Search results for ""Author Juan Cole""

Modernity and the Millennium is the first book to chart responses in the Muslim Middle East to modernity through an examination of the evolution of the Baha'i faith--a millenarian movement led by the nineteenth-century Iranian prophet Baha'u'llah ("the Glory of God"). This volume illuminates the complexity and ambiguity that characterized the changing relationship of Baha'u'llah and his followers to modernity, considered as a transnational and fluid political and cultural field of contestation. The insights presented here into these responses to modernity illuminate not only the genesis of a new world-religion but also important facets of Middle Eastern-particularly Iranian-social and cultural shifts in the nineteenth century. Drawing on the work of Habermas, Giddens, Touraine and Bryan Turner, among others, Juan R. I. Cole considers some of the ways in which Middle Eastern society was affected by five developments central to modernity: the lessening entanglement of the state with religion, the move from absolutism to democracy, the rise of sovereign nation-states, the advent of nationalism, and the women's movement. He explores the Baha'is' positive response to religious toleration, democracy, and greater rights for women and their "utopian realist" critique of nationalism, militant Jacobin secularization, industrialized warfare, and genocide, oppression of the poor and working classes, and xenophobia.

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A repository of subversive, melancholic and existentialist themes and ideas, the rubaiyat (quatrains) that make up the collected poems attributed to the 12th century Persian astronomer Omar Khayyam have enchanted readers for centuries. In this modern translation, complete with critical introduction and epilogue, Juan Cole elegantly renders the verse for contemporary readers. Exploring such universal questions as the meaning of life, fate and how to live a good life in the face of human mortality, this translation reveals anew why this singular collection of poems has struck a chord with such a temporally and culturally diverse audience, from the wine houses of medieval Iran to the poets of Western twentieth century modernism.

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