Search results for ""Author Julie Enckell Julliard""
Scheidegger und Spiess AG, Verlag Alain Huck: Les Salons Noirs
Alain Huck, born 1957, lives and works in francophone Switzerland. Following his degree in Fine Arts at the Ecole cantonale des beaux-arts Lausanne (ECAL) he became a founding member of the M/2 artists collective in Vevey in 1987, with whom he worked for four years. He has been working on his own since 1990, creating a body of polymorphous works in a variety of media: painting, photography, drawing, video, often using text as well. In 2006 Huck started to work on an extensive series of very large-scale charcoal drawings, titled Salons noirs. This corpus now comprises nearly 80 compositions, in which the artist has superimposed different images, combined and confused within a mobile, blurred vision that is occasionally reiterated. This new book for the first time presents the entire series, completed by a selection of other recent works by Alain Huck. Julie Enckell Julliard's essay examines the 'Salons noirs' and suggests ways of approaching them, and also refers to the various relations of Huck's work to that of other artists, such as Albrecht Durer, Arnold Bocklin, Robert Longo, or Gerhard Richter.
£27.00
Scheidegger und Spiess AG, Verlag Silvie Defraoui: Often, It Is a Painting on a Wall in a Building within a Landscape and so on
Swiss artist Silvie Defraoui, born in 1935, is a pioneer of video art and art education in Switzerland. Beginning in 1975, she worked in collaboration with her husband Chérif Defraoui (1932–1994). Together they developed the Archives du Futur, a reflection on images, their status, and potential for memory and the future. The two artists also founded the legendary Atelier Médias Mixtes at Geneva’s École supérieure des Beaux-Arts (now HEAD—Genève). Since 1995, Defraoui has pursued a practice using various forms of expression, including projection, installation, ceramics, and serigraphy. This book is part of the new On Words series that presents conversations with contemporary women artists. Through them, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Edited by Julie Enckell, Federica Martini, and Sarah Burkhalter and bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. Text in English and French.
£12.00
Scheidegger und Spiess AG, Verlag Isabelle Cornaro: Fascination and Disgust of Matter
Isabelle Cornaro, based in Paris and Geneva, holds degrees in art history and visual arts. She has a strong interest in experimental cinema and devotes herself to the narrative, symbolic, and economic origins of things. In her work she assumes an anthropologist-type manner to investigate people's seemingly fixated attachment to emotionally charged, even fetishised objects, creating large stage installations and short movies. This book is part of the new On Words series that presents conversations with contemporary women artists. Through them, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Edited by Julie Enckell, Federica Martini, and Sarah Burkhalter and bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. Text in English and French.
£12.00
Scheidegger und Spiess AG, Verlag Latifa Echakhch: A Finished, Resolved and Static Work Would Make No Sense to Me
Latifa Echakhch studied at the art academies of Grenoble, Paris-Cergy, and Lyon. Now based in Switzerland, Eckakhch is concerned with the concept of culture as well as personal and collective memory in between the poles of social and political debate. Her work often features installations that make use of a wide variety of materials, such as brick and raw earth, which she mixes with ink. This book is part of the new On Words series that presents conversations with contemporary women artists. Through them, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Edited by Julie Enckell, Federica Martini, and Sarah Burkhalter and bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. Text in English and French.
£12.00
