Search results for ""Author Judith Gura""

The five countries known collectively as Scandinavia were the source of some of the most important furniture designs of the twentieth century and the influential concept of “Scandinavian modern.” Today, a new generation of designers continues the tradition, creating pieces that are functional, comfortable, and appealing to look at. This book—the first American summary of modern design in Denmark, Finland, Iceland, Norway, and Sweden in more than two decades—updates the history of design in the Nordic nations and illustrates in full color more than five hundred of the best current furniture from over seventy producers. The Sourcebook also includes detailed product specifications and sources, biographies of important Nordic designers, and a helpful bibliography. It is an invaluable reference for everyone who loves modern furniture, and is an essential tool for interior designers, architects, collectors, and students with a special interest in Scandinavian design. CD-ROM included: easy-to-use screen resolution files of all the illustrations for use on Mac or PC.

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With the first decade of the twenty-first century behind us, it is time to reassess the concept of “modern,” a term that dates to the Middle Ages, when it signified current or recent events. Not until the eighteenth century did it become a stylistic term; more recently it has generally referred to the aesthetic that evolved from the Bauhaus and flourished in the mid-twentieth century. Though proclaiming freedom from the limitations of style, it became as formulaic as most of its predecessors, as Modern architecture and furnishings conformed to prescribed specifications: geometric forms, industrially fabricated, unadorned, and studiously ahistorical. Those guidelines are no longer relevant. As Midcentury Modernism has receded into history, Modernism has been redefined, reenergized, and in the process transformed. Today it embraces a cornucopia of design in an almost limitless range of materials: design studios are laboratories for experimentation; design concepts can be as important as finished objects; and furniture has crossed barriers to become a new art form. Tools and technologies never before possible have provided new approaches to decoration, and may incorporate influences from the past. The design profession has broadened its horizons; interiors and furniture are being created by architects, interior designers, furniture makers, industrial designers, artisans, artists, and even fashion designers. Design After Modernism offers an overview of developments in design over the past four decades—some evolutionary, some expected, and some extraordinary. It identifies the diverse influences that have generated new directions in design and illustrates many of the most characteristic, most noteworthy, and most innovative objects in this rich and variegated mix. All are representative of their time, and many of the earlier designs have already gained iconic status. Of the more recent ones, whether or not they will be admired in decades to come is something that only time will tell.

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Postmodernism was the defining look of the 1980s. Originating as a rebellious movement in philosophy and literature, and spearheaded by Michael Graves, Robert Venturi, Ettore Sottsass and Alessandro Mendini, Postmodernism proclaimed the death of modernism and promoted a new, non-linear way of approaching architecture and design. Its lively and colourful rebellion against modernism’s monotony and dogma spread from architecture to other design disciplines, and promoted a belief that design need not be taken too seriously. Postmodern Design Complete is the first book to take a thoroughgoing look at the movement, which is currently experiencing a major revival. It profiles key creators and introduces the principal figures in the fields of architecture, furniture, graphic design, textiles, and product and industrial design. It also presents fifteen seminal and complete homes and their furnishings, and provides a comprehensive overview of contemporary makers. Highly informed and accessible texts are illustrated with images that bring together classics and little-seen rarities, unusual objets d’art and mass-produced items. The book also includes a foreword by Charles Jencks and an afterword by Denise Scott Brown, followed by a substantial reference section. Exhaustively presenting the most knowledgeable sources and material in a single volume, this is the one book that the world’s lovers of Postmodernism must have, and that the design-conscious of any persuasion will want.

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This complete overview of contemporary studio furniture celebrates the achievements of an international selection of designers producing works of individual artistic expression that sit as comfortably in museums as they do in domestic settings. Featuring more than 400 exemplars, from finely finished tables and chairs made from natural materials to experimental furniture that straddles the boundary between craft and art, this is the only comprehensive survey of its kind. Structured by type of object and maker, the book also showcases the home interiors of makers and collectors, in which crafted furniture is used to create highly personal environments. Personalization and exclusivity in design have become increasingly prized in a world that is turning back to the values of authentic craftsmanship. This richly illustrated guide will be essential reading for all design connoisseurs, collectors and anyone interested in bespoke furniture design. With 680 illustrations in colour

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This compact, heavily-illustrated guide makes it a snap to identify period styles from the 17th century to the present day. The Guide to Period Styles for Interiors, Second Edition is a comprehensive reference that combines depth of content with ease of use. Including examples and analysis on 17th-century Louis XIV through 20th-century Late Modern and each style in between, this new edition is also updated with the latest trends of the 21st century, including computer design, sustainable design, and modern office design. New sidebars interspersed throughout the book offer glimpses into historic design styles from around the globe. Each style section ends with a summary of key characteristics, major designers, and iconic fabrics. This book is an indispensable tool for identifying the trends throughout the history of interior design.

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The first book to present great landmarked interiors of New York in all their intricate detail, Interior Landmarks is a visual celebration of space that captures the rich heritage of the city. Since 1965, the New York City Landmarks Law has preserved for generations to come a remarkable number of significant spaces in New York City's cultural, social, economic, political, and architectural history. Not only do the exterior facades of these buildings fall within the law's purview, but many of their stunning interiors as well. Newly updated with current information, this book tells the stories of forty-six interior landmarks from the widely celebrated - Radio City Music Hall, the Great Hall of the Metropolitan Museum of Art, Grand Central Station - to others that are virtually unknown. A catalogue of all 120 interior landmarks, with names of their architects and locations, is also included. Readers will learn about their original construction and style, their exceptional design features, materials, and architectural details, as well as the challenges to preserving them - whether they were unanimously accepted or hotly contested in legal battles - and the preservationists, philanthropists, politicians, and designers who made it possible. The book also includes updated details on the restorations or re-imaginings that took place. Combining strong visuals and thorough research, this valuable reference work will fascinate all readers with an interest in the city's history. This paperback edition is updated with current information, including the 2017 addition of The New York Public Library's historic Rose Main Reading Room to the list of protected landmarks.

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A History of Interior Design tells the story of 6,000 years of domestic and public space. It's an essential resource for students, professionals and anyone interested in interior design, the decorative arts, architecture and art history. It explores a broad range of styles and movements, weaving together a fascinating narrative from cave dwellings and temple architecture, through Gothic cathedrals and Islamic palaces, to modern skyscrapers and the retail spaces of the 21st-century.This fully updated fifth edition includes more on the contributions of women designers and architects, additional coverage of furniture, product design and decoration, as well as numerous examples of diverse modern styles from around the world. An extra final chapter focuses on the influence of the latest technology and current thinking on the importance of conservation and ethical sourcing.This new edition includes 730 images, over 300 of which are new or colour replacements for black and white photos.

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Marking the 50th anniversary of the Landmarks Law, this book celebrates the great interiors of New York in a stunning visual presentation of space and intricate detail that captures the rich architectural heritage of the city. Some are widely celebrated - Radio City Music Hall, the Great Hall of the Metropolitan Museum of Art, Grand Central Station - and others virtually unknown, all warrant preservation. This book is the first to present great landmarked interiors of New York in all their intricate detail, in a visual celebration of space that captures the rich heritage of the city. In the fifty years since it was established in 1965, the New York City Landmarks Law has preserved for generations to come a remarkable number of significant buildings that represent New York City’s cultural, social, economic, political, and architectural history. Not only do the exterior facades of these buildings fall within the law’s purview, but, since 1973, many of their stunning interiors as well. This book tells the colorful stories of 47 interior landmarks from the oldest to the youngest - from the grand Italianate and infamous Tweed Courthouse, the centerpiece of the largest corruption case in New York history, and the glamorous Art Deco Rainbow Room, constructed shortly after the repeal of the Prohibition - to the modernist 1967 Ford Foundation Building, whose garden-filled atrium exemplified sustainable design well before the concept became fashionable, and was hailed as “one of the most romantic environments ever devised by corporate man.” Located throughout the five boroughs, the interior landmarks include banks, theaters, office building lobbies, restaurants, libraries, and more - spaces in which New Yorkers have worked, learned, governed, been entertained, and interacted with their communities for decades. Readers will learn about their original construction and style, their exceptional design features, materials, and architectural details - then of the challenges to preserving them—whether they were unanimously accepted or hotly contested in legal battles - the restorations or re-imaginings that took place, and the preservationists, philanthropists, politicians, and designers who made it possible. Combining strong visuals and thorough research, this valuable reference work will fascinate all readers with an interest in the city’s history.

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