as a hungry creature, seducer and destroyer, demon and clown. It is a test of our experience of things, of the human and inhuman. A book about reseeing what we know, or what we think we know, "Puppet" evokes the startling power of puppets as mirrors of the uncanny in life and art.

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A New York Times Editor’s Choice One of Newsweek’s Most Highly Anticipated Books of 2021 Named a Bustle Best Book of 2021 An award-winning journalist’s breathtaking mosaic of the tough-love industry and the young adults it inevitably fails. In the middle of the night, they are vanished. Each year thousands of young adults deemed out of control—suffering from depression, addiction, anxiety, and rage—are carted off against their will to remote wilderness programs and treatment facilities across the country. Desperate parents of these “troubled teens” fear it’s their only option. The private, largely unregulated behavioral boot camps break their children down, a damnation the children suffer forever. Acclaimed journalist Kenneth R. Rosen knows firsthand the brutal emotional, physical, and sexual abuse carried out at these programs. He lived it. In Troubled, Rosen unspools the stories of four graduates on their own scarred journeys through the programs into adulthood. Based on three years of reporting and more than one hundred interviews with other clients, their parents, psychologists, and health-care professionals, Troubled combines harrowing storytelling with investigative journalism to expose the disturbing truth about the massively profitable, sometimes fatal, grossly unchecked redirection industry. Not without hope, Troubled ultimately delivers an emotional, crucial tapestry of coming of age, neglect, exploitation, trauma, and fraught redemption.

Read more less

The Second World War put an end to America's historical isolation from international power politics, and so also to the long-standing American defiance of the Realist ideology that shaped Old World affairs. The advent of transoceanic military technologies, now wielded by menacing states such as Nazi Germany and the Soviet Union, made Americans more receptive to the Realist idea that international relations is about fear and survival. The American Realists Reinhold Niebuhr, Hans Morgenthau, and Kenneth Waltz developed a modern strategic framework that sought to introduce American leaders and the educated public to these harsher realities of international politics. They emphasized a clear-eyed, cold approach to the play of interests, egotism, and the drive for power in world affairs-a struggle in which the threat of major war remained, in the end, the only legitimate currency. Yet even as Americans began to accept this new Realism, thermonuclear weaponry threatened to make it absurd. A major war to defend the nation might result in its total destruction; a thermonuclear war leading to the death of hundreds of millions of citizens seemed an unusual way to preserve American survival. This dilemma became central to the Realist understanding of Niebuhr, Morgenthau, and Waltz. How could a Realist approach to international politics and war be sustained in the face of possible global annihilation? Glimmer of a New Leviathan is the engrossing story of how the three chief architects of an influential ideology struggled with the implications of their own creation. It offers crucial historical context for contemporary debates about weapons of mass destruction and the post-Cold War international order.

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Filmmakers have long been drawn to the Gothic with its eerie settings and promise of horror lurking beneath the surface. Moreover, the Gothic allows filmmakers to hold a mirror up to their own age and reveal society's deepest fears. Franco Zeffirelli's Jane Eyre, Francis Ford Coppola's Bram Stoker's Dracula, and Kenneth Branagh's Hamlet are just a few examples of film adaptations of literary Gothic texts. In this ground-breaking study, Lisa Hopkins explores how the Gothic has been deployed in these and other contemporary films and comes to some surprising conclusions. For instance, in a brilliant chapter on films geared to children, Hopkins finds that horror resides not in the trolls, wizards, and goblins that abound in Harry Potter, but in the heart of the family. Screening the Gothic offers a radical new way of understanding the relationship between film and the Gothic as it surveys a wide range of films, many of which have received scant critical attention. Its central claim is that, paradoxically, those texts whose affiliations with the Gothic were the clearest became the least Gothic when filmed. Thus, Hopkins surprises readers by revealing Gothic elements in films such as Sense and Sensibility and Mansfield Park, as well as exploring more obviously Gothic films like The Mummy and The Fellowship of the Ring. Written in an accessible and engaging manner, Screening the Gothic will be of interest to film lovers as well as students and scholars.

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The Second World War put an end to America's historical isolation from international power politics, and so also to the long-standing American defiance of the Realist ideology that shaped Old World affairs. The advent of transoceanic military technologies, now wielded by menacing states such as Nazi Germany and the Soviet Union, made Americans more receptive to the Realist idea that international relations is about fear and survival. The American Realists Reinhold Niebuhr, Hans Morgenthau, and Kenneth Waltz developed a modern strategic framework that sought to introduce American leaders and the educated public to these harsher realities of international politics. They emphasized a clear-eyed, cold approach to the play of interests, egotism, and the drive for power in world affairs-a struggle in which the threat of major war remained, in the end, the only legitimate currency. Yet even as Americans began to accept this new Realism, thermonuclear weaponry threatened to make it absurd. A major war to defend the nation might result in its total destruction; a thermonuclear war leading to the death of hundreds of millions of citizens seemed an unusual way to preserve American survival. This dilemma became central to the Realist understanding of Niebuhr, Morgenthau, and Waltz. How could a Realist approach to international politics and war be sustained in the face of possible global annihilation? Glimmer of a New Leviathan is the engrossing story of how the three chief architects of an influential ideology struggled with the implications of their own creation. It offers crucial historical context for contemporary debates about weapons of mass destruction and the post-Cold War international order.

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Of the 121,000 people on donor lists in the U.S., over 100,000 need kidney transplants and thousands die each year while waiting. Bioprinting aspires to build healthy kidney tissue from a patient's own cells and transplant this to boost failing kidneys without fear of rejection... As the 21st century dawned, a handful of inspired scientists tried to use 3D printing to create living human tissue. Their vision was to restore the health of people with intractable injuries, such as worn out cartilage, severed nerves, ailing kidneys, failing hearts—the gamut of human frailties. Their modest success energized others to join the quest. Now, after two decades of ingenious effort and hard work, they have carved out a vibrant new discipline: bioprinting. In Bioprinting: To Make Ourselves Anew, physicist Kenneth Douglas casts an eye over the achievements and future of bioprinting. He explains the science with rigor but with a minimum of technical baggage. This is the first book on the subject written expressly for the lay audience: accessible and even entertaining. Douglas interviewed two dozen bioprinting researchers from around the world, and he enriches the narrative by sharing stories from the scientists behind the science. These contemporary vignettes are complemented by historical accounts of the women and men whose prescient contributions were foundational to the development of bioprinting. The book describes the challenges and accomplishments in the bioprinting of blood vessels, cartilage, skin, bone, skeletal muscle, neuromuscular junctions, liver, heart, lung, kidney, and so-called organs-on-a-chip, as well as the challenges of providing a blood supply and nerves to bioprinted tissues. This is a compelling tale of a work in progress: to imitate nature and help heal people with debilitating afflictions.

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'Believe me, my young friend, there is nothing - absolutely nothing - half so much worth doing as simply messing about in boats.' So says Rat to Mole, as he introduces him to the delights of the river and his friends Toad, the spirit of rebellion, and Badger, the spirit of England. But it is a world where the motor-car is about to wreck the gipsy caravan, the revolutionaries in the Wild Wood are threatening the social fabric, the god Pan is abroad, and the warm seductive whispers of the south are drifting into the English lanes. An international children's classic, The Wind in the Willows grew from the author's letters to his young son, yet it is concerned almost exclusively with adult themes: fear of radical changes in political, social, and economic power. Mole's acceptance into the conservative world of the River Bank, and Toad's wild attempts to escape from it, are narrated in virtuoso language ranging from lively parody to elaborate fin-de-siècle mysticism. A profoundly English fiction with a world following, it is a book for adults adopted by children, a timeless masterpiece, and a vital portrait of an age. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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These primary sources open a window onto the ways that women and men in Renaissance Italy sought to communicate their beliefs, desires, fears, and hopes, both about their own lives and about the dynamic culture they helped to shape. An ideal complement to Paula Findlen’s ‘The Italian Renaissance: Essential Readings’ (Blackwell Publishing, 2002). Includes canonical texts alongside newly available ones that give fresh perspectives. Selections address topical issues, such as the family strategies of women, attitudes towards non-Italians, and women as patrons of art. Genres represented include correspondence, poetry, the story, dialogue, oratory, and autobiography. Brings the teaching of the Italian Renaissance to life, showing how citizens communicated about their beliefs, desires, fears, and hopes.

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Titus Lucretius Carus was probably born in the early first century B.C., and died in the year 55. Little is known of his life, although two tantalizing bits of gossip were passed on by St. Jerome: that he was poisoned by a madness-inducing aphrodisiac given him by his wife, and that his great poem On the Nature of Things was posthumously edited by Cicero. For the latter assertion, writes Anthony Esolen in his introduction to the present volume, there is little evidence, and none whatsoever for the former. What does survive is a masterful poetic work that stands as the greatest exposition of Epicurean philosophy. Writing in the waning days of the Roman Republic-as Rome's politics grew individualistic and treacherous, its high-life wanton, its piety introspective and morbid-Lucretius sets forth a rational and materialistic view of the world which offers a retreat into a quiet community of wisdom and friendship. Even to modern readers, the sweep of Lucretius's observations is remarkable. A careful observer of nature, he writes with an innocent curiosity into how things are put together-from the oceans, lands, and stars to a mound of poppy seeds, from the "applause" of a rooster's wings to the human mind and soul. Yet Lucretius is no romantic. Nature is what it is-fascinating,purposeless, beautiful, deadly. Once we understand this, we free ourselves of superstitious fears, becoming as human and as godlike as we can be. The poem, then, is about the universe and how human beings ought to live in it. Epicurean physics and morality converge. Until now, there has been no adequate English verse translation of Lucretius's work. Anthony Esolen fills that gap with a version that reproduces-with remarkable faithfulness-the meaning, pace, and tone of the original Latin. Here is a book that will introduce a new generation of readers to a thinker whose powers of observation and depth of insight remain fresh to the present day. "Esolen has the rare gift of being both a fine poet and a lover of languages. His diction is poetic and natural; he has a fine ear for sound, and the translation benefits greatly from being read aloud-as Latin poetry was meant to be. This translation is clear and forceful. It can, and will, be read."-Kenneth J. Reckford, University of North Carolina, Chapel Hill

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In the Godfather Garden is the true story of the life of Richie “the Boot” Boiardo, one of the most powerful and feared men in the New Jersey underworld. The Boot cut his teeth battling the Jewish gang lord Abner Longy Zwillman on the streets of Newark during Prohibition and endured to become one of the East Coast’s top mobsters, his reign lasting six decades. To the press and the police, this secretive Don insisted he was nothing more than a simple man who enjoyed puttering about in his beloved vegetable garden on his Livingston, New Jersey, estate. In reality, the Boot was a confidante and kingmaker of politicians, a friend of such celebrities as Joe DiMaggio and George Raft, an acquaintance of Joseph Valachi—who informed on the Boot in 1963—and a sworn enemy of J. Edgar Hoover. The Boot prospered for more than half a century, remaining an active boss until the day he died at the age of ninety-three. Although he operated in the shadow of bigger Mafia names across the Hudson River (think Charles "Lucky" Luciano and Louis “Lepke” Buchalter, a cofounder of the Mafia killer squad Murder Inc. with Jacob “Gurrah” Shapiro), the Boot was equally as brutal and efficient. In fact, there was a mysterious place in the gloomy woods behind his lovely garden—a furnace where many thought the Boot took certain people who were never seen again.Richard Linnett provides an intimate look inside the Boot’s once-powerful Mafia crew, based on the recollections of a grandson of the Boot himself and complemented by never-before-published family photos. Chronicled here are the Prohibition gang wars in New Jersey as well as the murder of Dutch Schultz, a Mafia conspiracy to assassinate Newark mayor Kenneth Gibson, and the mob connections to several prominent state politicians. Although the Boot never saw the 1972 release of The Godfather, he appreciated the similarities between the character of Vito Corleone and himself, so much so that he hung a sign in his beloved vegetable garden that read “The Godfather Garden.” There’s no doubt he would have relished David Chase’s admission that his muse in creating the HBO series The Sopranos was none other than “Newark’s erstwhile Boiardo crew.”

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During the final days of World War II, German SS officers crammed trains, cars, and trucks full of gold, currency, and jewels, and headed for the mountains of Austria. Fearful of arrest and determined to keep the stolen loot out of Allied hands, they concealed their treasures and fled. Most of these men were eventually apprehended, but many managed to evade capture. The intensive postwar Allied investigation that followed recovered only a sliver of this mountain of gold. What happened to the rest of it, and what fate befell these men?Authors Alford and Savas answer these questions and many more in this fast-paced and well-written new book. Their groundbreaking study is based upon thousands of pages of previously unpublished and recently declassified documents. The result is a fresh and absolutely original reading experience that offers insights into the minds and methods of these SS thieves, the Reich Security Main Office (RSHA) within which they labored, how they achieved their positions of near-absolute power, the complex Allied investigation into their activities, and what happened to the vast sums of wealth they looted from Europe's Jews.Nazi Millionaires deftly captures the high drama surrounding these men and women and the secrets they carried with them during the closing days of World War II--and in some cases, to the grave. It is a remarkable tale of greed, lust, fraud, deceit, treachery, and murder. And it is one you will long remember.

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The grace of God is often referred to as unmerited favor. In fact, the very meaning of grace is favor. In this extraordinary book written at a time when people need God's favor more than ever, Jerry Savelle shows how the favor of God is not only available to the believer, but also promised. Drawing from his own experience and his deep knowledge of the Scriptures, Dr. Savelle explains how to actively walk and grow in divine favor, and by doing so enjoy the practical as well as the supernatural benefits for such a time as this, when many are living in fear and uncertainty. The Favor of God will not just inspire readers. By God's grace and favor, it will empower them.

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Needs of the Heart traces five centuries of conflict and change in the life of the clergy in Brazil, home to the world's largest and arguably the most dynamic branch of the Roman Catholic Church. Serbin examines how priests participated in the colonization of Brazil, educated the elite and poor in the faith, propped up the socioeconomic status quo, and reinforced the institution of slavery, all the while living in relative freedom from church authority. Earthy men, many flouted the rule of celibacy and became embroiled in politics. Serbin also describes the conservative modernization of the clergy, effected through seminary education, in the late nineteenth and early twentieth centuries. Emphasizing discipline, the seminaries aimed to mold a new kind of priest—moral, isolated from politics and social entanglements, and, above all, obedient and celibate. However, the social, cultural, and religious upheavals of the 1960s and 1970s led students to reject the seminary. Seminarians worked to form a national union, and many left seminaries to establish greater contact with the people. The seminarians' movement sparked the practice of liberation theology; it also reflected the quest for professional and individual development, including optional celibacy. The Church responded to its seminarians' demands for personalized education by attempting to build an ambitious program in liberation psychology, a phenomenon as important as liberation theology. Seminaries necessarily dealt in the psychology of sexuality, friendship, and other basic human tendencies—what historian Marc Bloch has called the "secret needs of the heart." Serbin argues that the "needs of the heart" were a cause of the political transformation of the Brazilian Church, a transformation catalyzed by the profound identity crisis experienced by clergymen and seminarians in the 1960s and 1970s. The story of this generation of seminarians and priests is intermingled with the challenges and fears present during the repressive military dictatorship (1964 to 1985) and its aftermath. Serbin's definitive history of the Brazilian clergy combines social science research, including over one hundred interviews, with cultural and social theory and a sweeping historical perspective. Through his history of the clergy and seminaries, he provides a history of modern Brazil itself.

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A diagnosis of breast cancer can be overwhelming. The disease is frightening and the medical landscape confusing. In the wake of fear and confusion comes the need to make decisions about treatment. This book provides women with medically reliable and up-to-date information to help them with these decisions. Within these pages is a team of private consultants-including surgeons, medical oncologists, radiologists, plastic surgeons, and women who have faced breast cancer-each of whom offers sound advice and valuable insight. In addition to describing surgery, radiation, chemotherapy, hormone therapy, and breast reconstruction, the medical experts clarify choices and offer support, while breast cancer survivors tell their own stories of pain, perseverance, and triumph. Choices in Breast Cancer Treatment is a rare blend of medical expertise and compelling personal accounts that empowers those with breast cancer to meet the disease with confidence, knowledge, and hope.

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A diagnosis of breast cancer can be overwhelming. The disease is frightening and the medical landscape confusing. In the wake of fear and confusion comes the need to make decisions about treatment. This book provides women with medically reliable and up-to-date information to help them with these decisions. Within these pages is a team of private consultants-including surgeons, medical oncologists, radiologists, plastic surgeons, and women who have faced breast cancer-each of whom offers sound advice and valuable insight. In addition to describing surgery, radiation, chemotherapy, hormone therapy, and breast reconstruction, the medical experts clarify choices and offer support, while breast cancer survivors tell their own stories of pain, perseverance, and triumph. Choices in Breast Cancer Treatment is a rare blend of medical expertise and compelling personal accounts that empowers those with breast cancer to meet the disease with confidence, knowledge, and hope.

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John Hollander, poet and scholar, was a master whose work joined luminous learning and imaginative risk. This book, based on the unpublished Clark Lectures Hollander delivered in 1999 at Cambridge University, witnesses his power to shift the horizons of our thinking, as he traces the history of shadow in British and American poetry from the Renaissance to the end of the twentieth century. Shadow shows itself here in myriad literary identities, revealing its force as a way of seeing and a form of knowing, as material for fable and parable. Taking up a vast range of texts—from the Bible, Dante, Shakespeare, and Milton to Poe, Dickinson, Eliot, and Stevens—Hollander describes how metaphors of shadow influence our ideas of dreaming, desire, doubt, and death. These shadows of poetry and prose fiction point to unknown, often fearful domains of human experience, showing us concealed shapes of truth and possibility. Crucially, Hollander explores how shadows in poetic history become things with a strange substance and life of their own: they acquire the power to console, haunt, stalk, wander, threaten, command, and destroy. Shadow speaks, even sings, revealing to us the lost as much as the hidden self. An extraordinary blend of literary analysis and speculative thought, Hollander’s account of the substance of shadow lays bare the substance of poetry itself.

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Successful ownership transition requires effective decision making at the top Engaged Ownership is the definitive owner's guide to the family enterprise. Whether you're taking over a family business, family office, or trust, this book shows you how to work effectively with the management and board to keep the enterprise moving in the right direction. The first guide of its kind written from the owner's perspective, this book is designed to help owners who are truly committed to growing all forms of capital be successful in their role. You'll learn the time-tested process that helps you 'unstick' decision-making, become engaged and effective, and manage the transfer from owner control to shared ownership while minimizing risk. Improve communication and relationships with the board, and ensure that every stakeholder understands your strategies and vision for the future. You'll allay the fears that frequently accompany ownership transfers, and inspire a sense of teamwork that leads to sustainable success generation after generation. As the Baby Boomers retire, business founders and entrepreneurs worldwide are transferring ownership of privately held enterprises to their children in record numbers. It can be a complex and difficult-to-navigate time for everyone involved. This book helps you smooth the way to a successful transition, and transcend the owner's traditionally passive role. Learn to work effectively with management and the board Get everyone on the same page in terms of vision and direction Build relationships that lead to forward-thinking decision making Succeed in the ownership role by bringing your expertise to the fore Ownership transfer often triggers a radical change in family enterprise, and if poorly managed, can turn a business in the wrong direction. Engaged Ownership shows you how to build a dynamic and effective partnership with trustees, board, and management, and become a successful steward of the family's financial, human, social, and operational capital.

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How does a man escape from himself...? A classic masterpiece of American noir fiction.George Stroud is a hard-drinking, tough-talking, unscrupulous journalist working for tyrannical Earl Janoth's media empire. And he's involved with the wrong woman - his boss's mistress, Pauline Delos. One day, as Stroud escorts Pauline home, he spies his boss returning from a trip. The next day, Pauline is found dead in her apartment.Janoth knows someone saw him enter Pauline's apartment on the night of the murder; he knows it must have been the man Pauline was seeing on the side; but he doesn't know his identity. To get his hands on the man and pin the crime on him, Janoth assigns his best investigative reporter and most trusted employee to track him down: George Stroud...

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