Search results for ""Author Karen Wilkin""

This is the sixth volume in Lund Humphries’ series of monographs on British sculptor Anthony Caro and the first publication to focus on his use of stainless steel as a distinct body of work.Caro employed stainless steel extensively, from intimately scaled Table Sculptures to extremely large works, over many decades, and in his mature works, Caro's exploration and interrogation of this material became increasingly important. Karen Wilkin analyses Caro’s use of stainless steel in the context of the development of modernist constructed sculpture, pioneered in the UK by Caro and in the US by David Smith, a friend and admired predecessor, from whom Caro inherited most of the stainless steel he first employed, following Smith's untimely death in 1965. Karen Wilkin's text represents a much-needed overview of Caro's late career and a vital expansion of our understanding of 20th-century and early 21st-century modernist sculpture.

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Hans Hofmann (1880–1966) was an acclaimed Abstract Expressionist and one of the most influential art teachers of the 20th century. While his paintings have been the subject of many exhibitions and publications, his works on paper are comparatively little known, despite how central they were to his artistic practice and to the evolution of his style and technique. This is the first full-length book devoted to Hofmann’s works on paper, presenting a valuable new perspective from which to appreciate the achievements of this giant of postwar art. More than fifty examples from across his long career and from many genres—including self-portraits, figural studies, interiors, landscapes, and abstractions—are all attractively illustrated in color. In addition, works in different stages of finish, from rough sketches to polished pieces, offer an intimate glimpse into Hofmann’s methods and creative process. Distributed for MOCA JacksonvilleExhibition Schedule:Museum of Contemporary Art, Jacksonville, FL (01/28/17–05/14/17)Portland Museum of Art, Portland, ME (06/16/17–09/10/17)

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The first comprehensive survey of Cornelia Foss’s landscapes, still lifes, and portraits, an artist in the style and tradition of Fairfield Porter. The American artist Cornelia Foss is part of a loosely knit group of artists commonly described as “painterly realists,” many of whom are associated with Long Island’s scenic Hamptons region, including Eric Fischl and Fairfield Porter. This is the first such survey of this artist’s work to be published. Long considered a quintessential Long Island artist, Foss has painted Wainscott Pond for over half a century.Foss’s work mirrors her protected environment—pastel drawings of her own garden and nearby ponds; oil portraits of her granddaughters and pets; landscapes featuring beach scenes and still-life paintings showing flowers on a windowsill. Thus, the art conveys a nurturing perspective that also acknowledges the outside world. Beautifully designed, this volume provides deep insight into the breadth and range of the artist’s practice over the past fifty years.

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A figurative realist in the heyday of abstract expres- sionism, Fairfield Porter (1907-1975) painted himself, his family, and friends in New York City, in Southampton, Long Island, and on an island off the Maine coast, all depicting a relaxed and comfortable world that seemed to mirror his own affluent, well- connected existence. With virtually all of the artist's previous publications now out of print, this much- anticipated volume is an important addition to the literature on this great American master. Porter graduated from Harvard in 1928 and then studied at the Art Students League in New York with Thomas Hart Benton. Along with months in Maine, Porter lived in New York and from 1948 on, in Southampton where he purchased a large, late Federal-style house for his own expanding family. Porter painted several artist friends, including Elaine de Kooning, Larry Rivers, and Jane Freilicher. He was also close to the modern poets John Ashbery, Frank O'Hara, and James Schuyler. With a carefully curated selection of the artist's best works, John Wilmerding, a specialist in American art, gives full consideration to Porter's expressive compositions and a color palette influenced by his coastal surroundings. Karen Wilkin discusses Porter's influences and pictorial creativity. Distinguished poet J. D. McClatchy writes a reflection on one of Porter's paintings.

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