Search results for ""Author Julie Rose""

In a series of televised interviews broadcast in spring 2022, Bruno Latour explained, in clear and straightforward terms, how humans have changed the planet and why environmental disasters are an intrinsic part of modern life. We have now come to realize that all life depends on a thin skin of our planet that is only few kilometres thick – what scientists call the ‘critical zone’. Our capacity to continue to live on a planet we are transforming is now at risk and if we wish to survive as a species, we must put an end to the mechanisms of destruction, rethink our connection to living beings, and face head-on the confrontation between the extractivists who are exploiting the Earth’s resources and the ecologists. This poignant reflection on the greatest challenge of our time was also an opportunity for Latour to explain the underlying thread that guided his work throughout his career, from his pathbreaking research on the social construction of scientific knowledge to his last writings on the Anthropocene.

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The development of Rancière’s philosophical work, from his formative years through the political and methodological break with Louis Althusser and the lessons of May 68, is documented here, as are the confrontations with other thinkers, the controversies and occasional misunderstandings. So too are the unity of his work and the distinctive style of his thinking, despite the frequent disconnect between politics and aesthetics and the subterranean movement between categories and works. Lastly one sees his view of our age, and of our age’s many different and competing realities. What we gain in the end is a rich and multi-layered portrait of a life and a body of thought dedicated to the exercise of philosophy and to the emergence of possible new worlds.

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'You're 82 years old. You've shrunk six centimetres, you only weigh 45 kilos yet you're still beautiful, graceful and desirable' – so begins André Gorz's 'open love letter' to the woman he has lived with for 58 years and who lies dying next to him. As one of France's leading post-war philosophers, André Gorz wrote many influential books, but nothing he wrote will be read as widely or remembered as long as this simple, passionate, beautiful letter to his dying wife. In a bittersweet postscript a year after Letter to D was published, a note pinned to the door for the cleaning lady marked the final chapter in an extraordinary love story. André Gorz and his terminally ill wife, Dorine, were found lying peacefully side by side, having taken their lives together. They simply could not live without one another. An international bestseller, Letter to D is the ultimate love story – and all the more poignant because it's true.

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After the harrowing experience of the pandemic and lockdown, both states and individuals have been searching for ways to exit the crisis, many hoping to return as soon as possible to ‘the world as it was before the pandemic’. But there is another way to learn the lessons of this ordeal: as inhabitants of the earth, we may not be able to exit lockdown so easily after all, since the global health crisis is embedded in another larger and more serious crisis – that brought about by the New Climate Regime. Learning to live in lockdown might be an opportunity to be seized: a dress-rehearsal for the climate mutation, an opportunity to understand at last where we – inhabitants of the earth – live, what kind of place ‘earth’ is and how we will be able to orient ourselves and exist in this world in the years to come. We might finally be able to explore the land in which we live, together with all other living beings, begin to understand the true nature of the climate mutation we are living through and discover what kind of freedom is possible – a freedom differently situated and differently understood. In this sequel to his bestselling book Down to Earth, Bruno Latour provides a compass for this necessary re-orientation of our lives, outlining the metaphysics of confinement and deconfinement with which we will all be obliged to come to terms by the strange times in which we are living.

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In a series of televised interviews broadcast in spring 2022, Bruno Latour explained, in clear and straightforward terms, how humans have changed the planet and why environmental disasters are an intrinsic part of modern life. We have now come to realize that all life depends on a thin skin of our planet that is only few kilometres thick – what scientists call the ‘critical zone’. Our capacity to continue to live on a planet we are transforming is now at risk and if we wish to survive as a species, we must put an end to the mechanisms of destruction, rethink our connection to living beings, and face head-on the confrontation between the extractivists who are exploiting the Earth’s resources and the ecologists. This poignant reflection on the greatest challenge of our time was also an opportunity for Latour to explain the underlying thread that guided his work throughout his career, from his pathbreaking research on the social construction of scientific knowledge to his last writings on the Anthropocene.

Read more less

The development of Rancière’s philosophical work, from his formative years through the political and methodological break with Louis Althusser and the lessons of May 68, is documented here, as are the confrontations with other thinkers, the controversies and occasional misunderstandings. So too are the unity of his work and the distinctive style of his thinking, despite the frequent disconnect between politics and aesthetics and the subterranean movement between categories and works. Lastly one sees his view of our age, and of our age’s many different and competing realities. What we gain in the end is a rich and multi-layered portrait of a life and a body of thought dedicated to the exercise of philosophy and to the emergence of possible new worlds.

Read more less

In this important new book the leading philosopher Jacques Rancière continues his reflections on the representative power of works of art. How does art render events that have spanned an era? What roles does it assign to those who enacted them or those who were the victims of such events? Rancière considers these questions in relation to the works of Claude Lanzmann, Goya, Manet, Kandinsky and Barnett Newman, among others, and demonstrates that these issues are not only confined to the spectator but have greater ramifications for the history of art itself. For Rancière, every image, in what it shows and what it hides, says something about what it is permissible to show and what must be hidden in any given place and time. Indeed the image, in its act of showing and hiding, can reopen debates that the official historical record had supposedly determined once and for all. He argues that representing the past can imprison history, but it can also liberate its true meaning.

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Bruno Latour’s long term project is to compare the felicity and infelicity conditions of the different values dearest to the heart of those who have ‘never been modern’. According to him, this is the only way to develop an anthropology of the Moderns. After his work on science, on technology and, more recently, on law, this book explores the truth conditions of religious speech acts. Even though there is no question that religion is one of the values that has been intensely cherished in the course of history, it’s also clear that it has become immensely difficult to tune in to its highly specific mode of enunciation. Every effort to speak in the right key sounds awkward, reactionary, pious or simply empty. Hence the necessity of devising a way of writing that brings to the fore this elusive form of speech to render it audible again. In this highly original book, the author offers a completely different tack on the endless ‘science and religion’ conflict by protecting them both from the confusion with the notion of information. Like The Making of Law, this book is one more attempt at developing this ‘inquiry on modes of existence’ that provides an alternative definition of society.

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Bruno Latour’s long term project is to compare the felicity and infelicity conditions of the different values dearest to the heart of those who have ‘never been modern’. According to him, this is the only way to develop an anthropology of the Moderns. After his work on science, on technology and, more recently, on law, this book explores the truth conditions of religious speech acts. Even though there is no question that religion is one of the values that has been intensely cherished in the course of history, it’s also clear that it has become immensely difficult to tune in to its highly specific mode of enunciation. Every effort to speak in the right key sounds awkward, reactionary, pious or simply empty. Hence the necessity of devising a way of writing that brings to the fore this elusive form of speech to render it audible again. In this highly original book, the author offers a completely different tack on the endless ‘science and religion’ conflict by protecting them both from the confusion with the notion of information. Like The Making of Law, this book is one more attempt at developing this ‘inquiry on modes of existence’ that provides an alternative definition of society.

Read more less

In this important new book the leading philosopher Jacques Rancière continues his reflections on the representative power of works of art. How does art render events that have spanned an era? What roles does it assign to those who enacted them or those who were the victims of such events? Rancière considers these questions in relation to the works of Claude Lanzmann, Goya, Manet, Kandinsky and Barnett Newman, among others, and demonstrates that these issues are not only confined to the spectator but have greater ramifications for the history of art itself. For Rancière, every image, in what it shows and what it hides, says something about what it is permissible to show and what must be hidden in any given place and time. Indeed the image, in its act of showing and hiding, can reopen debates that the official historical record had supposedly determined once and for all. He argues that representing the past can imprison history, but it can also liberate its true meaning.

Read more less

After the harrowing experience of the pandemic and lockdown, both states and individuals have been searching for ways to exit the crisis, many hoping to return as soon as possible to ‘the world as it was before the pandemic’. But there is another way to learn the lessons of this ordeal: as inhabitants of the earth, we may not be able to exit lockdown so easily after all, since the global health crisis is embedded in another larger and more serious crisis – that brought about by the New Climate Regime. Learning to live in lockdown might be an opportunity to be seized: a dress-rehearsal for the climate mutation, an opportunity to understand at last where we – inhabitants of the earth – live, what kind of place ‘earth’ is and how we will be able to orient ourselves and exist in this world in the years to come. We might finally be able to explore the land in which we live, together with all other living beings, begin to understand the true nature of the climate mutation we are living through and discover what kind of freedom is possible – a freedom differently situated and differently understood. In this sequel to his bestselling book Down to Earth, Bruno Latour provides a compass for this necessary re-orientation of our lives, outlining the metaphysics of confinement and deconfinement with which we will all be obliged to come to terms by the strange times in which we are living.

Read more less

Heralded as the greatest living Arab poet, Syrian-born Adonis is also a staunch critic of violence and despotism in the Islamic world. In this book, he explores the nature of political power in Islam by focusing on the figure of the prophet Mohammed as both a political and a mythical leader. In conversation with Houria Abdelouahed, Adonis examines the Qur’anic intervention in establishing the prophet’s power, especially when the text is read based on faith and not reason. The authors discuss the historical developments before and after the prophet’s death, which established the power of the Caliph or the leader as absolute. The second part of the book examines the consequences of these developments in the Arab and Islamic world today, where this ‘tyrannical’ understanding of power continues to hold sway. The authors conclude with a call for secularism in the Arab world and a passionate plea for the separation of religion from the political, legal and social spheres.

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Under what conditions could ecology, instead of being one cluster of movements among others, organise politics around an agenda and a set of beliefs? Can ecology aspire to define the political horizon in the way that liberalism, socialism, conservatism and other political ideologies have done at various times and places? What can ecology learn from history about how new political movements emerge, and how they win the struggle for ideas long before they translate their ideas into parties and elections? In this short text, consisting of seventy-six talking points, Bruno Latour and Nikolaj Schultz argue that if the ecological movement is to gain ideological consistency and autonomy it must offer a political narrative that recognises, embraces and effectively represents its project in terms of social conflict. Political ecology must accept that it brings along division. It must provide a convincing cartography of the conflicts it generates and, based on this, it must try to define a common horizon of collective action. In order to represent and describe these conflicts, Latour and Schultz propose to reuse the old notions of ‘class’ and ‘class struggle’, albeit infused with a new meaning in line with the ecological concerns of our New Climate Regime. Advancing the idea of a new ecological class, assembled by its collective interests in fighting the logic of production and safeguarding our planet’s conditions of habitability, they ask: how can a proud and self-aware ecological class emerge and take effective action to shape our collective future?

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'There's something of everything there, the best and the worst, the vulgar and the sublime, flowers, muck, tears, laughter, the river of life itself' Pascal Rougon has served as a doctor in the rural French town of Plassans for thirty years. He lives a quiet life with his faithful servant Martine and young niece Clotilde. Pascal is a man of science, striving to find the ultimate cure for all diseases. This puts him at odds with his niece, who is horrified by his denial of religious faith. Clotilde also distrusts Pascal's lifelong ambition to create a family tree on scientific principles, based upon his theories of heredity. Tensions in the household are fuelled by Pascal's scheming mother, Félicité, as the final episode in the great Rougon-Macquart saga plays out. Dr Pascal is the passionate conclusion to Zola's twenty-novel sequence, and the most eloquent expression of the ideas on heredity and human progress that have underpinned it. Human relations are at its heart, as Pascal and Clotilde are bound ever closer by ties of family and love.

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Under what conditions could ecology, instead of being one cluster of movements among others, organise politics around an agenda and a set of beliefs? Can ecology aspire to define the political horizon in the way that liberalism, socialism, conservatism and other political ideologies have done at various times and places? What can ecology learn from history about how new political movements emerge, and how they win the struggle for ideas long before they translate their ideas into parties and elections? In this short text, consisting of seventy-six talking points, Bruno Latour and Nikolaj Schultz argue that if the ecological movement is to gain ideological consistency and autonomy it must offer a political narrative that recognises, embraces and effectively represents its project in terms of social conflict. Political ecology must accept that it brings along division. It must provide a convincing cartography of the conflicts it generates and, based on this, it must try to define a common horizon of collective action. In order to represent and describe these conflicts, Latour and Schultz propose to reuse the old notions of ‘class’ and ‘class struggle’, albeit infused with a new meaning in line with the ecological concerns of our New Climate Regime. Advancing the idea of a new ecological class, assembled by its collective interests in fighting the logic of production and safeguarding our planet’s conditions of habitability, they ask: how can a proud and self-aware ecological class emerge and take effective action to shape our collective future?

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Read the masterful story of romance and revolution behind the hit BBC TV series.Les Misérables is a novel peopled by colourful characters from the nineteenth-century Parisian underworld; the street children, the prostitutes and the criminals. In telling the story of escaped convict Jean Valjean, and his efforts to reform his ways and care for the little orphan girl he rescues from a life of cruelty, Victor Hugo drew attention to the plight of the poor and oppressed. Sensational, dramatic, packed with rich excitement and filled with the sweep and violence of human passions, Les Misérables is one of the greatest stories ever told.NOW A MAJOR BBC TV ADAPTATION STARRING DOMINIC WEST, OLIVIA COLEMAN AND DAVID OYELOWO'There are plenty of translations of this extensive, exuberant novel that cut out anything superfluous. But God is in the detail…This is the one to read’ Jeanette Winterson

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Heralded as the greatest living Arab poet, Syrian-born Adonis is also a staunch critic of violence and despotism in the Islamic world. In this book, he explores the nature of political power in Islam by focusing on the figure of the prophet Mohammed as both a political and a mythical leader. In conversation with Houria Abdelouahed, Adonis examines the Qur’anic intervention in establishing the prophet’s power, especially when the text is read based on faith and not reason. The authors discuss the historical developments before and after the prophet’s death, which established the power of the Caliph or the leader as absolute. The second part of the book examines the consequences of these developments in the Arab and Islamic world today, where this ‘tyrannical’ understanding of power continues to hold sway. The authors conclude with a call for secularism in the Arab world and a passionate plea for the separation of religion from the political, legal and social spheres.

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'Only the earth is immortal...the earth we love enough to commit murder for her.' Zola's novel of peasant life, the fifteenth in the Rougon-Macquart series, is generally regarded as one of his finest achievements, comparable to Germinal and L'Assommoir. Set in a village in the Beauce, in northern France, it depicts the harshness of the peasants' world and their visceral attachment to the land. Jean Macquart, a veteran of the battle of Solferino and now an itinerant farm labourer, is drawn into the affairs of the Fouan family when he starts courting young Françoise. He becomes involved in a bitter dispute over the property of Papa Fouan when the old man divides his land between his three children. Resentment turns to greed and violence in a Darwinian battle for supremacy. Zola's unflinching depiction of the savagery of peasant life shocked his readers, and led to attacks on Naturalism's literary agenda. This new translation captures the novel's blend of brutality and lyricism in its evocation of the inexorable cycle of the natural world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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