Search results for ""Author Keith Jones""

Lyrically inventive, ekphrastic poems that interrogate art, race, and humanity’s dark history.These poems stress the weight of what it means to speak from and in an already “known” world. In this debut collection from Keith Jones, the opening poems tarry with and think alongside the paintings of Cy Twombly. If Twombly is a painter of the Middle Sea, this song series conjures the longue durée of the Middle Passage. The poems then turn to resituate a “you” and “I” in a world, our world, disfigured by false and deathly approximations of the “human.” Perched on the jagged-edge of how many known and unknown catastrophes, how do we remake, rethink, reimagine, repair in language and act our relations to one another and to the earth? In the thinking and feeling of these poems, the great recursive swirling arcs of Twombly’s painterly line recur and intersect.Beyond the materiality of Twombly’s paint, beyond the materiality of the poem, we arrive at a profound place of thought, a kind of state, perhaps a republic of many worlds, alive to all our relations and how much they matter.

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Philip K. Dick comes to Saturday Morning TVCatland Empire by Keith Jones is a graphic novel that is a melding of a Philip K. Dick novel and a Saturday morning cartoon. There will exist a future world where human beings have become empty husks stripped of all memory when it comes to things like how to have fun and play games, or so says Mr. Space to his associate Mr. Time. The solution? Get the cats to teach humans how to have fun again. This is all the Cat People do with their lives. They are the fun and game masters.What follows is a tangled web of psychedelic science fiction blending anti-consumerist politics and intergalactic liaisons between cats and dogsbitter enemies kept secret from each other to avoid a planetary race war. Victor Burg is plotting to wipe out all of mankind by having his brain-chipimplanted drones commit genocide.

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When two simple hobos-a pigeon and his elephant buddy-are wrongfully accused of murdering Mr. Mouse Mouser, the consequences are dire. Secretimes delineates an alternate universe-a world that fa- vors the rich and grinds the poor and unfortunate into paste. Each page is a brightly colored nightmare populated with vapid celebrities and lazily scheming businessmen. Keith Jones creates a pop parable that is stunning and alluring to look at and hellish to live in. Graffiti- covered walls, melting neon figures, idiosyncratic sound effects, and anthropomorphized bros meld together in this satire of modern life and mod- ern values. His sense of humor is manic, snick- ering, and surreal, each line imbued with a rich sense of irony. Jones's pacing gives each page a frenzied paranoia that belies his charcters' fantasies of utter control. Secretimes is darkly funy in Jones's irresistibly offkilter signature style.

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Big ideas in the mathematics curriculum for older school students, especially those that are hard to learn and hard to teach, are covered in this book. It will be a first port of call for research about teaching big ideas for students from 9-19 and also has implications for a wider range of students. These are the ideas that really matter, that students get stuck on, and that can be obstacles to future learning. It shows how students learn, why they sometimes get things wrong, and the strengths and pitfalls of various teaching approaches. Contemporary high-profile topics like modelling are included. The authors are experienced teachers, researchers and mathematics educators, and many teachers and researchers have been involved in the thinking behind this book, funded by the Nuffield Foundation. An associated website, hosted by the Nuffield Foundation, summarises the key messages in the book and connects them to examples of classroom tasks that address important learning issues about particular mathematical ideas.

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From his panoramic views of Prague to his enigmatic still lifes, photographer Josef Sudek (1896–1976) captured the unique spirit of the Czech capital during a wide swath of the twentieth century. Sudek enjoyed worldwide fame during his lifetime, yet a substantial part of his practice--photographing works of art--has remained largely unexplored. This book shines a light on Sudek's most beloved pictorial subject, sculpture, which acted as a bridge between his fine art photography and his commercial work. Sumptuous full-page reproductions of Sud'ks black-and-white photographs illustrate a series of thematic essays, focusing on the scope and legacy of his work, while cameos from the key people and institutions who supported his career reveal Sudek's rich connection to the artistic circles and movements of his day. Together, they uncover the shifting tension between the ability of photographs to bring art closer to the people and their potential as works of art in their own right.

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