Search results for ""Author Keith Busby""
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Boydell & Brewer Ltd Arthurian Literature XVII: Originality and Tradition in the Middle Dutch Roman van Walewein
New editor, new directions: the series broadens its scope to encompass European literatures other than French and English; still, however, "an indispensable component of any historical or Arthurian library". NOTES AND QUERIES This new volume of Arthurian Literature, the first under its new editor Keith Busby, is devoted to the Roman van Walewein(The Romance of Walewein [Gawain]) by Penninc and Pieter Vostaert, an undisputed gem of Middle Dutch literature which has recently become accessible to an English-speaking audience through translation. Essentially a fairy-tale written into Arthurian romance, it presents a Gawain quite different to the man found in the English Sir Gawain and the Green Knightor the French Gauvain. Expert readings of the Walewein, especially commissioned and collected by BART BESAMUSCA and ERIK KOOPERof the University of Utrecht are provided by a group of renowned scholars, contributing to the on-going critical appraisal of the Walewein. KEITH BUSBY is George Lynn Cross Research Professor at the Center for Medieval and Renaissane Studies, University of Oklahoma. Contributors: BART BESAMUSCA, ERIK KOOPER, WALTER HAUG, DOUGLAS KELLY, NORRIS J. LACY, MATHIAS MEYER, AD PUTTER, FELICITY RIDDY, THEA SUMMERFIELD, JANE H.M. TAYLOR, BART VELDHOEN, NORBERT VOORWINDEN, LORI WALTERS
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Boydell & Brewer Ltd Arthurian Literature XXII
Selection of the latest research in Arthurian studies. The essays in this volume present the most recent fruits of Arthurian scholarship, on texts from Perlesvaus to Albrecht's Jüngerer Titurel and the Prose BrutChronicle, together with a detailed examination of the role of Micheau Gonnot's Arthuriad in the evolution of Arthurian romance. The volume also includes an investigation of Arthurian prophecy and the deposition of Richard II. It is completed with an encyclopaedic treatment of Arthurian literature, art and film produced between 1999 and 2004, acting as a continuing update to The New Arthurian Encyclopedia. Contributors: BEN RAMM, FANNI BOGDANOW, ANNETTE VOLFING, HELEN FULTON, JULIA MARVIN, RAYMOND H. THOMPSON, NORRIS J. LACY
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Boydell & Brewer Ltd Arthurian Literature XX
Studies of major Arthurian works and authors in Old French, Middle High German, Middle English, and of one important novel by C. S. Lewis. Arthurian Literature continues the policy of alternating themed issues and miscellanies. This varied collection includes studies of major Arthurian works and authors in Old French, Middle High German, Middle English, and ofone important novel by C.S. Lewis. A controversial textual crux in Chrétien's Yvain, debated vigorously by scholars in the late 1980s, is revisited, while the narrative function of clothing in Chrétien's romances comes under review. An enigmatic and linguistically difficult passage from Der jüngere Titurel is translated and discussed, and an article on Der arme Heinrich studies this pious tale in the context of its generic affiliations: while not strictly speaking an Arthurian romance, it deserves consideration here as a work of one of medieval Germany's most significant writers of Arthurian romance. There is discussion of Thomas Chestre's adoption of the lai as a vehicle for social criticism in his Middle English adaptation of Marie de France's Lanval; the evolution of Arthurian romance in medieval England is also the primary concern in a study of The Awntyrs off Arthure. The figure of Arthur himself is central to an examination of the Middle English Prose Brut, and the delicate political implications of Malory's Morte Darthur are explored. Finally, C.S. Lewis's transformation and use ofthe figures of Uther Pendragon and Merlin in That Hideous Strength is explored. Contributors: RICHARD BARBER, JANE DEWHURST, TAMAR DRUKKER, CYRIL EDWARDS, DINA HAZELL, DONALD KENNEDY, GERALD SEAMAN, KRISTA SUE-LO-TWU, JANINA P. TRAXLER, MONICA L. WRIGHT.
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Penguin Books Ltd The Lais of Marie De France: With Two Further Lais in the Original Old French
Marie de France (fl. late twelfth century) is the earliest known French woman poet and her lais - stories in verse based on Breton tales of chivalry and romance - are among the finest of the genre. Recounting the trials and tribulations of lovers, the lais inhabit a powerfully realized world where very real human protagonists act out their lives against fairy-tale elements of magical beings, potions and beasts. De France takes a subtle and complex view of courtly love, whether telling the story of the knight who betrays his fairy mistress or describing the noblewoman who embroiders her sad tale on the shroud for a nightingale killed by a jealous and suspicious husband.
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Boydell & Brewer Ltd Arthurian Literature XIX: Comedy in Arthurian Literature
Articles on comedy in Arthurian romance - French, Dutch, Italian, Scottish and English. The texts analyzed underline the wide dissemination of the Arthurian story in medieval and post-medieval Europe, from Scotland to Italy, while the various analyses of the manifestations of comedy refute the notion of romance as ahumourless genre. Indeed, the comic treatment of conventional themes and motifs appears to be not only characteristic of later romance but an essential element of the genre from its beginnings and from its earliest development. Authors of Arthurian romance, from Chrétien de Troyes to Malory, writing in French, Italian, Middle Dutch, and Middle English, and the creators of an Irish prose-tale, all question the fundamental assumptions of romance and romancevalues through the medium of comedy. The theme of comedy in Arthurian romance has been developed from the orignal session at the Arthurian Congress in Toulouse. Contributors: ELIZABETH ARCHIBALD, FRANK BRANDSMA, CHRISTINE FERLAMPIN-ACHER, LINDA GOWANS, DONALD L. HOFFMAN, MARGOLEIN HOGENBIRK, NORRIS J. LACY, MARILYN LAWRENCE, BENEDICTE MILLAND-BOVE, PETER S. NOBLE, KAREN PRATT, ANGELICA RIEGER, ELIZABETH S. SKLAR, FRANCESCO ZAMBON.
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Boydell & Brewer Ltd Arthurian Literature XVIII
Epitomises what is best in Arthurian scholarship today. ZEITSCHRIFT FÜR ROMANISCHE PHILOLOGIE This latest issue of Arthurian Literaturecontinues the tradition of the journal, combining critical studies with editions of primary Arthurian texts. Varied in their linguistic and chronological coverage, the articles dealwith major areas of Arthurian studies, from early French romance through late medieval English chronicle to contemporary fiction. Topics include Béroul's Tristan, Tristan de Nanteuil, the Anglo-Norman Brut, and the Morte, while an edition of the text of an extrait of Chrétien's Erec et Enide prepared by the eighteenth-century scholar La Curne de Sainte-Palaye offers important insights into both scholarship on Chretien, and our understanding of the Enlightenment. The volume is completed with an encyclopaedic treatment of Arthurian literature, art and film produced between 1995 and 1995, acting as an update to The New Arthurian Encyclopedia.Contributors: RICHARD ILLINGWORTH, JANE TAYLOR, CARLETON CARROLL, MARIA COLOMBO TIMELLI, RALUCA RADULESCU, JULIA MARVIN, NORRIS LACY, RAYMOND THOMPSON.
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Boydell & Brewer Ltd Courtly Arts and the Art of Courtliness: Selected Papers from the Eleventh Triennial Congress of the International Courtly Literature Society, University of Wisconsin-Madison, 29 July-4 August 2004
A wide overview of court culture in the middle ages. The court exercised an enormous amount of influence on the culture of the middle ages, as the essays collected here demonstrate. They examine a wide variety of different areas of medieval courtly culture, from the history of the book through courtly music to the theory of courtesy and courtly love. While some authors deal with the central texts of courtly literature, such as Castiglione's Book of the Courtier, Marie de France's Lais, the romances of Chrétien de Troyes, Wolfram von Eschenbach, Gottfried von Strassburg, and the corpus of courtly lyric in various languages, others consider less-studied works like Galeran de Bretagne, or the French version of the Disciplina Clericalis. Several contributions take a comparative approach to courtly texts outside the Western tradition, while others point to the courtly nature of chronicle literature and to courtly influences on religious-didactic works. The volume as a whole thus presents an overview of medieval court culture. Contributors: GLORIA ALLAIRE, LAURA D. BAREFIELD, ANNE BERTHELOT, BERT BEYNEN, JEAN BLACKER, WALTER BLUE, MAUREEN BOULTON, FRANKBRANDSMA, EMMA CAYLEY, MARCO CEROCCHI, CHRISTOPHER R. CLASON, ALAIN CORBELLARI, IVY A. CORFIS, PAUL CREAMER, EVELYN DATTA, JUDITH M. DAVIS, FIDEL FAJARDO-ACOSTA, YASMINA FOEHR-JANSSENS, STACY L. HAHN, CAROL HARVEY, C. STEPHEN JAEGER, KATHY M. KRAUSE, JUNE HALL MCCASH, MATTHIAS MEYER, EDWARD J. MILOWICKI, JEANNE A. NIGHTINGALE, CHRISTOPHER PAGE, ANA PAIRET, WENDY PFEFFER, RUPERT T. PICKENS, MARIA PREDELLI, SILVIA RANAWAKE, PAUL ROCKWELL, SAMUEL, N. ROSENBERG, JUDITH RICE ROTHSCHILD, MARY ROUSE, RICHARD ROUSE, MARIANNE SANDELS, SUSAN STAKEL, ALEXANDRA STERLING-HELLENBRAND, JOSEPH M. SULLIVAN, YUKO TAGAYA, RICHARD TRACHSLER, ADRIAN TUDOR, MARION UHLIG, LORI J. WALTERS, LOGAN E. WHALEN, VALERIE M. WILHITE, MONICA L. WRIGHT.
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