Search results for ""Author Kelly Taxter""

You Should’ve Heard Just What I Seen explores how music shapes the experience of making and looking at art, with original contributions from over 50 leading contemporary artists, curators and gallerists. Invited to submit pieces that touch on the way music factors into both their lives and practice, the conversations, poems, essays, lists, show flyers, t-shirts, paintings and photographs they provided are collected in this supreme reader on contemporary art and sound. Featuring works and texts from an international group of artists, the publication is both a lively reader and a visually compelling document of the art of today. The contributors are Kelly Taxter, Maureen Brenner, Elizabeth Peyton, Charlemagne Palestine, Jay Sanders (Whitney Museum of American Art), Chris Ofili, Jeremy Deller, Steven Baker, Dave Muller, Jeff Poe (Blum & Poe), Anne Collier, Lesley Vance, Margaret Lee (47 Canal), Tyson Reeder, Alex Olson, Kelley Walker, Rashid Johnson, Martin Creed, Andrew Kuo, Macrae Semans, Jim Drain, Charles Long, Sarah Thompson, David Kordanksy / Stuart Krimko (David Kordansky Gallery), Roe Ethridge, Matt Anderson (DJ Matt), Spencer Sweeney, Yoshitomo Nara, Christoph Gerozissis (Anton Kern Gallery), Scott Reeder, Kai Althoff, Dan Aran / Uri Aran, Thomas Lax (Studio Museum of Harlem), Laura Owens, Amy Granat, Peter Doig, Trisha Donnelly, Edgar Arceneaux, Brian Degraw, James Fuentes (James Fuentes), Barry Johnston, Naima J. Keith (The Studio Museum in Harlem), Nicholas Party, Berry Van Boekel, Adam Putnam, Brendan Fowler, Mike Watt and Matthew Higgs (White Columns).

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A landmark survey of the work of Isaac Mizrahi, a trailblazing and influential American fashion designer, artist, and entrepreneur Beginning with Isaac Mizrahi’s first fashion collection, which debuted to critical acclaim in 1986, and running though the present day, this stylish, lavishly illustrated book presents his signature couture collections. Mizrahi’s exuberant couture style is classic American, inventively reimagined. He pioneered the concept of “high/low” in fashion, and was the first high-end fashion designer to create an accessibly priced mass-market line. Mizrahi approached other complex issues through his designs, as well—mixing questions of beauty and taste with those of race, religion, class, and politics. Although Mizrahi (b. 1961) is best known for his clothing, his work in theater, film, and television is also explored. The result is a spirited discourse on high versus low, modern glamour, and contemporary culture. Three essayists discuss Mizrahi’s place in fashion history, his close connection to contemporary art, and the performative nature of his designs. New photography brings Mizrahi’s fashions to life, and an interview with the artist offers an intimate perspective on his kaleidoscopic work in diverse media.Published in association with the Jewish Museum, New YorkExhibition Schedule:Jewish Museum, New York (03/18/16–08/07/16)

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Exploring the life and work of avant-garde film’s most influential and intriguing figure Between 1950 and his death, the artist and impresario Jonas Mekas (1922–2019) made more than one hundred radically innovative, often diaristic films and video works. He also founded film festivals, cooperatives, archives, and magazines and wrote film criticism and poetry. Jonas Mekas: The Camera Was Always Running is the first major publication in English on this pivotal member of the New York avant-garde scene, presenting an extensively illustrated, in-depth exploration of his radical art and restless life. Born in rural Lithuania, Mekas made his way to New York, where he became a central figure in the overlapping realms of experimental theater, music, poetry, performance, and film. This book brings his work alive on the page with sequences of stills from film and video, photographic series and installations, and archival documents. Leading scholars examine his work and influence, and a timeline expands our understanding of his life.Published in association with the Jewish Museum, New York, and the Lithuanian National Museum of Art, VilniusPublished in association with the Jewish Museum, New York, and the Lithuanian National Museum of Art, VilniusExhibition Schedule:Lithuanian National Museum of Art, Vilnius (November 19, 2021–February 27, 2022) Jewish Museum, New York (February 18–June 5, 2022)

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The first monograph on a beloved American ceramicist who has been making joyful and original work for nearly 80 years Born in 1931, and living in New York, Alice Mackler today is still pushing forward not only her own art but also the boundaries of contemporary art across sculpture, painting, drawing and collage. While long beloved and admired by artists, Mackler over the last few years has finally found the wide and enthusiastic audience she deserves. With a focus on the female figure, Mackler’s work is, as Matthew Higgs writes in this book, “a visceral accumulation of her experiences translated into a material form.” Mackler’s vibrant, voluptuous ceramic sculptures evoke the Venus of Willendorf as well as versions of the female form by Willem de Kooning, Gaston Lachaise and Niki de Saint Phalle. At the same time, her work is in dialogue with contemporary ceramicists such as Ruby Neri, Magdalena Suarez Frimkess and Betty Woodman. The artist cites Paul Klee as an influence on her paintings, which feel rooted in modernism; her drawings call to mind Alexander Calder, Jean Dubuffet and Saul Steinberg. While these influences and references are telling, this comprehensive overview makes clear that her vision is genuinely her own. As Kelly Taxter writes in the book’s central essay, “Mackler’s visibility resists the seemingly inevitable invisibility that befalls ageing women.” Now approaching the beginning of her ninth decade, Alice Mackler and her art continue to be as vital, urgent and current as ever.

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